I've always loved films that don't follow a linear path. I love strange and eccentric films, honestly, I think that I like 'strange and eccentric' anything really but movies, music and literature that pushes the boundaries has always had a special place in my heart. 
Who doesn't like a bit of bizarre and surreal speckled into their everyday lives? Well, I'm sure there are actually quite a lot people who don't like material that challenges, confuses or disturbs them, but boy, they are really missing out on all of the fun, aren't they? Some of my favourite films of all time are weird as hell!
Some film makers and directors have practically specialised in producing absurd, unusual and inexplicable films, they've made a household name for themselves out of it. Take David Lynch, Harmony Korine, David Cronenberg or Yorgos Lanthimos to name but a few. If people weren't into weird, then these guys would never had made it big in Hollywood. And I for one, love to ask myself 'what the fuck did I just see?' after viewing a movie because then I know that what I have seen will leave me thinking. It will leave me pondering for days, going back to it in my mind and turning it over like an unsolvable puzzle box. 
And isn't that what we want from artistic and creative film making? Something that makes us think, something that will stretch our boundaries and push our limits. Well, maybe you don't, perhaps I am part of a small group of weirdos that does enjoy this type of cinema, but over the years I have reviewed an array of edgy, unusual, confronting and just plain weird films. Films that weren't just odd, but were, in my opinion also very, very good. And today I am sharing the pick of the litter here for you. 
If you are looking for something quite left of centre but also deeply engaging, then I suggest that you take a look at these beauties.
Full reviews can be found in the appropriate genre list tab. 
ART HOUSE/ MUSICAL/ INTERNATIONAL

• The Lighthouse
• Sorry to Bother You 
• The Ballad of Buster Scruggs 
• The Killing of a Sacred Deer 
• Dave Made a Maze
• Swiss Army Man 
• The Lobster
• The Mermaid
• The Brand New Testament
• The Skin I Live In
• Kung Fu Hustle 
• I Heart Huckabees 
• Dogville
• Mulholland Drive
• Hedwig and the Angry Inch
• Being John Malkovich
• Fear and Loathing in Las Vegas 
• Pi
• Delicatessen 
• Wild at Heart 
• Blue Velvet 

GRITTY/ CHALLENGING

• Titane
• Swallow
• Mother!
• Enter the Void
• Dogtooth
• Requiem for a Dream
• Irreversible 
• Dancer in the Dark
• Gummo

HORROR

• Saint Maud
• Possessor
• Midsommar
• Mandy
• Hereditary 
• Susperia
• A Dark Song
• The Neon Demon
• Kill List
• Martyrs
• Jacob's Ladder

SCIENCE FICTION/ FANTASY

• Color Out of Space
• Vivarium
• Annihilation
• The Cell
• The Endless
• Predestination
• Under the Skin
• Melancholia
• The Fall
• The Fountain
• Mirrormask
• Donnie Darko
• eXistenZ
• 2001: A Space Odyssey 

​TITANE
Release Date: 2021 
Rating: R 18+
Running Time: 108 mins 
A French language film written and directed by Julia Ducournau that got tongues wagging, not just because it won the 2021 Palme d'Or award at the Cannes Film Festival, but also for its intense, jaw dropping concepts and striking imagery. 
Alexia, a dancer with a metal plate in her head due to a childhood accident, has an unusual affinity with cars. She also has an affinity to killing and does so ruthlessly. However, after a sexual encounter with a vehicle (yep, you read that right, a car) she finds herself pregnant and on the run from the law.  Alexia decides to take on the persona of a child that went missing a decade ago in an attempt to go into hiding. The lost boy's father Vincent, a lonely fire captain, is also desperate for a new beginning and he takes Alexia in and allows her to charade as his son. 
This is a seriously provocative and original film. However, it is also not an easy watch by any stretch. There is a lot of graphic body horror and some deeply disturbing depictions that some people may find too much. However, for all of its ugliness, Titane is really about desperate, lost people that genuinely crave love and meaningful relationships, which makes it equal parts distressing and emotional. 
Agathe Rousselle is giving everything here as Alexia and spends much of the movie involved in awkward, weird and revolting interludes. Vincent Lindon brings the term 'damaged' to new light with his misogynistic firefighter crew antics and desperate need to hold back the ravages of time on his body. 
There's a lot to like and also a lot not to like in Titane. I suggest that you see it for yourself and be the judge. 
FINAL SAY: It's very solid. It's titanium. 
3.5 Chilli Peppers

