Spent the Labour Day public holiday swanning about the house all day watching the 95th Academy Awards Ceremony. It was a beautiful sunny day, but there was no outside frolicking for me in the morning. Instead, like the movie obsessed beast that I am, I sat through the entire 4.5 hour Oscars ceremony, sacrificing what may be one of the sunniest mornings of Autumn so far. Please don't judge me too harshly though because I did get out for a long walk in the afternoon!
Host Jimmy Kimmel delivered well, speckling the ceremony with humour and interest, and he couldn't resist the opportunity to take a poke at Will Smith for his ridiculous and violent outburst at last years Oscars event. This year was far more subdued and civilised and no-one walked away with a slapped face or offended feelings. It was definitely a huge sweep for Everything, Everywhere All at Once with 7 wins and All Quite On the Western Front with  5 wins; both of which were my top two movies choices for 2022, so I wasn't surprised. I did think that The Banshees of Inisherin would've got a few nods, because I adored it so, but overall, there was no doubt that the winners were deserving. 
Some highlights for me were Jamie Lee Curtis' acceptance speech for best supporting actress in Everything, Everywhere All at Once. She has been making films for 40 years and it was great to see her get some serious recognition. I also loved seeing composer MM Keeravani sing his acceptance speech for winning Best Original Song for RRR's 'Naatu Naatu' and I was genuinely touched by John Travolta's emotional presentation of the Memoriam, where he had to push back his remorse about the loss of his good friend Olivia Newton John last year. 

And just like that, it's all over and done for another 12 months, so now I'll need to keep my eye for the next big thing on the horizon. Back to the cinema again for me!
And just in case you missed it all...you know I got you covered! Here are the nominees with the winners for each category highlighted and underlined. 

Best Picture
“All Quiet on the Western Front,” Malte Grunert, Producer
“Avatar: The Way of Water,” James Cameron and Jon Landau, Producers
“The Banshees of Inisherin,” Graham Broadbent, Pete Czernin and Martin McDonagh, Producers
“Elvis,” Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, Producers
“Everything Everywhere All at Once,” Daniel Kwan, Daniel Scheinert and Jonathan Wang, Producers
“The Fabelmans,” Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, Producers
“Tár,” Todd Field, Alexandra Milchan and Scott Lambert, Producers
“Top Gun: Maverick,” Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer, Producers
“Triangle of Sadness,” Erik Hemmendorff and Philippe Bober, Producers
“Women Talking,” Dede Gardner, Jeremy Kleiner and Frances McDormand, Producers

Best Director
Martin McDonagh (“The Banshees of Inisherin”) 
Daniel Kwan, Daniel Scheinert (“Everything Everywhere All at Once”) 
Steven Spielberg (“The Fabelmans”) 
Todd Field (“Tár”) 
Ruben Östlund (“Triangle of Sadness”)

Best Lead Actor
Austin Butler (“Elvis”) 
Colin Farrell (“The Banshees of Inisherin”) 
Brendan Fraser (“The Whale”) 
Paul Mescal (“Aftersun”) 
Bill Nighy (“Living”) 

Best Lead Actress
Cate Blanchett (“Tár”) 
Ana de Armas (“Blonde”) 
Andrea Riseborough (“To Leslie”)
Michelle Williams (“The Fabelmans”) 
Michelle Yeoh (“Everything Everywhere All at Once”)

Best Supporting Actor
Brendan Gleeson (“The Banshees of Inisherin”) 
Brian Tyree Henry (“Causeway”) 
Judd Hirsch (“The Fabelmans”)
Barry Keoghan (“The Banshees of Inisherin”) 
Ke Huy Quan (“Everything Everywhere All at Once”) 

Best Supporting Actress
Angela Bassett (“Black Panther: Wakanda Forever”) 
Hong Chau (“The Whale”) 
Kerry Condon (“The Banshees of Inisherin”) 
Jamie Lee Curtis (“Everything Everywhere All at Once”) 
Stephanie Hsu (“Everything Everywhere All at Once”)

Best Adapted Screenplay
“All Quiet on the Western Front,” Screenplay by Edward Berger, Lesley Paterson & Ian Stokell
“Glass Onion: A Knives Out Mystery,” Written by Rian Johnson
“Living,” Written by Kazuo Ishiguro
“Top Gun: Maverick,” Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; Story by Peter Craig and Justin Marks
“Women Talking,” Screenplay by Sarah Polley

Best Original Screenplay
“The Banshees of Inisherin,” Written by Martin McDonagh
“Everything Everywhere All at Once,” Written by Daniel Kwan & Daniel Scheinert
“The Fabelmans,” Written by Steven Spielberg & Tony Kushner
“Tár,” Written by Todd Field
“Triangle of Sadness,” Written by Ruben Östlund

Best Cinematography
“All Quiet on the Western Front”, James Friend
“Bardo, False Chronicle of a Handful of Truths,” Darius Khondji
“Elvis,” Mandy Walker
“Empire of Light,” Roger Deakins
“Tár,” Florian Hoffmeister

Best Documentary Feature Film 
“All That Breathes,” Shaunak Sen, Aman Mann and Teddy Leifer
“All the Beauty and the Bloodshed,” Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov
“Fire of Love,” Sara Dosa, Shane Boris and Ina Fichman
“A House Made of Splinters,” Simon Lereng Wilmont and Monica Hellström
“Navalny,” Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris

Best Documentary Short Film 
“The Elephant Whisperers,” Kartiki Gonsalves and Guneet Monga
“Haulout,” Evgenia Arbugaeva and Maxim Arbugaev
“How Do You Measure a Year?” Jay Rosenblatt
“The Martha Mitchell Effect,” Anne Alvergue and Beth Levison
“Stranger at the Gate,” Joshua Seftel and Conall Jones

Best Film Editing
“The Banshees of Inisherin,” Mikkel E.G. Nielsen
“Elvis,” Matt Villa and Jonathan Redmond
“Everything Everywhere All at Once,” Paul Rogers
“Tár,” Monika Willi
“Top Gun: Maverick,” Eddie Hamilton

Best International Feature Film 
“All Quiet on the Western Front” (Germany) 
“Argentina, 1985” (Argentina) 
“Close” (Belgium)
“EO” (Poland) 
“The Quiet Girl” (Ireland) 

Best Original Song 
“Applause” from “Tell It Like a Woman,” Music and Lyric by Diane Warren
“Hold My Hand” from “Top Gun: Maverick,” Music and Lyric by Lady Gaga and BloodPop
“Lift Me Up” from “Black Panther: Wakanda Forever,” Music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; Lyric by Tems and Ryan Coogler
“Naatu Naatu” from “RRR,” Music by M.M. Keeravaani; Lyric by Chandrabose  
“This Is a Life” from “Everything Everywhere All at Once,” Music by Ryan Lott, David Byrne and Mitski; Lyric by Ryan Lott and David Byrne 

Best Production Design 
“All Quiet on the Western Front,” Production Design: Christian M. Goldbeck; Set Decoration: Ernestine Hipper
“Avatar: The Way of Water,” Production Design: Dylan Cole and Ben Procter; Set Decoration: Vanessa Cole
“Babylon,” Production Design: Florencia Martin; Set Decoration: Anthony Carlino
“Elvis,” Production Design: Catherine Martin and Karen Murphy; Set Decoration: Bev Dunn
“The Fabelmans,” Production Design: Rick Carter; Set Decoration: Karen O’Hara

Best Visual Effects
“All Quiet on the Western Front,” Frank Petzold, Viktor Müller, Markus Frank and Kamil Jafar
“Avatar: The Way of Water,” Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett
“The Batman,” Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy
“Black Panther: Wakanda Forever,” Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick
“Top Gun: Maverick,” Ryan Tudhope, Seth Hill, Bryan Litson and Scott R. Fisher

Best Animated Feature Film 
“Guillermo del Toro’s Pinocchio,” Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley 
“Marcel the Shell With Shoes On,” Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey
“Puss in Boots: The Last Wish,” Joel Crawford and Mark Swift
“The Sea Beast,” Chris Williams and Jed Schlanger
“Turning Red,” Domee Shi and Lindsey Collins

Best Animated Short Film
“The Boy, the Mole, the Fox and the Horse,” Charlie Mackesy and Matthew Freud
“The Flying Sailor,” Amanda Forbis and Wendy Tilby
“Ice Merchants,” João Gonzalez and Bruno Caetano
“My Year of Dicks,” Sara Gunnarsdóttir and Pamela Ribon
“An Ostrich Told Me the World Is Fake and I Think I Believe It,” Lachlan Pendragon

​Best Costume Design 
“Babylon,” Mary Zophres
“Black Panther: Wakanda Forever,” Ruth Carter
“Elvis,” Catherine Martin
“Everything Everywhere All at Once,” Shirley Kurata
“Mrs. Harris Goes to Paris,” Jenny Beavan

Best Live Action Short
“An Irish Goodbye,” Tom Berkeley and Ross White
“Ivalu,” Anders Walter and Rebecca Pruzan
“Le Pupille,” Alice Rohrwacher and Alfonso Cuarón
“Night Ride,” Eirik Tveiten and Gaute Lid Larssen
“The Red Suitcase,” Cyrus Neshvad

Best Makeup and Hairstyling 
“All Quiet on the Western Front,” Heike Merker and Linda Eisenhamerová
“The Batman,” Naomi Donne, Mike Marino and Mike Fontaine
“Black Panther: Wakanda Forever,” Camille Friend and Joel Harlow
“Elvis,” Mark Coulier, Jason Baird and Aldo Signoretti
“The Whale,” Adrien Morot, Judy Chin and Anne Marie Bradley

Best Original Score 
“All Quiet on the Western Front,” Volker Bertelmann
“Babylon,” Justin Hurwitz
“The Banshees of Inisherin,” Carter Burwell
“Everything Everywhere All at Once,” Son Lux
“The Fabelmans,” John Williams

​Best Sound
“All Quiet on the Western Front,” Viktor Prášil, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte
“Avatar: The Way of Water,” Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges
“The Batman,” Stuart Wilson, William Files, Douglas Murray and Andy Nelson
“Elvis,” David Lee, Wayne Pashley, Andy Nelson and Michael Keller
“Top Gun: Maverick,” Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor

And here's a little hidden gem that was nominated for Best Animation at the Oscars this year, but couldn't stand up against Guillermo del Toro's juggernaut film: Pinocchio. Darling Marcel the Shell with Shoes On may not have garnered a lot of attention, but I do recommend a look should you get the chance. 

MARCEL THE SHELL WITH SHOES ON
Release Date: 2022 
Rating: PG
Running Time: 89 mins
A stop motion animation based on the shorts of the same name by Jenny Slate and Dean Fleischer Camp, who both take up the title roles in this movie length adaptation. Poignant, profound and utterly heart-warming, this movie has tonnes of spirit and will leave you with delightfully warm, fuzzy feeling afterwards. 
An adorable shell named Marcel becomes the main character in an online documentary series by recently separated Dean. Marcel discusses everything about life amongst the clutter at an Airbnb; explaining the highs and lows of life for himself, his beloved Nana Connie and their pet lint ball, providing both insightful contemplations  and inspiring resilience along the way. 
This darling little film is definitely not just for children, Marcel The Shell With Shoes On provides many laughs and life lessons along the way for adults as well. Marcel is beautifully voiced by Jenny Slate and her Nana by Isabella Rossellini and although he may be small, Marcel is probably going to leave a big impression on you. 
FINAL SAY: I couldn't tell you, but the space in my heart gets bigger and louder everyday. 
3.5 Chilli Peppers ​

Yep, yep, it's happening again, another awards ceremony and another excuse for me to get to the movies a lot more over the next few weeks. You all know that I love this stuff, but I also love to see what the nominations are because it basically maps out my viewing for the month ahead and gives me a very strong indication of the films that I cannot miss. 
There are so many films nominated for Best Picture this year and it's a total mixed bag of genres. So far, I have seen five of them, so I am half way through.  If you haven't even started to view yet, don't worry there is still plenty of time. The Academy Awards Ceremony will be hosted by Jimmy Kimmel this time around and will air on Monday, March 13th, which also just happens to be a public holiday in Victoria, Australia so I will get to enjoy them in real time this year- nice!
And if you haven't seen the final nominations list, you know I got your back! Please see the 95th Academy Award nominations below:
​
Best Picture
“All Quiet on the Western Front,” Malte Grunert, Producer
“Avatar: The Way of Water,” James Cameron and Jon Landau, Producers
“The Banshees of Inisherin,” Graham Broadbent, Pete Czernin and Martin McDonagh, Producers
“Elvis,” Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, Producers
“Everything Everywhere All at Once,” Daniel Kwan, Daniel Scheinert and Jonathan Wang, Producers
“The Fabelmans,” Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, Producers
“Tár,” Todd Field, Alexandra Milchan and Scott Lambert, Producers
“Top Gun: Maverick,” Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer, Producers
“Triangle of Sadness,” Erik Hemmendorff and Philippe Bober, Producers
“Women Talking,” Dede Gardner, Jeremy Kleiner and Frances McDormand, Producers

Best Director
Martin McDonagh (“The Banshees of Inisherin”) 
Daniel Kwan, Daniel Scheinert (“Everything Everywhere All at Once”) 
Steven Spielberg (“The Fabelmans”) 
Todd Field (“Tár”) 
Ruben Östlund (“Triangle of Sadness”)

Best Lead Actor
Austin Butler (“Elvis”) 
Colin Farrell (“The Banshees of Inisherin”) 
Brendan Fraser (“The Whale”) 
Paul Mescal (“Aftersun”) 
Bill Nighy (“Living”) 

Best Lead Actress
Cate Blanchett (“Tár”) 
Ana de Armas (“Blonde”) 
Andrea Riseborough (“To Leslie”)
Michelle Williams (“The Fabelmans”) 
Michelle Yeoh (“Everything Everywhere All at Once”)

Best Supporting Actor
Brendan Gleeson (“The Banshees of Inisherin”) 
Brian Tyree Henry (“Causeway”) 
Judd Hirsch (“The Fabelmans”)
Barry Keoghan (“The Banshees of Inisherin”) 
Ke Huy Quan (“Everything Everywhere All at Once”) 

Best Supporting Actress
Angela Bassett (“Black Panther: Wakanda Forever”) 
Hong Chau (“The Whale”) 
Kerry Condon (“The Banshees of Inisherin”) 
Jamie Lee Curtis (“Everything Everywhere All at Once”) 
Stephanie Hsu (“Everything Everywhere All at Once”)

Best Adapted Screenplay
“All Quiet on the Western Front,” Screenplay by Edward Berger, Lesley Paterson & Ian Stokell
“Glass Onion: A Knives Out Mystery,” Written by Rian Johnson
“Living,” Written by Kazuo Ishiguro
“Top Gun: Maverick,” Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; Story by Peter Craig and Justin Marks
“Women Talking,” Screenplay by Sarah Polley

Best Original Screenplay
“The Banshees of Inisherin,” Written by Martin McDonagh
“Everything Everywhere All at Once,” Written by Daniel Kwan & Daniel Scheinert
“The Fabelmans,” Written by Steven Spielberg & Tony Kushner
“Tár,” Written by Todd Field
“Triangle of Sadness,” Written by Ruben Östlund

Best Cinematography
“All Quiet on the Western Front”, James Friend
“Bardo, False Chronicle of a Handful of Truths,” Darius Khondji
“Elvis,” Mandy Walker
“Empire of Light,” Roger Deakins
“Tár,” Florian Hoffmeister

Best Documentary Feature Film 
“All That Breathes,” Shaunak Sen, Aman Mann and Teddy Leifer
“All the Beauty and the Bloodshed,” Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov
“Fire of Love,” Sara Dosa, Shane Boris and Ina Fichman
“A House Made of Splinters,” Simon Lereng Wilmont and Monica Hellström
“Navalny,” Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris

Best Documentary Short Film 
“The Elephant Whisperers,” Kartiki Gonsalves and Guneet Monga
“Haulout,” Evgenia Arbugaeva and Maxim Arbugaev
“How Do You Measure a Year?” Jay Rosenblatt
“The Martha Mitchell Effect,” Anne Alvergue and Beth Levison
“Stranger at the Gate,” Joshua Seftel and Conall Jones

Best Film Editing
“The Banshees of Inisherin,” Mikkel E.G. Nielsen
“Elvis,” Matt Villa and Jonathan Redmond
“Everything Everywhere All at Once,” Paul Rogers
“Tár,” Monika Willi
“Top Gun: Maverick,” Eddie Hamilton