I failed to write on my blog last week because I was doing a major overhaul of my review materials. Not only did I re-sort all of my reviews into chronological order, I also did a massive statistical review of my website. This was hours of work, but also a labour of love. 
In total, I now have 888 reviews completed on Spicywatch and only 60 unreviewed films left in my catch up (back log) of movies to review. That may sound like a lot of reviews to catch up on, but when you have managed to already do so many, it is actually quite manageable and it will give me a project to work on over the Summer break. 
My wish list of movies that I would like to see is, in contrast to my 'to review' list, ridiculously long with 493 movies currently starring, and it just continues to grow longer and longer by the day. I have to admit that I may never actually get around to seeing all of the films that I would like to see in this lifetime, but at least I will never run out of viewing options. 
Below is statistical break down of the reviews that I have joyfully completed on my website so far, which may not be that interesting to you but was very interesting for me as the reviewer. I clearly watch a lot more Horror, Drama and Art House movies than any other genres and when it comes to Romance films, I obviously struggle to find ones that I like enough to review. 
I have reviewed movies that span across a 100 year gap and most of the films that I have enjoyed enough to review have been between 1997 and 2020.
I cannot accurately estimate how many movies I have actually seen in my lifetime, however if I use my statistics from the last five years as a base line and only count the last 20 years then I think that I can safely guess that I have already seen around 5,500 films to date, with only 880 of those making it onto my lists so far. 
​At this point it would also be fair to say that I probably only like around 16% of what I actually watch, which I think probably makes me a pretty fussy reviewer!
Anyway, as always thanks for your continued readership and I hope that placing my reviews in chronological order on their genre lists will make them more user friendly for you to peruse in the future. Happy viewing!
DRAMA:
Total - 130 
Oldest Film - Citizen Kane 1941
Newest Film - Nomadland 2021
​Year with the most reviews - 2014
HORROR, THRILLER, SUPERNATURAL:
Total - 113 
Oldest Film - Nosferatu: A Symphony of Horror 1922
Newest Film - Fear Street Trilogy 2021
​Year with the most reviews - 2016
COMEDY:
Total - 92
Oldest Film - Duck Soup 1933
Newest Film - JoJo Rabbit 2019
​Year with the most reviews - 2007
ACTION, CRIME, WAR:
Total - 101
Oldest Film - Seven Samurai 1954
Newest Film - Nobody 2021
​Year with the most reviews - 2019
SCIENCE FICTION, SUPER, FANTASY:
Total - 110
Oldest Film - It's A Wonderful Life 1946
Newest Film - Love and Monsters 2020
​Year with the most reviews - 2017
ART HOUSE, MUSICAL, INTERNATIONAL:
Total - 112
Oldest Film - The Cabinet of Dr. Caligari (Oldest film reviewed) 1920
Newest Film - Another Round 2020
​Year with the most reviews - 2004
GRITTY, CHALLENGING, DOCUMENTARY:
Total - 95
Oldest Film - Deliverance 1972
Newest Film - Swallow 2020
​Year with the most reviews - 2010 and 2011
ROMANCE, MATTERS OF THE HEART:
Total - 68
Oldest Film - My Fair Lady 1964
Newest Film - Palm Springs 2020
​Year with the most reviews - 2013
KID FRIENDLY:
Total - 67
Oldest Film - Wizard of Oz 1939
Newest Film - Cruella 2021
​Year with the most reviews - 2009 and 2016 