Best International Feature Film 
“All Quiet on the Western Front” (Germany) 
“Argentina, 1985” (Argentina) 
“Close” (Belgium)
“EO” (Poland) 
“The Quiet Girl” (Ireland) 

Best Original Song 
“Applause” from “Tell It Like a Woman,” Music and Lyric by Diane Warren
“Hold My Hand” from “Top Gun: Maverick,” Music and Lyric by Lady Gaga and BloodPop
“Lift Me Up” from “Black Panther: Wakanda Forever,” Music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; Lyric by Tems and Ryan Coogler
“Naatu Naatu” from “RRR,” Music by M.M. Keeravaani; Lyric by Chandrabose  
“This Is a Life” from “Everything Everywhere All at Once,” Music by Ryan Lott, David Byrne and Mitski; Lyric by Ryan Lott and David Byrne 

Best Production Design 
“All Quiet on the Western Front,” Production Design: Christian M. Goldbeck; Set Decoration: Ernestine Hipper
“Avatar: The Way of Water,” Production Design: Dylan Cole and Ben Procter; Set Decoration: Vanessa Cole
“Babylon,” Production Design: Florencia Martin; Set Decoration: Anthony Carlino
“Elvis,” Production Design: Catherine Martin and Karen Murphy; Set Decoration: Bev Dunn
“The Fabelmans,” Production Design: Rick Carter; Set Decoration: Karen O’Hara

Best Visual Effects
“All Quiet on the Western Front,” Frank Petzold, Viktor Müller, Markus Frank and Kamil Jafar
“Avatar: The Way of Water,” Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett
“The Batman,” Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy
“Black Panther: Wakanda Forever,” Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick
“Top Gun: Maverick,” Ryan Tudhope, Seth Hill, Bryan Litson and Scott R. Fisher

Best Animated Feature Film 
“Guillermo del Toro’s Pinocchio,” Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley
“Marcel the Shell With Shoes On,” Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey
“Puss in Boots: The Last Wish,” Joel Crawford and Mark Swift
“The Sea Beast,” Chris Williams and Jed Schlanger
“Turning Red,” Domee Shi and Lindsey Collins

Best Animated Short Film
“The Boy, the Mole, the Fox and the Horse,” Charlie Mackesy and Matthew Freud
“The Flying Sailor,” Amanda Forbis and Wendy Tilby
“Ice Merchants,” João Gonzalez and Bruno Caetano
“My Year of Dicks,” Sara Gunnarsdóttir and Pamela Ribon
“An Ostrich Told Me the World Is Fake and I Think I Believe It,” Lachlan Pendragon

​Best Costume Design 
“Babylon,” Mary Zophres
“Black Panther: Wakanda Forever,” Ruth Carter
“Elvis,” Catherine Martin
“Everything Everywhere All at Once,” Shirley Kurata
“Mrs. Harris Goes to Paris,” Jenny Beavan

Best Live Action Short
“An Irish Goodbye,” Tom Berkeley and Ross White
“Ivalu,” Anders Walter and Rebecca Pruzan
“Le Pupille,” Alice Rohrwacher and Alfonso Cuarón
“Night Ride,” Eirik Tveiten and Gaute Lid Larssen
“The Red Suitcase,” Cyrus Neshvad

Best Makeup and Hairstyling 
“All Quiet on the Western Front,” Heike Merker and Linda Eisenhamerová
“The Batman,” Naomi Donne, Mike Marino and Mike Fontaine
“Black Panther: Wakanda Forever,” Camille Friend and Joel Harlow
“Elvis,” Mark Coulier, Jason Baird and Aldo Signoretti
“The Whale,” Adrien Morot, Judy Chin and Anne Marie Bradley

Best Original Score 
“All Quiet on the Western Front,” Volker Bertelmann
“Babylon,” Justin Hurwitz
“The Banshees of Inisherin,” Carter Burwell
“Everything Everywhere All at Once,” Son Lux
“The Fabelmans,” John Williams

​Best Sound
“All Quiet on the Western Front,” Viktor Prášil, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte
“Avatar: The Way of Water,” Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges
“The Batman,” Stuart Wilson, William Files, Douglas Murray and Andy Nelson
“Elvis,” David Lee, Wayne Pashley, Andy Nelson and Michael Keller
“Top Gun: Maverick,” Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor

THE BANSHEES OF INISHERIN
Release Date: 2023 
Rating: M
Running Time: 109 mins 
Director Martin McDonagh delivers a despairing and melancholic depiction of life in Ireland in the 1920's. Speckled with humour and blessed with a deeply compelling storyline, The Banshees of Inisherin is both original and unforgettable in equal measures. 
On a remote island off the west coast of Ireland, lifelong friends Padric and Colm find themselves at an impasse when Colm decides that he inexplicably no longer wishes to be Padric's friend. The small town of Inisherin become involved in the dramatics of the men's failing friendship. 
At times I found this film is so desperately sad and then in the next moment, I was laughing out loud. It's a film that has it all and it is all held together brilliantly by Colin Farrell and Brendan Gleeson. McDonagh first brought the two actors together in 2008 for In Bruge, and their onscreen chemistry is no less dynamic here fifteen years later. Barry Keoghan manages to steal the show regularly with his portrayal of the trouble island lad Dominic and Kerry Condon shines as Padric's sister Siobhan. 
Filled with extreme behaviours, gorgeous Irish landscapes, strange characters and unsettling interludes, it's an entertaining watch that deserves every one of it's nine Oscar nominations. 
FINAL SAY: I'm not putting me donkey outside when I'm sad, okay?
4 Chilli Peppers ​

The Golden Globe Award Ceremony was thankfully rebooted and reignited this year after all of the controversy of 2022. With a new feel and more inclusive approach, I think that the Globes managed to dig themselves out of a hole this year and revamp themselves into a more respectable and inclusive awards ceremony. 
Some of my favourite highlights were the many stirring and emotional acceptance speeches that addressed some of the hardships that minority actors have faced in the past in regards to awards and recognition. Michelle Yeoh touched on ageism and racism, Ke Huy Kwan emotionally recounted his feelings of missed opportunities and struggle, and host Jerrod Carmichael didn't have any trouble saying this with a  straight face:
“I’ll tell you why I’m here,” Carmichael said while greeting viewers. “I’m here because I’m Black.” 
“I won’t say they [are] a racist organization,” he added. “But they didn’t have a single Black member until George Floyd died, so do with that information what you will.” 
And honestly, it is only by saying what needs to be said that we can understand, heal and change, so these types of things do need to be addressed, and if that does make some people feel uncomfortable, well too bad!
On a lighter note, Eddie Murphy told everyone his three important things to always do in order to be successful - “Pay your taxes, mind your business and keep Will Smith’s wife’s name out your fucking mouth," which was very funny, and Jennifer Coolidge told everyone how nervous she was presenting because she always "fucks thing up" and was more concerned about falling over on stage then anything else. 
As always, I loved it, watched it from start to end and now have a swag of films to catch up on! And just in case you missed it, here are the nominees and winners:

Best Picture, Drama
“Avatar: The Way of Water” (20th Century Studios) 
“Elvis” (Warner Bros.) 
“The Fabelmans” (Universal Pictures) (WINNER)
“Tár” (Focus Features) 
“Top Gun: Maverick” (Paramount Pictures)

Best Picture, Musical or Comedy
“Babylon” (Paramount Pictures) 
“The Banshees of Inisherin” (Searchlight Pictures) (WINNER)
“Everything Everywhere All at Once” (A24) 
“Glass Onion: A Knives Out Mystery” (Netflix) 
“Triangle of Sadness” (Neon) 

Best Director, Motion Picture
James Cameron (“Avatar: The Way of Water”) 
Daniel Kwan, Daniel Scheinert (“Everything Everywhere All at Once”) 
Baz Luhrmann (“Elvis”) 
Martin McDonagh (“The Banshees of Inisherin”) 
Steven Spielberg (“The Fabelmans”) (WINNER)

Best Screenplay, Motion Picture
“Tár” (Focus Features) — Todd Field 
“Everything Everywhere All at Once” (A24) — Daniel Kwan, Daniel Scheinert 
“The Banshees of Inisherin” (Searchlight Pictures) — Martin McDonagh (WINNER)
“Women Talking” (MGM/United Artists Releasing) — Sarah Polley 
“The Fabelmans” (Universal Pictures) — Steven Spielberg, Tony Kushner

Best Performance by an Actor in a Motion Picture, Drama
Austin Butler (“Elvis”) (WINNER)
Brendan Fraser (“The Whale”) 
Hugh Jackman (“The Son”)
Bill Nighy (“Living”) 
Jeremy Pope (“The Inspection”) 

Best Performance by an Actress in a Motion Picture, Drama
Cate Blanchett (“Tár”) (WINNER)
Olivia Colman (“Empire of Light”) 
Viola Davis (“The Woman King”) 
Ana de Armas (“Blonde”) 
Michelle Williams (“The Fabelmans”)

Best Performance by an Actress in a Motion Picture, Musical or Comedy
Lesley Manville (“Mrs. Harris Goes to Paris”) 
Margot Robbie (“Babylon”) 
Anya Taylor-Joy (“The Menu”) 
Emma Thompson (“Good Luck to You, Leo Grande”) 
Michelle Yeoh (“Everything Everywhere All at Once”) (WINNER)

Best Performance by an Actor in a Motion Picture, Musical or Comedy
Diego Calva (“Babylon”) 
Daniel Craig (“Glass Onion: A Knives Out Mystery”)
Adam Driver (“White Noise”) 
Colin Farrell (“The Banshees of Inisherin”) (WINNER)
Ralph Fiennes (“The Menu”)

Best Supporting Actor – Motion Picture
Brendan Gleeson (“The Banshees of Inisherin”) 
Barry Keoghan (“The Banshees of Inisherin”) 
Brad Pitt (“Babylon”)
Ke Huy Quan (“Everything Everywhere All at Once”) WINNER
Eddie Redmayne (“The Good Nurse”)

Best Supporting Actress, Motion Picture
Angela Bassett (“Black Panther: Wakanda Forever”) WINNER
Kerry Condon (“The Banshees of Inisherin”) 
Jamie Lee Curtis (“Everything Everywhere All at Once”) 
Dolly De Leon (“Triangle of Sadness”)
Carey Mulligan (“She Said”)

Best Television Series, Drama
“Better Call Saul” (AMC) 
“The Crown” (Netflix) 
“House of the Dragon” (HBO) (WINNER)
“Ozark” (Netflix) 
“Severance” (Apple TV+)

Best Television Series, Musical or Comedy
“Abbott Elementary” (ABC) (WINNER)
“The Bear” (FX)
“Hacks” (HBO Max)
“Only Murders in the Building” (Hulu) 
“Wednesday” (Netflix) 

Best Performance by an Actor in a Television Series, Drama
Jeff Bridges (“The Old Man”) 
Kevin Costner (“Yellowstone”) (WINNER)
Diego Luna (“Andor”)
Bob Odenkirk (“Better Call Saul”)
Adam Scott (“Severance”)

Best Performance by an Actress in a Television Series, Drama
Emma D’Arcy (“House of the Dragon”)
Laura Linney (“Ozark”) 
Imelda Staunton (“The Crown”)
Hilary Swank (“Alaska Daily”)
Zendaya (“Euphoria”) (WINNER)

Best Actress in a TV Series, Musical or Comedy
Quinta Brunson (“Abbott Elementary”) (WINNER)
Kaley Cuoco (“The Flight Attendant”) 
Selena Gomez (“Only Murders in the Building”) 
Jenna Ortega (“Wednesday”) 
Jean Smart (“Hacks”)

Best Actor in a TV Series, Musical or Comedy
Donald Glover (“Atlanta”) 
Bill Hader (“Barry”) 
Steve Martin (“Only Murders in the Building”) 
Martin Short (“Only Murders in the Building”) 
Jeremy Allen White (“The Bear”) (WINNER)

Best Supporting Actor, Television
John Lithgow (“The Old Man”) 
Jonathan Pryce (“The Crown”) 
John Turturro (“Severance”) 
Tyler James Williams (“Abbott Elementary”) WINNER
Henry Winkler (“Barry”)

Best Supporting Actress, Television
Elizabeth Debicki (“The Crown”) 
Hannah Einbinder (“Hacks”) 
Julia Garner (“Ozark”) (WINNER)
Janelle James (“Abbott Elementary”) 
Sheryl Lee Ralph (“Abbott Elementary”) 

Best Limited Series, Anthology Series or a Motion Picture made for Television
“Black Bird” (Apple TV+) 
“Monster: The Jeffrey Dahmer Story” (Netflix) 
“The Dropout” (Hulu) 
“Pam & Tommy” (Hulu) 
“The White Lotus” (HBO) (WINNER)

Best Performance by an Actor, Limited Series, Anthology Series or Motion Picture made for Television
Taron Egerton (“Black Bird”) 
Colin Firth (“The Staircase”) 
Andrew Garfield (“Under the Banner of Heaven”) 
Evan Peters (“Monster: The Jeffrey Dahmer Story”) (WINNER)
Sebastian Stan (“Pam & Tommy”) 

Best Performance by an Actress, Limited Series, Anthology Series or a Motion Picture made for Television
Jessica Chastain (“George and Tammy”) 
Julia Garner (“Inventing Anna”) 
Lily James (“Pam & Tommy”) 
Julia Roberts (“Gaslit”) 
Amanda Seyfried (“The Dropout”) (WINNER)

Best Performance by an Actress in Supporting Role, Limited Series, Anthology Series or a Motion Picture made for Television
Jennifer Coolidge (“The White Lotus”) (WINNER)
Claire Danes (“Fleishman Is in Trouble”) 
Daisy Edgar-Jones (“Under the Banner of Heaven”) 
Niecy Nash-Betts (“Monster: The Jeffrey Dahmer Story”) 
Aubrey Plaza (“The White Lotus”) 

Best Performance by an Actor in Supporting Role, Limited Series, Anthology Series or a Motion Picture made for Television
​F. Murray Abraham (“The White Lotus”) 
Domhnall Gleeson (“The Patient”) 
Paul Walter Hauser (“Black Bird”) (WINNER)
Richard Jenkins (“Monster: The Jeffrey Dahmer Story”) 
Seth Rogen (“Pam & Tommy”)

Best Original Score, Motion Picture
“The Banshees of Inisherin” (Searchlight Pictures) — Carter Burwell
“Guillermo del Toro’s Pinocchio” (Netflix) — Alexandre Desplat 
“Women Talking” (MGM/United Artists Releasing) — Hildur Guðnadóttir 
“Babylon” (Paramount Pictures) — Justin Hurwitz (WINNER)
“The Fabelmans” (Universal Pictures) — John Williams  

Best Picture, Non-English Language
“All Quiet on the Western Front” (Germany) 
“Argentina, 1985” (Argentina) (WINNER)
“Close” (Belgium) 
“Decision to Leave” (South Korea) 
“RRR” (India)

Best Original Song, Motion Picture
“Carolina” from “Where the Crawdads Sing” (Sony Pictures) — Taylor Swift 
“Ciao Papa” from “Guillermo del Toro’s Pinocchio” (Netflix) — Alexandre Desplat, Roeban Katz, Guillermo del Toro 
“Hold My Hand” from “Top Gun: Maverick” (Paramount Pictures) — Lady Gaga, BloodPop, Benjamin Rice
“Lift Me Up” from “Black Panther: Wakanda Forever” (Marvel Studios) — Tems, Ludwig Göransson, Rihanna, Ryan Coogler 
“Naatu Naatu” from “RRR” (Variance Films) — Kala Bhairava, M. M. Keeravani, Rahul Sipligunj (WINNER)

Best Motion Picture, Animated
“Guillermo del Toro’s Pinocchio” (Netflix) (WINNER)
“Inu-Oh” (GKIDS) 
“Marcel the Shell With Shoes On” (A24) 
“Puss in Boots: The Last Wish” (DreamWorks Animation) 
“Turning Red” (Pixar)

GUILLERMO DEL TORO'S PINOCCHIO
Release Date: 2022 
Rating: M
Running Time: 117 mins 
A stop motion, musical and dark fantasy film from director Guillermo del Toro that is loosely based on the 1883 Italian novel The Adventures of Pinocchio by Carlo Collodi and strongly influenced by Gris Grimly's illustrations for a 2022 edition of the book. Guillermo del Toro called this film his 'passion project' stating that "No art form has influenced my life and my work more than animation and no single character in history has had as deep of a personal connection to me as Pinocchio."  And after 15 years in the making, Guillermo del Toro's Pinocchio is astoundingly great in every respect; a film not just for children but very much for adults as well. 
Set in fascist Italy during the interwar period and World War II, a carpenter named Geppetto tragically loses his son Carlo after an air-raid on their small village. Grieving, the drunken father chops down a pine tree that is home to a cricket named Sebastian J. Cricket, who becomes the narrator of the tale. In a drunken stupor Geppetto creates a rough wooden boy-like puppet from the felled pine tree and after some magic from a Wood Sprite, the puppet springs to life. And so the tale of Pinocchio begins, a puppet who has to learn about loyalty, expectation and love in a mostly cold and judgemental world. 
The voice casting is simply perfect with Ewan McGregor, David Bradley, Tilda Swinton, Ron Perlman, Cate Blanchett and Christoph Waltz all shining here. However, it is the puppets themselves that steal the show here because the stop motion animation and meticulous attention to detail with the puppets and sets is nothing short of incredible. The detail is just mind blowing and the storyline itself is darling in every way possible. 
Guillermo del Toro's Pinocchio is unlike anything that I have ever seen before in respect to craftsmanship and detail; this film is an unmissable treat both for the eyes and the heart, and it is easily my favourite movie of 2022. 
FINAL SAY: You did bring me joy. Terrible, terrible joy. 
5 Chilli Peppers ​

Just like 2021, the home viewing opportunities in 2022 grew so fast that I found myself juggling all of my streaming services, and I always seemed to have an over-abundance of new release material to trawl through. There was a head spinning amount to absorb this year, and I was also very grateful to be constantly receiving high quality recommendations from friends and family throughout the year as well.  We were again, all very spoilt for choice, and if you couldn't find something to watch in 2022 then you just weren't trying hard enough!
I managed to get through 205 movies and 158 television series this year. I also re-watched the entire Game of Thrones series, which was just as good, perhaps even better, the second time around. Basically, I was flat out watching something every day of the year and I still didn't get to half of the material that is on my 'to see' lists, but I did have a bloody good go at it!
The task of seeing everything has become arduous beyond anyone's means, and unless you are willing to permanently strap yourself to the couch and do nothing but watch movies and TV, there is just no way that you can manage to see it all. And so you must be discerning, and hopefully this is where I can offer a hand and some sound advice around what you should be investing in your time in; if you haven't done so already. 
Again, I was thrilled to be able to view great movies and TV across all genres, for which I am always grateful. In particular I really appreciated seeing so many excellent horror, thriller and fantasy offerings this year; most of which boasted stunningly good visuals and terrifically original storylines. I think that audiences are becoming more acclimated to a few scares and chills these days, and the demand for quality horror does thankfully seem to be on the rise. 
And so, without further ado....here is my selection for the best viewing experiences of 2022. 
BEST MOVIES (2022 release):
Everything Everywhere All At Once - Art House 4 Chilli Peppers
All Quiet on the Western Front - War/ Action 4 Chilli Peppers
The Sea Beast - Kids 3.5 Chilli Peppers 
Barbarian - Horror 3.5 Chilli Peppers 
Nope - Sci- Fi 3.5 Chilli Peppers
Blonde - Gritty 3.5 Chilli Peppers 
ELVIS - Musical/ drama 3.5 Chilli Peppers  
The Batman - Action/ Super 3.5 Chilli Peppers
Doctor Strange in the Multiverse of Madness - Action/ Super 3.5 Chilli Peppers
The Northman- Action  3.5 Chilli Peppers
Thor: Love and Thunder - Action/ Super 3.5 Chilli Peppers
Fresh - Thriller   3.5 Chilli Peppers
Glass Onion: A Knives Out Mystery - Crime  3.5 Chilli Peppers 
Bodies, Bodies, Bodies - Horror 3.5 Chilli Peppers 
Smile - Horror  3.5 Chilli Peppers

2022 HONOURABLE MENTIONS:
Hustle - Drama 3 Chilli Peppers
Terrifier 2- Horror 3 Chilli Peppers
Hellbender-  Horror 3 Chilli Peppers 
I Want You Back - Romance/comedy  3 Chilli Peppers 
Clerks 3 - Comedy 3 Chilli Peppers 

Here are my top recommendations for pre-2022 releases that I didn't get around to seeing until 2022:
C'mon C'mon - Drama 4.5 Chilli Peppers 
Licorice Pizza - Drama 4 Chilli Peppers
Nightmare Alley - Horror  4 Chilli Peppers
Spiderman: No Way Home - Action/ Super 4 Chilli Peppers 
West Side Story - Musical 4 Chilli Peppers 
Flee - International 4 Chilli Peppers
Annette - Art House/ Musical 4 Chilli Peppers 
Nitram - Gritty 4 Chilli Peppers 
The Raid: Redemption - Action 4 Chilli Peppers 
Titane - Art House 3.5 Chilli Peppers 
The Love Witch - Art House 3.5 Chilli Peppers 
Dolemite is My Name - Comedy 3.5 Chilli Peppers 
Antrum - Horror 3.5 Chilli Peppers
Ron's Gone Wrong - Kids 3.5 Chilli Peppers 
Ghost Busters: Afterlife  - Horror  3 Chilli Peppers
Silent Night - Sci-Fi 3 Chilli Peppers
How I Live Now - War/ Action 3 Chilli Peppers 

BEST TELEVISION SERIES 2022:
Somebody, Somewhere - Drama/ Comedy 5 Chilli Peppers 
Atlanta S4 - Art House 5 Chilli Peppers 
Ozark S4 - Crime/ Drama 5 Chilli Peppers 
Maid - Drama 5 Chilli Peppers 
Better Call Saul S6 - Crime/ Drama 5 Chilli Peppers 
I Think You Should Leave with Tim Robinson - Comedy 5 Chilli Peppers 
Dopesick -  Drama 5 Chilli Peppers
The White Lotus S2 - Drama 5 Chilli Peppers 
Severance - Fantasy 4.5 Chilli Peppers 
The Peacemaker - Super/ comedy 4 Chilli Peppers
Pam and Tommy - Drama 4 Chilli Peppers 
The Boys S3 - Super/ Comedy 4 Chilli Peppers
This is Going to Hurt - Drama 4 Chilli Peppers
FROM - Horror 4 Chilli Peppers 
Pistols - Drama 4 Chilli Peppers 
Umbrella Academy S3- Fantasy 4 Chilli Peppers 
Dahmer- Horror/ Crime 4 Chilli Peppers
Black Bird - Crime 4 Chilli Peppers 
The Bear- Drama 4 Chilli Peppers 
What We Do In The Shadows S4 - Comedy 4 Chilli Peppers 
Woodstock '99 - Doco 4 Chilli Peppers 
Love, Death and Robots S3 - Fantasy 4 Chilli Peppers 
Our Flag Means Death - Comedy 3.5 Chilli Peppers 
Stranger Things S4 Part 1 - Sci-Fi 3.5 Chilli Peppers 
Mirror, Mirror by Todd Samson - Doco 3.5 Chilli Peppers 

2022 TV HONOURABLE MENTIONS: ​
House of the Dragon- Fantasy  3.5 Chilli Peppers 
The Serpent Queen - Period/ fantasy 3.5 Chilli Peppers 
Man vs Bee - Comedy 3.5 Chilli Peppers 
Colin from Accounts - Comedy - 3.5 Chilli Peppers 
Always Sunny in Philadelphia S15 - Comedy 3.5 Chilli Peppers 
Bloods S2-Comedy 3 Chilli Peppers 
Ghosts S4 - Comedy 3 Chilli Peppers 
Lizzo's Watch out for the Big Grrls - Reality 3 Chilli Peppers
Moon Knight - Super 3 Chilli Peppers
The Outlaws - Drama/comedy 3 Chilli Peppers 
Brassic S4- Crime/comedy  3 Chilli Peppers 
The Lord of the Rings: The Rings of Power - Fantasy 3 Chill Peppers 
The Sandman - Fantasy 3 Chilli Peppers 
Wednesday - Fantasy 3 Chilli Peppers 

Spicywatch.com celebrated its eighth birthday last Saturday evening. And how she has grown over the years from a humble dozen or so movies reviews when I first launched her in May 2014 to the massive 933 reviews that she now has under her belt. In the 8 years that Spicywatch has been on the internet I have had over 130,000 hits and on average, good old Spicywatch manages to rustle  up around 3000 readers a month.
So naturally, I had to celebrate the wonderful and joyful occasion of Spicywatch's 8th birthday and invite some movie loving family and friends around to Enfield to share in the movie chatter. 
With the perfection and infinity of the number 8 in mind, I asked my guests to share a clip that they felt was perfect in some way.  It could be perfect in dialogue, scene, costume, lighting, atmosphere, composition or just perfectly memorable to them and something that they go back to time and time again. 
As it has been at every Spicywatch birthday occasion, we traversed all of the genres together; laughing, crying and remembering the movie moments that have stuck with us throughout the years. 
Here is a sampling of some of the movies that made it to the viewing arena for their perfect  and memorable scenes:

• The Fall
• Toy Story 3
• Everything Everywhere All at Once
• Pan's Labyrinth 
• Whale Rider
• Big Fish 
• Kill Bill 
• The Lord of the Rings 
• The Conjuring 2
• ​Samsara
• Moulin Rogue
• Marriage Story 
• Henry V
• House of Flying Daggers 
• The Lighthouse
• Soul
• Napoleon Dynamite
• The Great Gatsby
• Beautiful Creatures
• Fantastic Mr Fox 
• The Bourne Identity
• Mr Bean's Disaster Movie
• Shadow
• Rosemary's Baby
• Much Ado About Nothing 
• Dancer in the Dark
• Midsommar
• Suicide Squad 2
• The Great Beauty 
• Apocalypto 
• The Ghoulies 

Many thanks to the special people who gave up their Saturday evening and made the very cold journey out to Enfield to share the celebration of Spicywatch.com with me, your presence was a wonderful and treasured gift. Make sure that you keep on viewing because I am rounding the 1,000 review mark and we will definitely need to celebrate that when it happens! 

EIGHTH GRADE
Release Date: 2018
Rating: MA 15+
Running Time: 94 mins
Written and directed by stand up comedian Bo Burnham, this coming-of-age tale had me squirming in my seat with it's accurate and embarrassingly memorable recount of early adolescence and teenage awkwardness. 
Kayla Day is completing her final week of eighth grade and preparing to enter high school. Shy and socially awkward, Kayla spends her free time making motivational videos on YouTube that get little to no views. Between navigating social media, school cliques, crushes and her clingy single father, Kayla is just trying to do her best to stay optimistic. 
This movie feels so genuine and real, the character of Kayla (played perfectly by Elsie Fisher) offers an accurate and unpolished version of early teenage awkwardness that was so desperately missing from the coming-of-age genre and it is delivered in such a fresh and plausible way. 
Although completely different in so many ways to my own adolescent experiences, there were still moments when I recognised the awkward longings and difficulties of Kayla as I watched; proving that teenagers are still just teenagers and that growing pains haven't changed all that much in 30 years. 
FINAL SAY: Growing up can be a little bit scary and weird. 
3.5 Chilli Peppers ​

I failed to write on my blog last week because I was doing a major overhaul of my review materials. Not only did I re-sort all of my reviews into chronological order, I also did a massive statistical review of my website. This was hours of work, but also a labour of love. 
In total, I now have 888 reviews completed on Spicywatch and only 60 unreviewed films left in my catch up (back log) of movies to review. That may sound like a lot of reviews to catch up on, but when you have managed to already do so many, it is actually quite manageable and it will give me a project to work on over the Summer break. 
My wish list of movies that I would like to see is, in contrast to my 'to review' list, ridiculously long with 493 movies currently starring, and it just continues to grow longer and longer by the day. I have to admit that I may never actually get around to seeing all of the films that I would like to see in this lifetime, but at least I will never run out of viewing options. 
Below is statistical break down of the reviews that I have joyfully completed on my website so far, which may not be that interesting to you but was very interesting for me as the reviewer. I clearly watch a lot more Horror, Drama and Art House movies than any other genres and when it comes to Romance films, I obviously struggle to find ones that I like enough to review. 
I have reviewed movies that span across a 100 year gap and most of the films that I have enjoyed enough to review have been between 1997 and 2020.
I cannot accurately estimate how many movies I have actually seen in my lifetime, however if I use my statistics from the last five years as a base line and only count the last 20 years then I think that I can safely guess that I have already seen around 5,500 films to date, with only 880 of those making it onto my lists so far. 
​At this point it would also be fair to say that I probably only like around 16% of what I actually watch, which I think probably makes me a pretty fussy reviewer!
Anyway, as always thanks for your continued readership and I hope that placing my reviews in chronological order on their genre lists will make them more user friendly for you to peruse in the future. Happy viewing!
DRAMA:
Total - 130 
Oldest Film - Citizen Kane 1941
Newest Film - Nomadland 2021
​Year with the most reviews - 2014
HORROR, THRILLER, SUPERNATURAL:
Total - 113 
Oldest Film - Nosferatu: A Symphony of Horror 1922
Newest Film - Fear Street Trilogy 2021
​Year with the most reviews - 2016
COMEDY:
Total - 92
Oldest Film - Duck Soup 1933
Newest Film - JoJo Rabbit 2019
​Year with the most reviews - 2007
ACTION, CRIME, WAR:
Total - 101
Oldest Film - Seven Samurai 1954
Newest Film - Nobody 2021
​Year with the most reviews - 2019
SCIENCE FICTION, SUPER, FANTASY:
Total - 110
Oldest Film - It's A Wonderful Life 1946
Newest Film - Love and Monsters 2020
​Year with the most reviews - 2017
ART HOUSE, MUSICAL, INTERNATIONAL:
Total - 112
Oldest Film - The Cabinet of Dr. Caligari (Oldest film reviewed) 1920
Newest Film - Another Round 2020
​Year with the most reviews - 2004
GRITTY, CHALLENGING, DOCUMENTARY:
Total - 95
Oldest Film - Deliverance 1972
Newest Film - Swallow 2020
​Year with the most reviews - 2010 and 2011
ROMANCE, MATTERS OF THE HEART:
Total - 68
Oldest Film - My Fair Lady 1964
Newest Film - Palm Springs 2020
​Year with the most reviews - 2013
KID FRIENDLY:
Total - 67
Oldest Film - Wizard of Oz 1939
Newest Film - Cruella 2021
​Year with the most reviews - 2009 and 2016 

​THE CABINET OF DR. CALIGARI
Release Date: 1920
Rating: PG
Running Time: 67 mins 
Considered the quintessential work of German Expressionist cinema, this classic silent movie is arguably the first horror film to have ever been made, and although it may not have the same clout that it had back in it's day, The Cabinet of Dr. Caligari still has punch when it comes to unnerving its audience. 
A man retells his horrifying experiences after meeting Dr. Caligari at a town fair. Dr Caligari has a cabinet that contains a creepy somnambulist that can predict the future, but Dr. Caligari's arrival has also brought about a series of grisly murders to the town.  
There is a stark and twisted visual style to this movie that is absolutely amazing. Sets are askew, landscapes are jagged and the characters are all ghostly white with big black eyes. It is easy to see where Tim Burton may have gotten inspiration, because the odd angles and oblique lines are uncannily similar. 
Since you can watch the entire movie on YouTube for free these days, there is no excuse for not having seen this masterpiece of German cinema. I think it is a movie that everyone should make an effort to see for its vision and uniqueness, there really is nothing else like it. 
FINAL SAY: Dr. Caligari, you are one twisted sicko! 
3.5 Chilli Peppers

It's no secret that everyone loves a big block bluster movie or even a sleeper hit or some kind of movie that is mainstream and easy and people have heard about it through word of mouth. These types of films can be great and I cannot deny that I really adore it when a movie becomes a sleeper hit in particular. However, there are so many fabulous movies that just slip thought the cracks of people's viewing and get missed all together because not enough people are talking about them.
Well, I am talking about them, constantly! More than likely annoyingly to a lot of people. I would recommend movies to people at last a dozen or more times a week and often people will say things to me like "I haven't even heard of that movie" or "Really? I thought that film looked a bit weird/ strange/ arty / scary for me to see." And it honestly kills me because a huge number of movies that never get seen are absolutely gold, some of the best and they not only deserve to be talked about,  they most definitely deserve to be seen as well.  
Below I have listed my top 10 'You Really Should Be Talking About This Film - and Probably Will Be After You Watch it' for each genre on Spicywatch.com. These are films that are very deserving of your time and attention and in my opinion (for what it's worth) definitely should've gotten a lot more attention than they did. They are not block busters or sleeper hits, they are mostly films that flew under the radar, which means that you could easily have missed them but you really shouldn't have. They are not new, in fact many are old and could probably be streamed on many different platforms for free these days. 
Full reviews can be found on the genre lists should you require more information.
Happy viewing!
DRAMA:

1. Ingrid Goes West 
2. Jungle 
3. Youth 
4. Locke
5. Short Term 12 
6. Don Jon 
7. Eighth Grade 
8. Perfume: The Story of a Murderer
9. Brothers 
10. The Station Agent

​HORROR:

1. The Vigil
2. The Lodge
3. Saint Maud
4. Mandy 
5. Frailty
6. Here Alone
7. A Dark Song
8. The House of the Devil
9. Creep
10. Hell House LLC

ACTION/CRIME/WAR:

1. Uncut Gems
2. The King
3. Good Time
4. The Bad Batch
5. Prisoners
6. End of Watch 
7. Glory
8. Children of Men
9. The Thin Red Line
10. Blood Simple

COMEDY:

1. Instant Family
2. Fighting With My Family
3. The Breaker Upperers
4. Game Night
5. Spy
6. The Grand Seduction
7. In Bruges
8. Son of Rambow
9. Kung Pow! Enter the Fist!
10. Tucker and Dale vs Evil

SCIENCE FICTION/ FANTASY:

1. Save Yourselves!
2. Predestination 
3. Moon
4. Upgrade
5. The Endless
6. Melancholia
7. Ex Machina
8. Under the Skin
9. These Final Hours
10. Sunshine 

ART HOUSE/ MUSICAL/ INTERNATIONAL:

1. The Great Beauty
2. Me and You and Everyone We Know 
3. Once
4. A Ghost Story
5. Black is King 
6. Sightseers
7. Somewhere
8. 20,000 Days on Earth
9. Kung Fu Hustle 
10. Only Lovers Left Alive 

GRITTY/ DOCO/ CHALLENGING

1. Swallow
2. The Nightingale
3. The Tale
4. Chasing Coral
5. The Weight of Elephants
6. Tyrannosaur
7. Dogtooth
8. Metal Skin
9. Birth
10. Fishtank

ROMANCE/ MATTERS OF THE HEART:

1. Film Stars Don't Die in Liverpool
2. Blue Jay
3. What If
4. Man Up
5. The One I Love
6. Bright Star
7. Labor Day
8. Ruby Sparks
9. Chasing Amy
10. Your Sister's Sister

KID FRIENDLY:

1. The Willoughbys
2. Klaus
3. Isle of Dogs
4. The Little Prince
5. Kubo and the Two Strings
6. The Boy and The Beast
7. Paranorman
8. 9
9. Hoodwinked!
10. Hugo 

Spicywatch.com has just celebrated its seventh birthday! And how she has grown over the years from a humble dozen or so movies reviews when I first launched her in May 2014 to the massive 873 reviews that she now has under her belt. In the 7 years that Spicywatch has been on the internet I have had over 100,000 hits and on average, good old Spicywatch manages to rustle  up around 2500- 6500 readers a month.
So naturally, I had to celebrate the wonderful and joyful occasion of Spicywatch's 7th birthday, especially since last year I couldn't really do anything significant due to COVID-19.  So in the spirit of all things seven, I asked my guests to investigate the 7 Deadly Sins of gluttony, greed, sloth, wrath, pride, lust and envy and then choose their favourite clips from any or all of those categories to share. 
The event was a small but meaningful gathering and everyone had clearly done their research because we traversed the genres like never before. To give you some idea of the range of the movies that had a clip in the mix, check out this movie list of just some that I can recall from last night's line up. 
GLUTTONY:

• Mathilda
• Austin Powers 
• Spirited Away
• Chocolat
• Charlie and the Chocolate Factory
• Stand by Me
• The History of the World (Monty Python) 

PRIDE:

• American Psycho 
• Citizen Kane 
• Monty Python - The Holy Grail 
• The Joker 

ENVY:

• Fatal Attraction
• Eyes Wide Shut
• Howl's Moving Castle
• Moulin Rogue 
• Zoolander 
• Black Swan

LUST:

• Death Proof
• The Devil's Advocate 
• What We Do in the Shadows 
• The Witches of Eastwick
• Fatal Attraction 
• Team America 
• American Beauty 

SLOTH:

• Trainspotting
• The Goonies 
• The Big Lebowski
• Avengers: Endgame 

WRATH:

• Raging Bull
• The Shining
• Maleficent
• Office Space 
• The Lighthouse 
• Revolutionary Road
• Punch Drunk Love 
• Brothers 
• Kill Bill Vol 2
• Silver Linings Playbook

GREED:

• The Hobbit 
• There Will Be Blood
• Casino
• The Nightmare Before Christmas 
• Pocahontas 
• The Mummy 
• Marie Antoinette 

Many thanks to the few incredible souls that braved the weather to celebrate Spicywatch's birthday with me and thanks to all of my loyal readers that continue to check in, read my reviews, leave comments and support the growth of my little blog. 

Normally at this time of the year I would have been able to recount all of the wonderful things that I did and the people that I shared my time with throughout the year, and write a really amazing blog post reminiscing about those events; this year however - not so much! To say that 2020 was a difficult year would be a massive understatement, but for those of you that are out there reading this, well at least we survived it right?
Equally it was a strange year of cinema to say the least! I cannot deny that the viewing opportunities in 2020 grew wider and faster than anyone (even myself) could possibly have kept up with. However, this year I only watched 185 movies in total, which does sound like a lot but it was actually 30 less than I watched in 2019. This was mainly due to the quality of the films on offer, which in opinion were not nearly as consistently great as they were in 2019 and I found myself wading through a lot mediocre movies this year. 
However, television was a whole other ball game, and I watched 153 television series (some of which were more than one series of catch up as well) which was a lot more TV than I viewed in 2018 or 2019, so it all balances out to the same amount of couch smashing in the end and still translates to me being a serious media addict. 
You will notice that there are a lot of TV series listed below that got 4 chilli peppers or more, certainly more than movies did and that is simply because there were a lot more excellent TV experiences to be had this year. The influx of genuinely high level television in 2020 was literally never ending and because of COVID19 lockdowns across the globe we were given the best TV streaming opportunities that we have ever had before. My 'to see' list is pages long these days as I struggle to keep ahead of the game and the movie reviews that I still need to add to my blog, but alas it is a labour of love and I have enjoyed every moment of media escapism that I have indulged in this year. 
2020, just like 2019 managed to deliver greatness across all genres, for which I am very grateful. The international films, independent films and animated films were amazingly good this year and it was great to see so many excellent films and series from those genres. And so, without further ado....here is my selection for the best viewing experiences of 2020. 
BEST MOVIES (2020 release):
Soul - Kids  5 Chilli Peppers (Hall of Fame)
Borat Subsequent Moviefilm - Comedy 4 Chilli Peppers 
Sound of Metal - Drama 4 Chilli Peppers 
Onward - Kids  4 Chilli Peppers
Black is King - Musical  4 Chilli Peppers
The Vast of Night - Sci-Fi   3.5 Chilli Peppers
The Invisible Man - Horror 3.5 Chilli Peppers 
The Willoughbys - Kids  3.5 Chilli Peppers
His House - Horror 3.5 Chilli Peppers 
Colour Out of Space - Sci -Fi  3.5 Chilli Peppers
Da 5 Bloods - War 3.5 Chilli Peppers
Enola Holmes  - Crime 3.5 Chilli Peppers
Deadwood: The Movie - Crime 3.5 Chilli Peppers
Save Yourselves! - Sci-Fi/ Comedy   3.5 Chilli Peppers

2020 HONOURABLE MENTIONS:
The Platform - Gritty/ International  3 Chilli Peppers
Swallow - Gritty 3 Chilli Peppers
Palm Springs -  Romance/ Comedy 3 Chilli Peppers 
Vivarium - Sci-Fi 3 Chilli Peppers 
#Alive - Horror 3 Chilli Peppers
American Murder: The Family Next Door - Doco 3 Chilli Peppers 
Relic - Horror 3 Chilli Peppers 

Here are my top recommendations for pre-2020 releases that I didn't see until 2020:
1917 - War 5 Chilli Peppers (Hall of Fame) 
Parasite - International 4.5 Chilli Peppers 
Shadow - International 4.5 Chilli Peppers
The Nightingale - Gritty  4 Chilli Peppers
Uncut Gems - Crime 4 Chilli Peppers
The Lighthouse - Art House  4 Chilli Peppers
The Farewell - Drama 4 Chilli Peppers 
Burning - International 3.5 Chilli Peppers
Ford v Ferrari - Drama 3.5 Chilli Peppers 
Chasing Coral - Doco  3.5 Chilli Peppers
The Peanut Butter Falcon - Drama 3.5 Chilli Peppers 
Mid90s - Drama   3.5 Chilli Peppers
Zombieland 2: Double tap - Horror 3.5 Chilli Peppers
Dr Sleep - Horror 3.5 Chilli Peppers 
Rocketman - Musical  3.5 Chilli Peppers
The Gentlemen - Crime 3.5 Chilli Peppers
El Camino: A Breaking Bad Movie - Crime  3.5 Chilli Peppers
Hail Satan? - Doco  3.5 Chilli Peppers
3 Identical Strangers - Doco  3.5 Chilli Peppers
Mystify: Michael Hutchence - Doco  3.5 Chilli Peppers
The Lodge - Horror 3 Chilli Peppers
The Night Eats the World - Horror 3 Chilli Peppers

BEST TELEVISION SERIES 2020:
Succession S2 -  Drama 5 Chilli Peppers
Ozark S3 - Crime 5 Chilli Peppers
Lovecraft Country - Horror 5 Chilli Peppers
This Country S3 - Comedy 5 Chilli Peppers
Raised by Wolves - Sci- Fi 4.5 Chilli Peppers
The Queen's Gambit - Drama 4.5 Chilli Peppers
The Mandalorian - Sci-Fi 4.5 Chilli Peppers 
Better Call Saul S5 - Crime 4.5 Chilli Peppers 
Morning Wars - Drama 4.5 Chilli Peppers 
I May Destroy You - Drama 4.5 Chilli Peppers 
DEVS - Sci-Fi  4 Chilli Peppers 
The Magicians S5 - Sci-Fi 4 Chilli Peppers
The Great - Period Drama 4 Chilli Peppers 
What We Do in the Shadows S2 - Horror/Comedy 4 Chilli Peppers
Mythic Quest - Comedy/Drama 4 Chilli Peppers
Kidding S2 - Art House 4 Chilli Peppers
Awkwafina is Nora from Queens - Comedy 4 Chilli Peppers
The Boys S2 - Super 4 Chilli Peppers
Ramy S2 - Comedy/ Drama 4 Chilli Peppers
The Haunting of Bly Manor -  Horror 4 Chilli Peppers
The Undoing - Drama 4 Chilli Peppers
Wayne - Crime/ Comedy 4 Chilli Peppers
Unorthodox - Drama 4 Chilli Peppers
​It's Always Sunny in Philadelphia S14 - Comedy 4 Chilli Peppers
High Fidelity - Drama 4 Chilli Peppers

2020 TV HONOURABLE MENTIONS: ​
Ratched - Thriller  3.5 Chilli Peppers 
SEE - Sci- Fi  3.5 Chilli Peppers 
Avenue 5 - Sci-Fi/ Comedy  3 Chilli Peppers 
Dave - Comedy  3 Chilli Peppers
The Servant - Thriller  3 Chilli Peppers
 The Umbrella Academy S2- Fantasy 3 Chilli Peppers
The Third Day - Thriller  3 Chilli Peppers 
After Life S2 - Comedy  3 Chilli Peppers 
Killing Eve S3 - Crime  3 Chilli Peppers 
Breeders - Comedy  3.5 Chilli Peppers 

We all know that 2020 has been a rather tepid year when it comes to blockbuster movies, and for good reason. Who in their right mind would want to launch their huge box office smash hit movie when every cinema in the world is closed due to coronavirus restrictions? Clearly the smart thing to do is to just  hold off until everything returns to normal, and a lot of big budget film makers that are fortunate enough to have the equity to do that have done that. However, a lot of other smaller or independent film makers have been forced to sell the rights to their movies to streaming services in order to pay the bills - so to speak. What this has meant for us as viewers is access to a large number of sleeper hits that we have been able to watch in our own homes. 
So what is a sleeper hit? In the entertainment industry a sleeper hit is any movie, TV series, music release or video game that is usually not very successful upon first release and then gains momentum and becomes a huge success down the track. Sleeper hits often have little promotion or lack a successful launch (this often happens with films that go directly to streaming) but then they builds a reputation through critic reviews and attention which increases their overall exposure. Eventually the unknown form of entertainment becomes very popular because it has gained outside attention for being very good, original or controversial.
Some great examples of past sleeper hit movies that started out small and then deservingly gained a large following are:

• Crouching Tiger, Hidden Dragon - International/ Action
• Slumdog Millionaire - Romance/ Drama
•  Juno - Drama
• Saw - Horror 
• My Big Fat Greek Wedding - Comedy/ Romance 
• Napoleon Dynamite - Comedy 
• Paranormal Activity - Horror 
• The Greatest Showman - Musical 

For someone like me who goes to the movies to see pretty much everything, being able to access high quality new release cinema at home has been an appreciated and well utilised privilege, and I have to say that I have seen some excellent movies through my streaming services this year that I definitely would have gone to the cinema and paid good money to have seen if coronavirus restrictions weren't in place.
And so without further ado, here is my list of the top ten movies that have streamed this year that I would not only recommend but also regard as 2020 sleeper hits that are definitely worthy of your time and attention:

1. #Alive - International/ Horror (Netflix) 
2. Enola Holmes - Crime/ Action (Netflix) 
3. Black is King - Music (Disney) 
4. His House - Horror (Netflix) 
5. Relic - Horror (Stan) 
6. Da 5 Bloods - War (Netflix) 
7. The Willoughbys - Kids (Netflix) 
8. The Platform - International/ Thriller (Netflix) 
9. Swallow - Thriller (Stan) 
10. Palm Springs - Romance (Prime) 

Amidst the confusion and calamity of COVID-19, America manages to throw itself even further into turmoil with thousands of people taking to the streets in protest of the brutal murder of George Floyd, a 46 year old black man who died in police custody in May. Poor Floyd can clearly be seen in a viral Youtube video being suffocated to death by a police officer who has his knee forced into Floyd's throat as he gasps and pleads 'I can't breathe' - but they do not show any mercy, and he dies because of a cruel and corrupt American authority system that feels entitled to use inhumane force and reckless violence against its citizens. 
As the world watched in horror, the American public completely broke over this latest demonstration of societal inequality and they rose up in anger. Some chose to peacefully demonstrate, others used more force and in some cases stores were looted and protesters were brutally attacked in scenes that felt more like they belonged in a post-apocalyptic movie rather than on the streets of a first world country. 
And although it would appear that this is all due to George Floyd death, in reality although clearly awful, Floyd's death was merely the straw the broke the very overburdened backs of the American people. George Floyd was a spark in a powder keg of disgruntled, beaten down and fed up citizens that had finally had enough of the oppression and sheer disregard of their welfare by the leaders and law enforcement of their country, the very people who are supposed to be serving and protecting them. Between the coronavirus, the record levels of unemployment and the years and years of African American deaths and criminal frame ups from the police, this mass protest was well overdue. 
So Trump has truly made his bed, his very ugly bed and now he must lie down in it. Do I feel sorry for him? Of course I don't, and even though I would never advocate anarchy in the streets I cannot help but feel like this latest outpouring of anger and demonstration from the people of America is more than warranted and seriously overdue. The dragging down, the corruption and the maldistribution of support and care in that country simply has to stop, and if that means taking it to the streets and getting loud about it, well so be it I say.
I just hope that they will take this fervent energy with them to the polling booths at the next election and start to show more care for who they elect to speak for them in the future because there is only way that any of this is going to change and that's by cutting the head off the beast itself. Donald Trump has proven himself to be nothing short of psychopathic since the whole COVID-19 pandemic began, and when he isn't advising his people to go out and drink bleach as a Coronavirus preventative, he is generally otherwise busy inciting fear, promoting corruption and generally acting like a bible swinging lunatic. If this doesn't get the Americans rallied together to vote him out, then nothing will now. 
This latest uprising around George Floyd, I believe is just the beginning. In 1967 Dr Martin Luther King, Jr. called for a 'revolution of values' because of the continuous cycle of social inequity and police brutality that the African Americans were enduring, and this form of civil rights movement is beginning to come into play again today. Fairness and justice are worth fighting for and now that the American people have gained some momentum and worldwide attention and support they will not be going quietly into the night with this, they are going to keep this momentum going and they are going to make changes.
A time of revolution is most definitely upon us, not just upon the Americans, but upon us all. What we are all witnessing right now is an extremely significant and important time in history, a time that you will talk about with your families for years to come, a time when all of the oppressors will be held accountable for their choices and democracy shall prevail. It's the start of something big and extremely overdue, so bring on the revolution I say, you have my full support. No-one in this world should have to fight for equitable treatment, it should just occur and I look forward to the abolition of all of these barbaric, archaic and unwanted behaviours, let's make the assholes accountable! Viva La Revolution! Power to the People! But most of all, watch this space because things are going to change and it will be wonderful to see the people win and the bad guys all finally get their comeuppances. 