​THE CABINET OF DR. CALIGARI
Release Date: 1920
Rating: PG
Running Time: 67 mins 
Considered the quintessential work of German Expressionist cinema, this classic silent movie is arguably the first horror film to have ever been made, and although it may not have the same clout that it had back in it's day, The Cabinet of Dr. Caligari still has punch when it comes to unnerving its audience. 
A man retells his horrifying experiences after meeting Dr. Caligari at a town fair. Dr Caligari has a cabinet that contains a creepy somnambulist that can predict the future, but Dr. Caligari's arrival has also brought about a series of grisly murders to the town.  
There is a stark and twisted visual style to this movie that is absolutely amazing. Sets are askew, landscapes are jagged and the characters are all ghostly white with big black eyes. It is easy to see where Tim Burton may have gotten inspiration, because the odd angles and oblique lines are uncannily similar. 
Since you can watch the entire movie on YouTube for free these days, there is no excuse for not having seen this masterpiece of German cinema. I think it is a movie that everyone should make an effort to see for its vision and uniqueness, there really is nothing else like it. 
FINAL SAY: Dr. Caligari, you are one twisted sicko! 
3.5 Chilli Peppers

It's no secret that everyone loves a big block bluster movie or even a sleeper hit or some kind of movie that is mainstream and easy and people have heard about it through word of mouth. These types of films can be great and I cannot deny that I really adore it when a movie becomes a sleeper hit in particular. However, there are so many fabulous movies that just slip thought the cracks of people's viewing and get missed all together because not enough people are talking about them.
Well, I am talking about them, constantly! More than likely annoyingly to a lot of people. I would recommend movies to people at last a dozen or more times a week and often people will say things to me like "I haven't even heard of that movie" or "Really? I thought that film looked a bit weird/ strange/ arty / scary for me to see." And it honestly kills me because a huge number of movies that never get seen are absolutely gold, some of the best and they not only deserve to be talked about,  they most definitely deserve to be seen as well.  
Below I have listed my top 10 'You Really Should Be Talking About This Film - and Probably Will Be After You Watch it' for each genre on Spicywatch.com. These are films that are very deserving of your time and attention and in my opinion (for what it's worth) definitely should've gotten a lot more attention than they did. They are not block busters or sleeper hits, they are mostly films that flew under the radar, which means that you could easily have missed them but you really shouldn't have. They are not new, in fact many are old and could probably be streamed on many different platforms for free these days. 
Full reviews can be found on the genre lists should you require more information.
Happy viewing!
DRAMA:

1. Ingrid Goes West 
2. Jungle 
3. Youth 
4. Locke
5. Short Term 12 
6. Don Jon 
7. Eighth Grade 
8. Perfume: The Story of a Murderer
9. Brothers 
10. The Station Agent

​HORROR:

1. The Vigil
2. The Lodge
3. Saint Maud
4. Mandy 
5. Frailty
6. Here Alone
7. A Dark Song
8. The House of the Devil
9. Creep
10. Hell House LLC

ACTION/CRIME/WAR:

1. Uncut Gems
2. The King
3. Good Time
4. The Bad Batch
5. Prisoners
6. End of Watch 
7. Glory
8. Children of Men
9. The Thin Red Line
10. Blood Simple

COMEDY:

1. Instant Family
2. Fighting With My Family
3. The Breaker Upperers
4. Game Night
5. Spy
6. The Grand Seduction
7. In Bruges
8. Son of Rambow
9. Kung Pow! Enter the Fist!
10. Tucker and Dale vs Evil

SCIENCE FICTION/ FANTASY:

1. Save Yourselves!
2. Predestination 
3. Moon
4. Upgrade
5. The Endless
6. Melancholia
7. Ex Machina
8. Under the Skin
9. These Final Hours
10. Sunshine 