The 92nd Academy Awards aired on Monday and of course I was glued to the television for the duration. I love all of the glitz and glamour and particularly enjoyed the brilliant opening routine which gave homage to some of the excellent movies of 2019 that didn't make the final nomination cut like Us, Midsommar, Queen and Slim and Dolemite is My Name. 
I cannot express my joy at seeing the floral 'Midsommar' dress on Janelle Monae as she declared "Tonight, we celebrate all the amazing talent in this room. We celebrate all of the women who directed phenomenal films and I'm so proud to stand here as a black queer artist, telling stories. Happy Black History Month." 
And what a wonderful night it was all around with Parasite smashing it out of the park with four Oscar wins, including Best Picture, Director, Original Screenplay and Best International Feature Film. Turns out that when the South Koreans arrive at the Academy Awards, they mop the floors with their opponents. And good for them, Parasite was easily one of the best movies of 2019, and I for one have been advocating for more foreign film appreciation for decades, so it's about time really.
Now we just need another female to win a Best Director Oscar because that hasn't happened since Kathryn Bigelow broke the mould and won one in 2010 for The Hurt Locker, and it's been a mighty dry category for females ever since as well; here's hoping 2020 will change all that again. 
However, enough of my own agenda, let's just get onto the very worthy Oscar winners for 2019, my congratulations and sincere appreciation to you all!
Best Picture:
“Parasite”
Lead Actor:
Joaquin Phoenix, “Joker”
Lead Actress:
Renee Zellweger, “Judy”
Supporting Actor:
Brad Pitt, “Once Upon a Time in Hollywood”
Supporting Actress:
Laura Dern, “Marriage Story”
Director:
Bong Joon Ho, “Parasite”
Animated Feature:
“Toy Story 4,”  Josh Cooley
Animated Short:
“Hair Love,” Matthew A. Cherry
Adapted Screenplay:
“Jojo Rabbit,” Taika Waititi
Original Screenplay:
“Parasite,” Bong Joon-ho, Jin Won Han
Cinematography:
“1917,” Roger Deakins
Best Documentary Feature:
“American Factory,” Julia Riechert, Steven Bognar
Best Documentary Short Subject:
“Learning to Skateboard in a Warzone,” Carol Dysinger
Best Live Action Short Film:
“The Neighbors’ Window,” Marshall Curry
Best International Feature Film:
“Parasite,” Bong Joon Ho
Film Editing:
“Ford v Ferrari,” Michael McCusker, Andrew Buckland
Sound Editing:
“Ford v Ferrari,” Don Sylvester
Sound Mixing:
“1917” Stuart Wilson
Production Design:
“Once Upon a Time in Hollywood,” Barbara Ling and Nancy Haigh
Original Score:
“Joker,” Hildur Guðnadóttir
Original Song:
“I’m Gonna Love Me Again,” “Rocketman”
Makeup and Hair:
“Bombshell” Kazuhiro Tsuji
Costume Design:
“Little Women,” Jacqueline Durran
Visual Effects:
“1917” Guillaume Rocheron, Dominic Tuchy, Greg Butler.

The Academy Awards (or Oscars) are officially Hollywood's biggest awards 'night of nights.' They serve to award movie makers, directors and actors who have reached a pinnacle of excellence in their careers. To even receive an Oscar nomination is huge deal in Hollywood, and unlike the Golden Globes that celebrate television and film excellence, the Academy Awards are solely focused on recognising achievements of excellence in film.
The categories at the Oscars span much further than acting and directing, and also offer recognition for all of the creative and technical work that goes on behind the scenes when movies are made. From costuming, sound, cinematography, visual effects and cinema shorts, the Academy Awards are the most prestigious and coveted of all of the Hollywood award events, and even though I never miss the Golden Globes, the Screen Actors Guild Awards or the Critics Choice Awards, the Oscars are easily my favourite awards ceremony to watch every year. 
If you should wish to see the Academy Awards ceremony yourself this year, it will be broadcasting live on Channel Seven from 12pm on Monday 10th February, with an encore airing at 7.30pm for those of you who, like myself, will be at work during the day of the ceremony. 
And this year, the Academy Award nominees are as follows:
Best Picture:
“Ford v Ferrari”
“The Irishman”
“Jojo Rabbit”
“Joker”
“Little Women”
“Marriage Story”
“1917”
“Once Upon a Time in Hollywood”
“Parasite”
Lead Actor:
Antonio Banderas, “Pain and Glory”
Leonardo DiCaprio, “Once Upon a Time in Hollywood”
Adam Driver, “Marriage Story”
Joaquin Phoenix, “Joker”
Jonathan Pryce, “The Two Popes”
Lead Actress:
Cynthia Erivo, “Harriet”
Scarlett Johansson, “Marriage Story”
Saoirse Ronan, “Little Women”
Charlize Theron, “Bombshell”
Renee Zellweger, “Judy”
Supporting Actor:
Tom Hanks, “A Beautiful Day in the Neighborhood”
Anthony Hopkins, “The Two Popes”
Al Pacino, “The Irishman”
Joe Pesci, “The Irishman”
Brad Pitt, “Once Upon a Time in Hollywood”
Supporting Actress:
Kathy Bates, “Richard Jewell”
Laura Dern, “Marriage Story”
Scarlett Johansson, “Jojo Rabbit”
Florence Pugh, “Little Women”
Margot Robbie, “Bombshell”
Director:
Martin Scorsese, “The Irishman”
Todd Phillips, “Joker”
Sam Mendes, “1917”
Quentin Tarantino, “Once Upon a Time in Hollywood”
Bong Joon Ho, “Parasite”
Animated Feature:
“How to Train Your Dragon: The Hidden World,” Dean DeBlois
“I Lost My Body,” Jeremy Clapin
“Klaus,” Sergio Pablos
“Missing Link,” Chris Butler
“Toy Story 4,”  Josh Cooley
Animated Short:
“Dcera,” Daria Kashcheeva
“Hair Love,” Matthew A. Cherry
“Kitbull,” Rosana Sullivan
“Memorable,” Bruno Collet
“Sister,” Siqi Song
Adapted Screenplay:
“The Irishman,” Steven Zaillian
“Jojo Rabbit,” Taika Waititi
“Joker,” Todd Phillips, Scott Silver
“Little Women,” Greta Gerwig
“The Two Popes,” Anthony McCarten
Original Screenplay:
“Knives Out,” Rian Johnson
“Marriage Story,” Noah Baumbach
“1917,” Sam Mendes and Krysty Wilson-Cairns
“Once Upon a Time in Hollywood,” Quentin Tarantino
“Parasite,” Bong Joon-ho, Jin Won Han
Cinematography:
“The Irishman,” Rodrigo Prieto
“Joker,” Lawrence Sher
“The Lighthouse,” Jarin Blaschke
“1917,” Roger Deakins
“Once Upon a Time in Hollywood,” Robert Richardson
Best Documentary Feature:
“American Factory,” Julia Rieichert, Steven Bognar
“The Cave,” Feras Fayyad
“The Edge of Democracy,” Petra Costa
“For Sama,” Waad Al-Kateab, Edward Watts
“Honeyland,” Tamara Kotevska, Ljubo Stefanov
Best Documentary Short Subject:
“In the Absence,” Yi Seung-Jun and Gary Byung-Seok Kam
“Learning to Skateboard in a Warzone,” Carol Dysinger
“Life Overtakes Me,” Kristine Samuelson and John Haptas
“St. Louis Superman,” Smriti Mundhra and Sami Khan
“Walk Run Cha-Cha,” Laura Nix
Best Live Action Short Film:
“Brotherhood,” Meryam Joobeur
“Nefta Football Club,” Yves Piat
“The Neighbors’ Window,” Marshall Curry
“Saria,” Bryan Buckley
“A Sister,” Delphine Girard
Best International Feature Film:
“Corpus Christi,” Jan Komasa
“Honeyland,” Tamara Kotevska, Ljubo Stefanov
“Les Miserables,” Ladj Ly
“Pain and Glory,” Pedro Almodovar
“Parasite,” Bong Joon Ho
Film Editing:
“Ford v Ferrari,” Michael McCusker, Andrew Buckland
“The Irishman,” Thelma Schoonmaker
“Jojo Rabbit,” Tom Eagles
“Joker,” Jeff Groth
“Parasite,” Jinmo Yang
Sound Editing:
“Ford v Ferrari,” Don Sylvester
“Joker,” Alan Robert Murray
“1917,” Oliver Tarney, Rachel Tate
“Once Upon a Time in Hollywood,” Wylie Stateman
“Star Wars: The Rise of SkyWalker,” Matthew Wood, David Acord
Sound Mixing:
“Ad Astra”
“Ford v Ferrari”
“Joker”
“1917”
“Once Upon a Time in Hollywood”
Production Design:
“The Irishman,” Bob Shaw and Regina Graves
“Jojo Rabbit,” Ra Vincent and Nora Sopkova
“1917,” Dennis Gassner and Lee Sandales
“Once Upon a Time in Hollywood,” Barbara Ling and Nancy Haigh
“Parasite,” Lee Ha-Jun and Cho Won Woo, Han Ga Ram, and Cho Hee
Original Score:
“Joker,” Hildur Guðnadóttir
“Little Women,” Alexandre Desplat
“Marriage Story,” Randy Newman
“1917,” Thomas Newman
“Star Wars: The Rise of Skywalker,” John Williams
Original Song:
“I Can’t Let You Throw Yourself Away,” “Toy Story 4”
“I’m Gonna Love Me Again,” “Rocketman”
“I’m Standing With You,” “Breakthrough”
“Into the Unknown,” “Frozen 2”
“Stand Up,” “Harriet”
Makeup and Hair:
“Bombshell”
“Joker”
“Judy”
“Maleficent: Mistress of Evil”
“1917”
Costume Design:
”The Irishman,” Sandy Powell, Christopher Peterson
“Jojo Rabbit,” Mayes C. Rubeo
“Joker,” Mark Bridges
“Little Women,” Jacqueline Durran
“Once Upon a Time in Hollywood,” Arianne Phillips
Visual Effects:
“Avengers Endgame”
“The Irishman”
“1917”
“The Lion King”
“Star Wars: The Rise of Skywalker”

Here's a shout out to all of the directors that have given me a memorable viewing experience at some point in my lifetime. This list is designed to give credit to my favourite director's work and offer homage to their incredible efforts. I have also cited my favourite movie offering from each director as well, just in case you wanted to know where I thought that they had put down their best work thus far. 
What made me really happy when I was compiling this list was just how varied, vast and interesting the styles of direction are that I have been fortunate enough to experience, but what made me really sad was the lack of female directors that made this list. Clearly, the role of director is still a very male dominated field in Hollywood. I did happen to notice that all of the best movie nominations at the Golden Globes this year were all for male directors. And the saddest thing of all about this is, that it is not at all indicative of female directorial ability or talent in any way, shape or form, what it is indicative of is the lack of opportunities for upcoming female directors, and that is something that really needs to change.
Some of the best movies and television programs that I have seen over the last few years were both written and directed by women. Women have incredible and engaging stories to tell both in front of and behind the camera, and I for one would like to see more of them in the future. So, please make sure that you too are making an effort to see more movies that have been directed women in a show of support for all of the female directing pioneers that are out there telling their stories and sharing their visions in a very male dominated industry. 
So without any further ado, here are my favourite movie directors (in no particular order other than my recall ability) and my favourite movies that they have brought to life on screen. 
David Lynch - A true visionary in every sense, he's the man behind Twin Peaks, Blue Velvet, The Elephant Man and Eraserhead. Lynch is known for his surrealist cinema stylings and deeply original point of view.
BEST MOVIE: Mulholland Drive
Wes Anderson - The king of quirk with a distinct visual style and amusing narrative. He's delivered gems like The Royal Tenenbaums, Moonrise Kingdom and The Grand Budapest Hotel and has produced two incredible stop motion children's animations as well, one of which is on my Hall of Fame.
BEST MOVIE: Fantastic Mr Fox
Lars von Trier- A Danish director and scriptwriter that has had a long and controversial career. Basically he seems to enjoy destroying beautiful things in all of his films, which are gritty and damning. He's responsible for Nymphomaniac, Antichrist, Dancer in the Dark and Dogville, which all left a mark on me. 
BEST MOVIE: Melancholia
Jason Reitman - Reitman seems to 'get' women and understand difficult relationship dynamics, and his films certainly portray that knowledge. He brought us Juno, Up in the Air, Tully and Young Adult which were all exceptionally good. 
BEST MOVIE: Labor Day 
Taika Waititi - A clever New Zealand comedy filmmaker who always seems to get the right balance between poignancy and laughs in his films. He's the funny guy behind Moana (he wrote the first screenplay), What We Do in the Shadows, Eagle vs Shark, Boy and most recently Jojo Rabbit. 
BEST MOVIE: Hunt for the Wilderpeople
Peter Jackson - Jackson is responsible for all of the journeys that I took in darkened cinemas to Middle Earth, I bloody love ya Peter! Besides the all of the LOTR's and The Hobbits, he is also the man behind King Kong, The Lovely Bones and the incredible documentary They Shall Not Grow Old. 
BEST MOVIE: The Lord of the Rings Trilogy
John Hughes - Hughes pretty much dictated everything that I became obsessed with in my teens. From bad boys to '80's fashion Hughes could do no wrong. I have rewatched Ferris Bueller's Day Off, Sixteen Candles and Weird Science countless times, they're absolute classics. 
BEST MOVIE: The Breakfast Club
Stanley Kubrick  - Probably one of the most influential filmmakers of all time, Kubrick has crossed so many genres that his body of work is dizzying! He gave us giants like 2001: A Space Odyssey, The Shining, Full Metal Jacket, Spartacus and A Clockwork Orange. 
BEST MOVIE: Eyes Wide Shut
Alejandro González Iñárritu - With a flair for telling the most compelling international stories about the human condition, this highly acclaimed Mexican director gave us some unforgettable cinematic experiences like Birdman, Amores Perros, 21 Grams and The Revenant. 
BEST MOVIE: Babel
Oliver Stone - A controversial director that has been accused of being a conspiracy theorist. He actually wrote the script for Scarface (which was directed by Brian De Palma) and also gave us Platoon, The Doors, Born on the Fourth of July and Wall Street. 
BEST MOVIE: Natural Born Killers
Michel Gondry - A French director that uses strong visual themes and compositions (often called Mise-en-scene)  to tell a story. Because of this, Gondry's movies are visually striking and are often considered to be art house or avante-garde. He gave us The Science of Sleep, Be Kind Rewind and most recently the brilliant  television series Kidding. 
BEST MOVIE: Eternal Sunshine of the Spotless Mind
Guillermo del Toro - A visionary fantasy director from Mexico who creatively brings monsters and mythical creatures to life in his films. Generally science fiction, horror or fantasy based, del Toro gave us some amazing otherworldly journeys through The Shape of Water, Hellboy and Crimson Peak.
BEST MOVIE: Pan's Labyrinth
Danny Boyle - This British director delivers equal measures of intense action and sincere emotion into everything that he does.  He's tried his hand at many genres and kept us gripped with Trainspotting, 28 Days Later, Sunshine, The Beach and more recently, Yesterday.
BEST MOVIE: Slumdog Millionaire
Sam Mendes - The buzz around this director has been huge this year, given the success of 1917. However, let's not forget all of his other epic offerings like American Beauty, Skyfall and Revolutionary Road.
BEST MOVIE: 1917 
James Wan  - An Australian-Malaysian director who rose to prominence after he co-created the Saw film franchise. Since then he has been scaring the pants off people with memorable horror films like The Conjuring, Insidious and Annabelle films.
BEST MOVIE: The Conjuring 2: The Enfield Case
Greta Gerwig - Actress and filmmaker, Gerwig collaborated with her partner (who is also a director) Noah Baumbach on several films before she kicked off her solo directing career in 2017 with Lady Bird. Since then, Gerwig has become a respected and predominant modern Hollywood director. 
BEST MOVIE: Little Women
Ridley Scott - I feel like I grew up watching Ridley Scott action and science fiction films. He's been entertaining me for decades and he's had some mind blowingly great movies like Alien, Blade Runner, Gladiator, Black Hawk Down and American Gangster. 
BEST MOVIE: The Martian
Michael Moore - A controversial American documentary filmmaker that gets up in everyone's face; love him or hate him, Michael Moore is hard to ignore. He's hit some very high notes with Fahrenheit 9/11, Sicko and Where to Invade Next. 
BEST MOVIE: Bowling for Columbine
Guy Ritchie - Before he married Madonna, Ritchie was making heaps of kick arse British gangster movies that were really funny and very entertaining.  He has just recently gone back to doing that again with The Gentlemen, but let's not forget that he also did Lock, Stock and Two Smoking Barrels, RocknRolla and believe it or not, the 2019 live action version of Aladdin. 
BEST MOVIE: Snatch
Jim Jarmusch - The patron saint of independent cinema since the '80's, Jarmusch's films are really arty, really cool, very edgy and hypnotically contemplative. He gave us Paterson, Deadman and Ghost Dog: The Way of the Samurai. 
BEST MOVIE: Only Lovers Left Alive
Steven Soderbergh - When Soderbergh made Unsane in 2018 and filmed it all on his iphone he made us feel like we were wasting our lives! He's a pioneer of independent cinema and his body of work is incredibly impressive; he gave us Contagion, Erin Brockovich and the Ocean's franchise. 
BEST MOVIE: Logan Lucky 
Christopher Nolan - He probably got a bit pigeon-holed for a while due to his Batman trilogy efforts (which I also loved) but let's not forget that he also gave us other memorable epics like Inception, Dunkirk and Memento. 
BEST MOVIE: Interstellar
Sam Raimi - Raimi terrified audiences in the 80's with The Evil Dead and then enchanted them in the early 2000's with Spiderman so it would be fair to say that his work is varied and vast. He also gave us some very noteworthy cult horror movies like Army of Darkness, Drag Me to Hell and Don't Breathe.
BEST MOVIE: The Evil Dead
Clint Eastwood - He blew everyone away when he started directing and acting in a string of extremely good and Oscar worthy movies, which he is still doing to this day. The man's got some serious talent and gave us gems like  Gran Torino, Million Dollar Baby and Mystic River.
BEST MOVIE: Unforgiven
Tim Burton - No-one does eccentric gothic horror and fantasy films better than Burton, he is the master! He has a style that is all his own, and with a lot of help from wife Helena Bonham Carter and actor Johnny Depp he's given us fantastical romps into magical fantasy worlds that have included Charlie and the Chocolate factory, Beetlejuice, Big Fish, Edward Scissorhands and Alice in Wonderland. 
BEST MOVIE: Sweeney Todd
Ang Lee - A visionary and a genuinely beautiful storyteller. It's rare for me not to get choked up when I watch an Ang Lee movie, they are just so deeply affecting. He gave us the gorgeous Crouching Tiger, Hidden Dragon, Life of Pi and The Ice Storm. 
BEST MOVIE: Brokeback Mountain
Sofia Coppola - Daughter of Francis Ford Coppola, Sofia has proven her worth as a director in her own right by delivering thoughtful explorations of female relationships and genuine, modern impressions of the human experience. She was responsible for The Virgin Suicides, Marie Antoinette and The Beguiled. 
BEST MOVIE: Lost in Translation
Judd Apatow -An American comedy director that started out producing and developing the television show Freaks and Geeks in the late 90's. He went on to direct Trainwreck, The 40-year-old Virgin and Knocked Up and also write some of the funniest movies that I have ever seen. 
​BEST MOVIE: Superbad
Alfred Hitchcock - The most influential and extensively studied filmmaker in the history of cinema, how could I possibly leave Hitchcock off my list? He's been giving audiences thrills and chills for years, and he still is with his extensive repertoire of thriller classics like North by Northwest, The Birds, Rear Window and Vertigo.
BEST MOVIE: Psycho
David Fincher - Ever since I saw The Game in 1997 I became interested in seeing more of Fincher's work. He's delivered a strong, controversial and impactful body of work and was responsible for Seven, The Girl with the Dragon Tattoo, The Social Network and Gone Girl.
BEST MOVIE: Fight Club
Paolo Sorrentino - An Italian director with an eye for truly beautiful and meaningful cinema. His films are absolute masterpieces and offer viewers moments of contemplation and glimpses of magic - I am obsessed with his work. He's responsible for Youth and This Must Be the Place. 
BEST MOVIE: The Great Beauty.
Joel and Ethan Coen - Genius brothers who bring something fresh, quirky and unique to the screen every time.  Their repertoire is so vast and so excellent that I really struggled to pick my favourite because they delivered The Big Lebowski, Blood Simple, O Brother Where Art Thou?, Fargo, Raising Arizona, Burn After Reading and True Grit, all of which were exceptionally great.
BEST MOVIE: No Country For Old Men
Alfonso Cuaron - A critically acclaimed Mexican director with an impeccable body of high quality work that crosses just about every genre of cinema including thriller, fantasy, science fiction and drama. Thanks Cuaron for giving us truly unforgettable moments like Y Tu Mama Tambien, Gravity and Children of Men.
BEST MOVIE: Roma
Francis Ford Coppola - Widely considered to be one of the greatest filmmakers of all time, Coppola practically had an all out nervous breakdown whilst filming Apocalypse Now in 1979. His commitment to 'getting the film right' has led people to see him a visionary of cinema. He gave us such giants as The Godfather trilogy, Bram Stoker's Dracula and The Outsiders. 
BEST MOVIE: Apocalypse Now
Quentin Tarantino - Known for his uber violent, non-linear storylines that contain extended dialogue, huge ensemble casts and loads of Pop Culture references, Tarantino has a style that is all his own. Many of his films pay homage to all of his own cinematic loves, especially Japanese martial arts, kung fu movies, spaghetti westerns and Italian horror. He's the man behind the following cinematic  juggernauts - Reservoir Dogs, Pulp Fiction, Once Upon a Time in Hollywood, Django Unchained, Kill Bill Vol 1 and 2, Death Proof and The Hateful Eight.
BEST MOVIE: Inglourious Basterds
Martin McDonagh - Considered to be the most acclaimed living Irish- British playwright, McDonagh caught my attentions when he made In Bruge, and then delivered again with Seven Psychopaths in 2012. But we all know him best for his amazing 2017 offering that made my Hall of Fame.
BEST MOVIE: Three Billboards Outside Ebbing, Missouri
Kathryn Bigelow - Spreading herself across a wide range of genres, Bigelow is not afraid to grapple the big topics. She is forging the way for future female directors with her stellar repertoire which includes Zero Dark Thirty, Near Dark and Point Break.
BEST MOVIE: The Hurt Locker
Darren Aronofsky - A director with a flair for delivering surreal, melodramatic and often disturbing content in his movies. Audiences often seem divided on Aronofsky's material, but I think that he is one of the most talented filmmakers of his generation. He brought us Black Swan, Requiem for a Dream, Pi, The Fountain and Mother!
BEST MOVIE: The Wrestler
Steven Spielberg - Okay, I know that he can be cheesy as hell, but when he gets it right - he really gets it right. There's a reason that Spielberg is still filling cinemas, the man knows how to make a movie. Besides I was virtually raised on Spielberg's material. He gave us E.T., Saving Private Ryan, Jurassic Park, Ready Player One, Schindler's List, Raiders of the Lost Ark, War of the Worlds and Jaws. 
BEST MOVIE: A.I. 
Tarsem Singh - An Indian director that creates films that are a complete immersion and a true feast for the senses. Stunning and absolutely unforgettable, I love his vision and wish that he would make more movies. Singh gave us Immortals, The Cell and Mirror Mirror.
BEST MOVIE: The Fall
Paul Thomas Anderson - Contemplative and filled with flawed and desperate characters, Anderson's movies explore dysfunctional families, alienation and loneliness and they are deeply affecting. He delivered some of my favourite cinematic experiences like Magnolia, Boogie Nights and Punch Drunk Love.
BEST MOVIE: There Will Be Blood.
Martin Scorsese - An American director best known for his gangster and crime movies, he is widely considered to be one of the most influential directors of the New Hollywood era. He tends to cast the same actors in many of his movies, and he has a long professional relationship with Robert De Niro. Scorsese gave us Goodfellas, Taxi Driver, The Departed, Raging Bull and most recently The Irishman. 
BEST MOVIE: Casino
David Cronenberg - Sometimes called the 'Baron of Blood' due to his visceral body horror movies. Cronenberg has made films that people never forget that they have seen, because they are so grotesque! It's really no surprise that I love his work! He gave us The Fly, Videodrome and  Scanners.
BEST MOVIE: eXistenZ
Alexander Payne -  One of the best filmmakers of all time, Payne's movies are full of dark humour and satirical depictions of a dysfunctional modern America. He's the man behind Sideways, About Schmidt and Nebraska.
BEST MOVIE: The Descendants
Jennifer Kent - Kent made her directorial debut in 2014 with the haunting film The Babadook. She is an Australian director that is willing to handle sensitive and disturbing material. Her 2018 movie The Nightingale caused waves due to it's graphic content, but I thought that it was one of the best film of that year. 
BEST MOVIE: The Nightingale
Roman Polanski - I wish that someone that wasn't a pedophile had directed Rosemary's Baby because it's definitely one of my favourite movies of all time. But the love ends there Roman because you're just not a good guy. 
BEST MOVIE: Rosemary's Baby 
HONOURABLE MENTIONS: aka 'I still love ya'

• Terrence Malick - The Thin Red Line and The Tree of Life, total game changers.
• Brian de Palma - Carrie and Scarface, enough said. 
• Dario Argento - 1977 Suspiria, nothing has come close to matching it in crazy colour design and stylised macabre.
• Neill Blomkamp - District 9 was next level genius, can we get more of that please? 
• Baz Luhrmann - Absolutely loved the Red Curtain Trilogy, and let's not forget The Great Gatsby or Australia. 
• Duncan Jones - you had me at Moon.
• Kenneth Lonergan - Manchester by the Sea, one of the most affecting movies I've ever seen.
• Woody Allen - actually I really don't love ya - NOT at all, you're a weirdo and you're a creep! However, I cannot deny that Blue Jasmine, Annie Hall, Mighty Aphrodite and Vicky Cristina Barcelona were all worthy watches. 

The Golden Globes Awards happened on Monday at midday and I was lucky enough to watch them in real time from the comfort of my couch. However, it is extremely hard to really enjoy any type of celebration or merriment wholeheartedly at the moment without feeling extremely guilty. Especially when you are surrounded by a very ominous, dark, smokey haze that has drifted over from the devastating bushfires that are ravaging our country at the moment. To call the state of affairs in Australia grim at the moment would be a serious understatement, they are truly troubling and frightening real. 
Gone are the days of a laid back and relaxed Aussie Summer, the reality of our warmer season now is  an endurance of long dry days, hypervigilance and dire concern as year after year we watch in despair as our country turns to ash. And I am well aware that our climate makes us more susceptible to bushfire, but the frequency, ferocity and duration of this year's blazes has been unprecedented. Nowhere in Australia is safe from the threat of fire anymore and when you already live in a high fire risk area as I do, you can't help but be very, very concerned. 
Many of the actors that took to the stage on Monday extended their thoughts and solidarity towards Australia during our country's fire crisis, but goodwill and thoughts, although kind, aren't exactly going to extinguish the roaring blazes or save family homes. So, what can anyone really do to help? At this point in the crisis what we really need is more money, money to replace homes and support devastated communities to get back onto their feet and to help care for injured wildlife and fund koala hospitals. These donations can be made through The Red Cross, the CFA, Wildlife Victoria and also directly to The Victorian Bushfire Appeal, all of whom can easily be reached online if you feel compelled to offer financial support. 
In the long run however, it is up to us as a nation to not only be stronger in our fire awareness and prevention but to be far more mindful about where we place our votes for our country's leadership in the future. Without a leader in this country that is willing to make serious and realistic moves towards our climate change issues nothing is going to improve. Australia desperately needs a national climate and energy policy review, and most of all a leader that is willing to undertake that work. That is never going to happen if we don't make it happen, so please, I implore you to not waste your next vote but to thoughtfully consider what the future of our country will look like for our children and children's children and to have that at the forefront of your thinking when you vote next. Come on Australia - we can make big changes for the better by just casting our vote to where it is needed. 
​But enough about politics, let's lighten the mood and announce the Golden Globe recipients for 2020 - a most worthy and deserving bunch for sure:

Words are flowing out
Like endless rain into a paper cup
They slither while they pass
They slip away across the universe
Pools of sorrow, waves of joy
After drifting through my opened mind
Possessing and caressing me
Jai Guru Deva, Om
Nothing's gonna change my world...

Beautiful words from John Lennon and the lyrics from the incredible song Across the Universe by The Beatles.  
And why have I written them here? Well, sometimes I find that words are not always enough to express a feeling, but song lyrics - like poetry, seem to fill that void for me. In fact, I often seek the mellow embrace of a song when I really need to let it all out and there are many songs that evoke deep emotional responses within me, but for some unknown reason Across the Universe is one that I find myself turning to when my emotions get a bit jammed up or muddled. 
Apparently, The Beatles stated that the song was heavily influenced by their interest in Transcendental Meditation during the late 1960's. The mantra "Jai Guru Dev, Om" that features in the song is actually a Sanskrit phrase whose words can have many meanings. In translation it approximates as "glory to the shining remover of darkness" and it can also be paraphrased as "Victory of God divine", "hail to the divine guru," or the phrase commonly invoked by the late Maharishi Mahesh Yogi in referring to his spiritual teacher, "All glory to Guru Dev."
Whatever the interpretation, the lyrics are highly image-based with abstract concepts and in a 1970 interview with Rolling Stone magazine, John Lennon referred to the lyrics of Across the Universe as "one of the best lyrics that I've written. In fact, it could be the best. It's good poetry, or whatever you call it, without chewin' it." And he is right, it is an incredibly well written piece of music and I always feel emotional when I listen to it. 
I suppose everyone has their favourite songs that they turn to when they want to cry a little or release something or just feel a connection. Here is a list of my top 25 favourite "get your feels out" songs that help me to release my pent up emotions. These songs really get me right in the heart every damn time that I listen to them. 

1. Across the Universe - I love The Beatles version, but recently Aurora did a version on Triple J's Like a Version and it is pretty much perfect in every way. 
2. This Woman's Work - Kate Bush 
3. Thirty-Three - The Smashing Pumpkins 
4. Morning Theft or Hallelujah - Jeff Buckley
5. Breathe Me - Sia 
6. Speak My Mind or Decision- N.Y.C.K. 
7. Get on the Road - Tired Pony
8. The Drugs Don't Work - The Verve
9. Unravel - Bjork
10. Watch You Go - Tyne-James Organ
11. Horizon - Aldous Harding 
12. Listen to Soul, Listen to Blues - Safia
13. River - Leon Bridges 
14. No Stars - Rebekah Del Rio 
15. Delete - DMA's 
16. Runaway or Vanderlyle Crybaby Geeks- The National 
17. Into Yellow - Martin Luke Brown
18. Pain and Misery - The Teskey Brothers 
19. ​Misplaced - Riley Pearce
20. Elegy - Leif Vollebekk
21. Primitive - Annie Lennox
22. All We Do - Oh Wonder 
23. I Get Overwhelmed - Dark Rooms
24. Medicine - Daughter
25. The Finish Line - Snow Patrol

I'm not 100% sure that crying out your feels to your favourite sad songs is the best way to deal with your emotions, but sometimes we all need to go to dark places to find ourselves again after stressful or traumatic times and listening to "get your feels out" songs seems like a pretty innocuous way to do that; just make sure you bring your tissue box along for the ride! 

JOJO RABBIT
Release Date: 2019 
Rating: MA 15+ 
Running Time: 108 mins
Written and directed by Taika Waititi (who also stars as an imaginary Adolf Hitler) Jojo Rabbit is set to divide viewers with it's strange mixture of comedy, war and drama. This unexpected 'feel good' movie swings between poignant and disturbing depictions of the atrocities of WW2 and full blown Nazi-mocking humour, never really committing to any one genre for the duration.
Living in Nazi occupied Germany during the latter stages of WW2, young Johannes "Jojo" Betzler, his best friend Yorki and his imaginary friend Adolf Hitler attend a Deutsches Jungvolk Hitler Youth training Camp together. The camp is designed to offer boys the basics in Nazi training, whilst strengthen their hate for all things Jewish. However, when Jojo comes into close contact with a Jewish girl, all of his training and pre-conceptions are put to the test. 
This is really funny stuff; Taika Waititi, Rebel Wilson, Stephen Merchant, Sam Rockwell and Scarlett Johansson all bring a lot of comic relief and support to Roman Griffin Davis who plays Jojo with loads of flair and and an engaging fresh faced innocence.  However, this movie is not just all about the laughs, because there are a lot of important and valuable things being said here as well which definitely makes it one of the most original films of the year for me. 
For fans of previous Waititi offerings, you are certainly in for a treat and although there is no denying that Jojo Rabbit isn't not going to appeal to everyone's taste, it certainly appealed to mine. 
FINAL SAY: Definitely not a good time to be a Nazi. 
4 Chilli Peppers ​

So, the 2020 Golden Globe Nominations have been announced, which will pretty much dictate what I will be watching over my summer break. Yep, I am going to be hitting the couch and the cinema pretty hard over the next few weeks so that I can watch the actual Golden Globe Awards Ceremony live on Arena on January 6th and have some understanding of the content that has been nominated.
As an avid movie addict, I do feel very compelled to see at least 75% of everything nominated before an event of this calibre occurs in order for me to be discerning about whether a movie/program is worthy of the win or not. 
This year there is some really great news for those of you out there that don't like to go the cinema very often because quite a number of the nominated films and television programs are actually available through various streaming networks (which I have indicated below for your viewing ease) which means that you can watch a good swag of them from the comfort of your own couch in preparation for the big event. 
I cannot deny that there does appear to be a couple of incredibly great movies and television series that have been snubbed from the lists here, but this happens every year and I will get around to sharing my personal top pics of the year list very soon, so let's just go with what's been nominated here, and I will talk more about my personal choices for the best of 2019 in the very near future.
So, without further ado, here are the 2020 Golden Globe Nominations - happy viewing!
Best Motion Picture — Drama
1917
The Irishman - Netflix
Joker
Marriage Story - Netflix
The Two Popes - Netflix
Best Motion Picture — Musical or Comedy
Dolemite Is My Name -  Netflix
Jojo Rabbit
Knives Out
Once Upon a Time in Hollywood
Rocketman
Best Foreign-Language Motion Picture
The Farewell
Les Misérables 
Pain and Glory 
Parasite
Portrait of a Lady on Fire
Best Limited Series or TV Movie
Catch-22 - Stan
Chernobyl - HBO
Fosse/Verdon - HBO
The Loudest Voice - Showtime
Unbelievable - Netflix
Best Television Series — Drama
Big Little Lies - HBO
The Crown - Netflix
Killing Eve -  ABC iview or Stan
The Morning Show
Succession - HBO
Best Comedy Series
Fleabag - Amazon Prime
Barry - HBO
The Kominsky Method - Netflix
The Marvelous Mrs. Maisel - Amazon Prime
The Politician - Netflix
Best Motion Picture — Animated
Frozen II
How to Train Your Dragon: The Hidden World
Missing Link
Toy Story 4
The Lion King
Best Director — Motion Picture
Bong Joon-ho, Parasite
Sam Mendes, 1917
Todd Phillips, Joker
Martin Scorsese, The Irishman
Quentin Tarantino, Once Upon a Time in Hollywood
Best Performance by an Actor in a Limited Series or Movie
Christopher Abbott, Catch-22
Sacha Baron Cohen, The Spy
Russell Crowe, The Loudest Voice
Jared Harris, Chernobyl
Sam Rockwell, Fosse/Verdon
Best Performance by an Actress in a Limited Series or Movie
Kaitlyn Dever, Unbelievable
Joey King, The Act - Hulu 
Helen Mirren, Catherine the Great - Foxtel
Merritt Wever, Unbelievable
Michelle Williams, Fosse/Verdon
Best Performance by a Supporting Actor in a Series, Limited Series, or TV Movie
Alan Arkin, The Kominsky Method
Kieran Culkin, Succession
Andrew Scott, Fleabag
Stellan Skarsgård, Chernobyl
Henry Winkler, Barry
Best Performance by a Supporting Actress in a Series, Limited Series, or TV Movie
Patricia Arquette, The Act 
Helena Bonham Carter, The Crown
Toni Collette, Unbelievable
Meryl Streep, Big Little Lies
Emily Watson, Chernobyl
Best Score for a Motion Picture
Little Women
Joker
Marriage Story
1917
Motherless Brooklyn
Best Original Song
“Beautiful Ghosts,” Cats
“(I’m Gonna) Love Me Again,” Rocketman
“Into the Unknown,” Frozen II
“Spirit,” The Lion King
“Stand Up,” Harriet
Best Performance by an Actor in a Comedy Series
Michael Douglas, The Kominsky Method - Netflix
Bill Hader, Barry - HBO
Ben Platt, The Politician - Netflix
Paul Rudd, Living With Yourself - Netflix
Ramy Youssef, Ramy - Stan
Best Performance by an Actress in a Comedy Series
Christina Applegate, Dead to Me - Netflix
Kirsten Dunst, On Becoming a God in Central Florida -  SBS
Rachel Brosnahan, The Marvelous Mrs. Maisel - Amazon Prime
Natasha Lyonne, Russian Doll - Netflix
Phoebe Waller-Bridge, Fleabag - Amazon Prime
Best Performance by an Actor in a Drama Series
Brian Cox, Succession - HBO
Kit Harington, Game of Thrones - Foxtel
Rami Malek, Mr. Robot - HBO
Tobias Menzies, The Crown
Billy Porter, Pose -Foxtel
Best Performance by an Actress in a Drama Series
Jennifer Aniston, The Morning Show - Apple TV+
Jodie Comer, Killing Eve
Olivia Colman, The Crown
Nicole Kidman, Big Little Lies
Reese Witherspoon, The Morning Show
Best Performance by a Supporting Actor in a Motion Picture 
Tom Hanks, A Beautiful Day in the Neighborhood
Anthony Hopkins, The Two Popes
Al Pacino, The Irishman
Joe Pesci, The Irishman
Brad Pitt, Once Upon a Time in Hollywood
Best Screenplay
Marriage Story
Parasite
The Two Popes
Once Upon a Time in Hollywood
The Irishman
Best Performance by a Supporting Actress in a Motion Picture
Kathy Bates, Richard Jewell
Annette Bening, The Report
Laura Dern, Marriage Story
Jennifer Lopez, Hustlers
Margot Robbie, Bombshell
Best Performance by an Actor in a Motion Picture — Musical or Comedy
Daniel Craig, Knives Out
Taron Egerton, Rocketman
Roman Griffin Davis, Jojo Rabbit
Eddie Murphy, Dolemite Is My Name
Leonardo DiCaprio, Once Upon a Time in Hollywood
Best Performance by an Actor in a Motion Picture — Drama
Christian Bale, Ford v Ferrari
Antonio Banderas, Pain and Glory
Adam Driver, Marriage Story
Joaquin Phoenix, Joker
Jonathan Pryce, The Two Popes
Best Performance by an Actress in a Motion Picture — Musical or Comedy
Ana de Armas, Knives Out
Cate Blanchett, Where’d You Go, Bernadette
Beanie Feldstein, Booksmart
Emma Thompson, Late Night
Awkwafina, The Farewell
Best Performance by an Actress in a Motion Picture — Drama
Cynthia Erivo, Harriet
Scarlett Johansson, Marriage Story
Saoirse Ronan, Little Women
Charlize Theron, Bombshell
Renée Zellweger, Judy

Whenever I tell people that I have a website that is dedicated to reviewing movies they always ask me the same question - What's Your Favourite Movie of All Time? As a lover of movies, this is one of the hardest questions that I ever get asked because it is almost impossible to choose just one movie when I have seen and enjoyed so many.
There is a reason that I have a Hall of Fame page that is dedicated to movies that I gave 5 Chilli Peppers to, and that's because I find it so hard to compare movies from different genres against each other. If someone asks me what my favourite movie is, I usually respond with 'that depends on which genre you're talking about.'
If I could have the option of choosing a favourite in each genre, then I could definitely tell you my favourites without any trouble at all:
DRAMA: Manchester by the Sea
HORROR: Rosemary's Baby
SCIENCE FICTION: Interstellar
​WAR: Inglourious Basterds
SUPER: Avengers: Endgame
COMEDY: Snatch
CRIME/ACTION: No Country for Old Men
ART HOUSE: Youth
FOREIGN: The Great Beauty (La Grande Bellezza) 
FANTASY: The Lord of the Rings Trilogy
GRITTY: Melancholia
ROMANCE: Eternal Sunshine of the Spotless Mind 
KID FRIENDLY: Kubo and the Two Strings 

So why are these my favourite films when I have so many more listed on my Hall of Fame that are also 5 Chilli Peppers worthy? Well that's easy, these are the movies that I go back to time and time again and always enjoy them just as much as I did the first time that I watched them. All of them had an effect on me in one way or another and all of them left me pondering after I had seen them. I guess that I really don't have one favourite movie of all time, I actually have 13, which also happens to be my lucky number! 

The winter holidays kicked off in style, as they always do at the commencement of the June/ July break because Zoe's birthday always occurs right at the beginning of this break every year. Today we celebrated her special day with a leisurely and much needed break together at Peppers Mineral Spa in Hepburn Springs. A full day of mineral spas, detoxing saunas,  a relaxation massage and a two course lunch injected just the right amount of respite and recuperation into all of weary and exhausted our lives, leaving us feeling fresh and pampered in every way. 
Seth spent a day at Ballarat's Winterfest as a volunteer for the Winteractive Arcade at The Mining Exchange where he worked the interactive tattoo booth and taught newbs how to use virtual reality, which he loved doing. So the winter break has really kicked off well for us, and the next few days will be for catching up on some rest, spending some time with my parents and getting together with a few friends. 
​As much I would love for this entire break to be all couch bashing and movie binging, unfortunately it just can't be because I really do need to get some jobs done around here, especially in the garden which is starting to look like the set of The Jungle Book. And this is the biggest dilemma that I face every holiday period, finding that perfect balance between self time, job time and time that I give to others.
In the past I would've had my entire two week hiatus booked out well in advance, but I try not to torture myself like that anymore. Then I went through a faze where I would just hide from everyone and not even return text messages so that I could slip unencumbered onto the couch everyday to binge watch entire seasons of TV, but I just ended up feeling like a big lazy lump at the end of the two weeks because I hadn't got anything important done.
These days I like to find a healthy and also not completely unproductive medium where I catch up with people that I  want to see (not people that I feel obligated to see), get a few things ticked off the household 'to do' list and also settle back onto the couch to binge watch TV and movies for a couple of uninterrupted hours a day. 
There is absolutely nothing selfish about making sure that you actually get some needed rest during your holidays, and sometimes that means that you have to politely say no to requests or put a 'to do' list job on the 'do later' list.
Besides I can admit that I practically limped over the finish line last week. I was exhausted, tired and still not 100% well after the dreaded lurgy smashed me apart two weeks ago. Choosing to take some time to completely repair seems like a necessity to me at this point and I really don't think that I have the energy to soldier on much more anyway if I am really being honest.  The time to go outlaw and reclaim some self time has truly arrived, and I am claiming my self time for myself...y'all hear me? I am claiming it! So step back and give me some room to reclaim my me time! Phewww... really got lost in the moment and went all Outlaw Josey Wales for a minute there didn't I? And that's how I know for sure that I need to claim back some me time and get some rest, I am literally going crazy! 

With the minds of many Australians firmly fixed on ANZAC day, it is inevitable that the concepts of heroism and noble efforts on the battlefields will be raised and passed around during this time of remembrance. Most adult Australians and New Zealanders would all understand the concept of The Anzac Spirit because it's pretty much a "national character" concept that was formed by a shared understanding that the tough-as-nails soldiers that fought on the battlefields of World War 1 were exemplary and uniting. Those qualities, although varied, are generally believed to be the traits of endurance, courage, ingenuity, good humour and larrikinism. With these qualities at their disposal, the ANZACs were able to demonstrate mateship and resilience under intensely difficult circumstances, making them nothing short of heroic.
​I cannot help but wonder whether the idea of a war hero is a bit lost on this generation of young people. I mean how well do they even understand the meaning of true heroism? And can they relate to an old ideal of what it means to be a real hero?
There is no doubt about it, a good hero or role model can appear to be hard to find these days. Gone are the days of soldiers proudly marching down the street after a hard won battle or an armour clad hero riding into town on the back of a noble steed triumphantly holding a defeated beasts severed head aloft, that is the stuff of history and fairytales, but that doesn't mean that the days of the hero are done for good. On the contrary, finding real life modern heroes is not nearly as hard as you may think it is, you just need to know what a real life hero actually is. 
If you ask any child to name one of their heroes, they will probably tell you the name of a Marvel or DC superhero that they love, and although they are citing a fictional character as their reference, they are not wrong about the qualities that they are recognising. Even children know that to be a real hero you need to possess certain characteristics. You need to be selfless, genuinely good and kind, courageous, willing to sacrifice for the greater good and willing to act out against oppression and injustice. Basically, you need to be able save the day and put things right, which is most definitely in line with our understanding of an ANZAC war hero, so our ideas about the qualities required to make a hero haven't really changed that much at all, however our ability to recognise them in real life certainly has. 
Long ago heroes had to be strong, stoic and more often than not male as well, but we are a lot more educated now and although we may not have parades in the streets and golden accolades for every heroic deed that is done, we do have a better understanding that people have the ability to be heroic every day if they attend to the basic virtues of being a hero. In fact, you don't really need to look that far to find the most amazing heroes that are flying under the radar all of the time.
You see, what it means to be a 'modern day hero' is to not only have all of those heroic traits that I mentioned earlier, but to possess them without any ego attached to them at all. Real modern heroes are doing brave and noble things not because it makes them look good or gains attention, they do them because they know that  that is what people in an evolved society do. They look out for each other, they save each other and they care about  what happens to their fellow humans, the animals and the planet. And they don't do it for the applause or the recognition, they do it because it is right and just.
Today we can find modern heroes in every walk of life. They are not just in army tanks, fire trucks, rescue helicopters and police squads; we know that they are also in hospitals, science labs, classrooms, supermarkets, standing at the bus stop, picking up their kids from school or even cleaning out your downpipes. You don't need a cape, a mask, a statue, a medal or a standing ovation to be a hero, you just need to have the right mindset and the right ethics.
Think about Frodo Baggins, a simple Hobbit from the Shire. He certainly wasn't the biggest, smartest, funniest or fastest creature in Middle Earth, but he was the hero that saved everyone from the rising and impending doom that was going to destroy everything. And how did he do it? Not with force or strength or by slaying everything that came into his path, no he did it with endurance, kindness and courage, the qualities of a true hero. 
The strength to step outside of a comfort zone, put others first and be relentless in the pursuit of justice is what makes someone a hero, which means that everyone has the potential to be a hero. EVERYONE. Anyone that has the minerals to save the day, no matter who they are or where they have come from, is a hero. And sure there will be war heroes, sports heroes and epic heroes to raise the banners for, but  let's not forget the everyday heroes that make the world a pretty amazing place to be. And let's doggedly talk more to our children about the virtues of  real life heroism and the selflessness that is required to fulfill that role, let's empower a generation of everyday heroes that are willing to be kind, courageous and just even when no-one is applauding their efforts or declaring them so!
​I think that the Foo Fighters said it best in their song My Hero -
There goes my hero
Watch him as he goes
There goes my hero
He's ordinary

Can you believe that I have been feeling so zenned out lately that I had totally forgotten what it felt like to get really angry? Sure I have gotten annoyed and antsy from time to time, but not full blown 'Mad Max Fury Road' for a while now. I'm talking really angry and uber frustrated because this week I did encounter those feelings for the first time in a really long time and it was so completely lousy in every way. I'd forgotten how genuinely shithouse those feelings are, and as a result of that I just didn't know how to process them. How the hell do people that are angry all of the time function? It's so exhausting being cross, I just wanted to go and have a lay down!
I was at work when it happened, which is the exact place that you do not want to be when you find yourself feeling ultra frustrated and pissed off, so I couldn't just go on an hour long hike into the bush or meditate the feelings out of me, I had to deal with them. If I was a big time shouter, trust me when I say that I would've been yelling, but I didn't yell....I just broke down. Snapped like a twig and wept, which isn't exactly the best way to process frustration but I suppose that it beats throwing a stapler at someones head or smashing their face into the side of the photocopier, so in the big scheme of things it wasn't a complete disaster.
I was however shocked at the uncontrollable outpouring  of emotion that I felt. I don't cry that often so I was quite horrified when my body just let go like it did, horrified but not disgusted or ashamed of myself for it, just shocked. I used to think that crying was a display of weakness because I was raised to believe that that was true, and in the past I would have been questioning whether I was going through perimenopause or something like it, but in the last couple of years of my life I have come to understand that crying is most certainly not a sign of weakness at all.
We live in a world that demands that we keep a lid on our feelings most of the time, but the truth is that it isn't really healthy to keep a lid on your feelings all of the time, that kind of thinking creates barriers and gives people cancer. There are going to be moments in your life when emotions are going to rise up from the shadows where you've worked hard to keep them contained and you will become, even if it is only for a few moments, unable to stuff them back down, and you know what? That's totally okay. 
Showing that you are affected deeply by something is not weak, pathetic or dishonorable, it's human. And as long as you aren't having regular breakdowns on a daily basis then it's totally acceptable to release a bit of tension and anxiety and let the tears flow on occasion. I remember hearing once that people only cry when the emotions inside of them get so big that their bodies cannot contain it any longer and so it has to find an exit, and that exit is through the windows of the soul. It's kind of beautiful when you think about it like that, it's cathartic and cleansing and purifying to the soul to cry once and awhile. 
And so I have had a big cry and let it all out and you know what, I actually do feel better for it. When you don't cry that often then people do tend to take notice when you do and I think that I probably couldn't have communicated my level of frustration and annoyance in a better way than I did now that I look back on it. However, one thing that all of this has taught me is that no matter how zenned out you may think you are, it is a very thin line between keeping your composure and being ridiculously annoyed and frustrated, and that no-one has it all together all of the time. 

The 91st Academy Awards are on tomorrow, which on top of the Golden Globes and the SAG awards I watch every year. This year I will be watching with a couple of good friends over coffee and nibbles, and I am so looking forward to it. I have managed to see almost all of the nominated materials over the course of the year and I am always keen to see if my personal opinions line up with the big guns at the Academy. 
If you haven't stumbled across the Academy Award nominations yet, here is a run down of the big ticket awards (the ones that I like to know the winner of the most). If you are more interested in the sound, design, costume and cinematography awards then check online for those nominations. 
I have underlined who I think the Academy will more than likely give it to and then my personal choice is in bold. 
Best Picture 
Black Panther
BlackkKlansman
Bohemian Rhapsody
The Favourite
Green Book
Roma
A Star is Born
Vice

Actor in a Leading Role
Christian Bale, Vice
Bradley Cooper, A Star is Born
Willem Dafoe, At Eternity’s Gate
Rami Malek, Bohemian Rhapsody
Viggo Mortensen, Green Book

Actress in a Leading Role  (Huge snubbing of Toni Collette in Hereditary here)
Yalitza Aparicio, Roma
Glenn Close, The Wife
Olivia Colman, The Favourite
Lady Gaga, A Star is Born
Melissa McCarthy, Can You Ever Forgive Me?

Actor in a Supporting Role (Huge snubbing of Timothee Chalamet in Beautiful Boy here) 
Mahershala Ali, Green Book
Adam Driver, BlackkKlansman
Sam Elliot, A Star is Born
Richard E Grant, Can You Ever Forgive Me
Sam Rockwell, Vice

Actress in a Supporting Role
Amy Adams, Vice
Marina De Tavira, Roma
Regina King, If Beale Street Could Talk
Emma Stone, The Favourite
Rachel Weisz, The Favourite

Animated Feature Film 
Incredibles 2
Isle of Dogs
Mirai
Ralph Breaks the Internet
Spider-Man: Into the Spider-verse

Directing
Spike Lee, BlackkKlansman
Pawel Pawlikowski, Cold War
Yorgos Lanthimos, The Favourite
Alfonso Cuaron, Roma
Adam McKay, Vice

Foreign Language Film
Capernaum (Lebanon)
Cold War (Poland)
Never Look Away (Germany)
Roma (Mexico)
Shoplifters (Japan)

​As usual, the horror and sci-fi industry gets another shafting, as does some excellent art house material yet again, but no surprises there really. And even though I do believe that Toni Collette was the actress of the year in Hereditary, and Timothee Chalamet was epic in Beautiful Boy  (and hey what about Paddington 2?) I won't be boycotting the proceedings. In spite of my moaning every year, of course I'm still going to watch the awards, I love the glitz and glam of it all!  And who knows? Roma could repeat the 1997 A Life is Beautiful effort  and sweep the Awards ceremony this year, it feels like it could be time to turn a spotlight on quality foreign cinema again. 
The 91st Academy Awards will air on the NINE network at midday in Australia tomorrow (Monday 25th February) and then again at 7.30pm on GEM if you want to see them yourself.

Genocide is the deliberate and systematic destruction, in whole or in part, of an ethnic, racial, religious or national group. When we think about racial genocide we generally think about all of the indigenous communities that were horrifically and systematically murdered, removed or bred out of existence because of greed and intolerance.
Native people with advanced civilisations like the Mayans, the Aztecs, the Incas, the native Mexican tribes, the Apache, the Navajo, the Cherokee, the Yuki, the Indigenous Australian and African tribes, the New Zealand Maori and Inuit tribes were all severely diminished or even completely wiped out when the Spanish, Portuguese, French, Dutch, British, Belgian and Russian explorers began to invade their lands.
These white invaders from across the seas came to rape, plunder and claim the land, at any cost. If they couldn't just overpower or kill the natives outright with brute force, which was often the case, then they crept in, in the most insidious of ways, spreading their diseases, destroying their crops and livelihood and abducting and enslaving their people, eventually destroying entire native cultures from the inside out.
And that, is genocide. And that is the stuff of history is it not? White man comes, white man takes and white man wonders why he is not trusted anymore. And we all like to tell ourselves that this is all just bad water under the bridge, that this type of thing does not happen anymore, that people have learnt from their mistakes and that genocide is not a modern construct but an ancient one. Well I hate to be the one to break it to you, but people haven't learned jack shit from their sordid and generally horrific past exploits because genocide has also feature heavily in the 20th century history as well, and in a lot of those cases, people have actually turned on each other, their very own people and it is just so disturbing. 
There were the atrocities of the Ottoman Empire/ Turkey when the Christian minorities of Armenia, Assyria and Greece were persecuted. There was the starvation of the Ukrainian people during the Soviet Famine of 1932. Then the mass deportation of Lithuanians, Latvians and Estonians and the systematic slaying of Poles and ethnic cleansing of the Crimean Tatars by Stalin in 1937-38.  There was the mass killings of the Chinese people by the Japanese in the Nanking massacre followed by The Holocaust - when the German Nazis murdered approximately 3.8 million Jewish people and performed an ethnic cleansing of the Slavic countries. Then there was a genocide that was carried out on the Cambodians by the Khmer Rouge regime led by Pol Pot in between 1974 and 1979, and the list just goes on and on.....Tibet, the Congo, Somalia, Chechnya, Myanmar, ISIL... I haven't even touched the sides here, there are literally billions of lives and cultures throughout history that have been destroyed through means of genocide. And genocide is still going on today, it is happening right now and the end is nowhere in sight. 
So what have we learned through all of this killing? What is the take away from all of this bloodshed and civil unrest? For some, they have learned nothing and maybe never will, but for many of us around the globe we have learned that no-one is safe from persecution and that only through a united global mindset will we ever be free from another genocide.
The positive is that most countries have now signed to a peace treaty and will not tolerate the inhumane treatment of any ethnic, religious or racial party; and that is a very good start. We now also place more emphasis on learning from the past and understanding our torn history as humans and supporting the liberation of depleted and destroyed cultures.
It is not okay to not own our history, it is ours, we must own it and learn from it if we are to get better, and I do believe that we can, but it's going to take time and patience and empathy and ownership of what has transpired. And quite frankly, not everyone is prepared to own the atrocities of their own heritage which is going to slow us all down quite a bit, but that doesn't mean that we can give up, it means that we have to push even harder to drive home the message that no-one's culture, religion, ethnicity or race makes them inferior to anyone else and that no-one ever has the right to take that very human right away from anyone else. We have seen enough genocide in our past, wouldn't it be nice to see a lot more liberation and fraternity in our future? 

JOHN LEGUIZAMO'S LATIN HISTORY FOR MORONS
Release Date: 2018
Rating: MA 15+
Running Time: 90 mins
Colombian-American actor John Leguizamo brings his one man Broadway show to Netflix in this unmissable documentary about Latino history. Latin History for Morons earned a 2018 Tony Award nomination for Best Play on Broadway and is easily the most interesting chalk and talk history lesson that you will ever sit through.
When John's son falls victim to a white bully at a Manhattan private school for being Latino, John delves into his own history to try and identify the reasons for America's whitewashed historical recount and the hidden heros that have been sadly overlooked. 
The excruciatingly violent past of the indigenous people of America and South America is delivered here in an informative and effervescent way by Leguizamo who manages to illustrate all of the ugliness with a good speckle of humour and an engaging flair. However underneath it all, this is a harrowing tale about all of the native people that were slain and driven from their homes over the past 3000 years and the impact that is still being felt today as a consequence of that.
Everyone needs to see this, it is a powerful and thought provoking watch that offers a great overview into Hispanic culture for people (or morons like me) that don't know a lot about the topic. 
FINAL SAY: Violence is the lowest form of communication.
4 Chilli Peppers ​

The issue of gun control in the US is certainly a hotly contended one. America is completely unique from the rest of the world when it comes to their right to bear arms, because that right is constitutionally protected, and the American people steadfastly defend that right, even when it flies in the face of what is safe, logical and reasonable.
Although many Americans heatedly debate their constitutional right to bear arms, it turns out that they are actually bearing a shit tonne more arms than anywhere else in the world. In fact when it comes to owning firearms, no-one even comes close to the US when it comes to guns per capita, and the statistics are really quite alarming. 
Recently shared data from the Small Arms Survey listed the top ten countries with the most guns per head of the population. Below is the list from that survey with the number of firearms per 100 residents listed beside each country.
1. USA - 112.6
2. Serbia - 75.6
3. Yemen 54.8
4. Switzerland - 45.7
5. Cyprus - 36.4
6. Saudi Arabia - 35
7. Iraq - 34.2
8. Uruguay - 31.8
9. Sweden - 31.6
10. Norway - 31.3
The US is not only the leader on that list by a very long margin, but they also have more than one gun per person in their country! The only country that even comes close to the US is Serbia, but its firearm habit is part of a hangover from the breakup of Yugoslavia in the 90's and subsequent wars, and although I am condoning the fact that almost 76 people out of every 100 Serbians has a gun, at least there have been reasons to substantiate why there are so many guns in their country. 
Americans vehemently stand by their right to own firearms and defend themselves, however with the continuous onslaught of mass shootings claiming the lives of young and innocent victims, isn't it a moral and social obligation that the US reform their guns laws and enforce stricter purchasing and ownership laws?
In democratic countries where the incidence of gun ownership is much tighter, we also see a massive reduction in gun related deaths, it's hardly rocket science! Currently, Australia only has 1.4 homicides by firearm per one million people and America has 29.7, the highest in the world. Also, when you consider that Americans only make up 4.4% of the entire world population but own almost half of the guns around the world, well....it doesn't take a genius to see that there is a problem there does it?
Since 2012 there have been more than 1,600 people killed in the US in mass shooting incidents, and if you average out the number of shootings that occurred in 2015 alone (355) with the number of days in a year, it equates to there being more than one mass shooting per day in the US alone. That probably makes the it one of the most unsafe countries in the world doesn't it?
Come on America, wake and smell the coffee....countries with less guns and tighter gun laws have less gun related deaths, it's that simple. It is time to amend your constitution and drag your gun laws and restrictions kicking and screaming into the next millennium. Your steadfast commitment to bear arms is making your country unsafe, unappealing and unapproachable and unless you are going into a War of the Worlds alien attack type scenario any time soon, more than one gun per capita is just outrageously excessive and completely unnecessary. It's not too late to throw down your guns America and make a movement towards something more peaceful, united and humanitarian; there's never been a better time than right now.

Sometimes we want to watch simple movies that follow a pretty linear storyline and allow us to zone out or forget about our troubles. And then other times we want to watch something challenging, deep and meaningful; something a bit grittier that we can really sink our teeth into. Sometimes I really hunger for a movie that will challenge my thinking, push me out of my comfort zone or educate me in some way. If I come away from a film with a fresh perspective or some kind of new learning about a certain topic then I feel particularly pleased with my viewing choice. 
I have heard people refer to these influential and affecting movies as 'movies that matter' but it is pretty irrelevant what title you want to give them, it is what you take away from these movies that make them genuinely important and relevant. These movies can occur in any genre, and they are the types of movies that stick with you long after the credits have stopped rolling. They are not always 5 Chilli Peppers (Hall of Fame) material because they are not always easy to watch or easy to recommend to other people to watch because in short, they are not just another movie, they are 'an experience.' And there are some exceptionally good ones out there that I believe that everyone should see at least once in their lifetime. 
Here is a list of 20 movie experiences (in no particular order) that had a profound effect on me when I saw them for the first time, and although they may not all be 5 Chilli Peppers, they are most definitely important, relevant, thought provoking and absolutely worth seeing.

1. Mother! - Challenging/ Art House/ Gritty (4.5 Chilli Peppers)
2. The White Helmets - Documentary (4 Chilli Peppers)
3. Born into Brothels - Documentary (4 Chilli Peppers) 
4. Samson and Delilah - Challenging/Drama (4 Chilli Peppers)
5. Requiem for a Dream - Gritty/ Drama (4 Chilli Peppers)
6. The Thin Red Line - War (4.5 Chilli Peppers)
7. Into the Abyss - Documentary (4 Chilli Peppers)
8. Bowling for Columbine - Documentary (4.5 Chilli Peppers) 
9. An Inconvenient Truth Pt 1 and Pt 2 - Documentary (3.5 Chilli Peppers)
10. Apocalypse Now - War (4.5 Chilli Peppers)
11. Dead Man Walking - Gritty/Crime/ Drama (4.5 Chilli Peppers)
12. The Elephant Man - Challenging/ Drama (4.5 Chilli Peppers) 
13. Melancholia - Art House (5 Chilli Peppers)
14. The Great Beauty - Foreign/ Drama (5 Chilli Peppers) 
15. A Ghost Story - Art House ( 4.5 Chilli Peppers) 
16. 20,000 Days on Earth - Art House/ Documentary (3.5 Chilli Peppers) 
17. Downfall - Foreign/ War (4 Chilli Peppers)
18. Baraka and Samsara - Documentaries (4.5 Chilli Peppers)
19. The Last Temptation of Christ - Art House (3.5 Chilli Peppers) 
20. Schindler's List - War (4.5 Chilli Peppers) 

By no means are these easy viewing choices, remember that I did say that I like to be challenged by some of my movie choices, and these are all definitely challenging on some level. However, if you haven't already made the time to see these films then I would highly recommend that you do.
Full reviews of all of the above mentioned movies can be found on their respective genre lists on Spicywatch.com (under the genre drop down tab) should you require any further information.  
And I wish you well with your 'challenging' aka 'movies that matter' viewing adventures.