ART HOUSE/ MUSICAL/ INTERNATIONAL:

1. The Great Beauty
2. Me and You and Everyone We Know 
3. Once
4. A Ghost Story
5. Black is King 
6. Sightseers
7. Somewhere
8. 20,000 Days on Earth
9. Kung Fu Hustle 
10. Only Lovers Left Alive 

GRITTY/ DOCO/ CHALLENGING

1. Swallow
2. The Nightingale
3. The Tale
4. Chasing Coral
5. The Weight of Elephants
6. Tyrannosaur
7. Dogtooth
8. Metal Skin
9. Birth
10. Fishtank

ROMANCE/ MATTERS OF THE HEART:

1. Film Stars Don't Die in Liverpool
2. Blue Jay
3. What If
4. Man Up
5. The One I Love
6. Bright Star
7. Labor Day
8. Ruby Sparks
9. Chasing Amy
10. Your Sister's Sister

KID FRIENDLY:

1. The Willoughbys
2. Klaus
3. Isle of Dogs
4. The Little Prince
5. Kubo and the Two Strings
6. The Boy and The Beast
7. Paranorman
8. 9
9. Hoodwinked!
10. Hugo 

Spicywatch.com has just celebrated its seventh birthday! And how she has grown over the years from a humble dozen or so movies reviews when I first launched her in May 2014 to the massive 873 reviews that she now has under her belt. In the 7 years that Spicywatch has been on the internet I have had over 100,000 hits and on average, good old Spicywatch manages to rustle  up around 2500- 6500 readers a month.
So naturally, I had to celebrate the wonderful and joyful occasion of Spicywatch's 7th birthday, especially since last year I couldn't really do anything significant due to COVID-19.  So in the spirit of all things seven, I asked my guests to investigate the 7 Deadly Sins of gluttony, greed, sloth, wrath, pride, lust and envy and then choose their favourite clips from any or all of those categories to share. 
The event was a small but meaningful gathering and everyone had clearly done their research because we traversed the genres like never before. To give you some idea of the range of the movies that had a clip in the mix, check out this movie list of just some that I can recall from last night's line up. 
GLUTTONY:

• Mathilda
• Austin Powers 
• Spirited Away
• Chocolat
• Charlie and the Chocolate Factory
• Stand by Me
• The History of the World (Monty Python) 

PRIDE:

• American Psycho 
• Citizen Kane 
• Monty Python - The Holy Grail 
• The Joker 

ENVY:

• Fatal Attraction
• Eyes Wide Shut
• Howl's Moving Castle
• Moulin Rogue 
• Zoolander 
• Black Swan

LUST:

• Death Proof
• The Devil's Advocate 
• What We Do in the Shadows 
• The Witches of Eastwick
• Fatal Attraction 
• Team America 
• American Beauty 

SLOTH:

• Trainspotting
• The Goonies 
• The Big Lebowski
• Avengers: Endgame 

WRATH:

• Raging Bull
• The Shining
• Maleficent
• Office Space 
• The Lighthouse 
• Revolutionary Road
• Punch Drunk Love 
• Brothers 
• Kill Bill Vol 2
• Silver Linings Playbook

GREED:

• The Hobbit 
• There Will Be Blood
• Casino
• The Nightmare Before Christmas 
• Pocahontas 
• The Mummy 
• Marie Antoinette 

Many thanks to the few incredible souls that braved the weather to celebrate Spicywatch's birthday with me and thanks to all of my loyal readers that continue to check in, read my reviews, leave comments and support the growth of my little blog. 

After a 441 day hiatus, the longest gap to date, the 93rd Annual Academy Awards finally occurred last Sunday evening. I have now watched nearly all of the awards ceremony for 2021 - The Golden Globes, The Emmys, the BAFTAs and now the Oscars as well and it would be very fair to say the nominations and winners were all very consistent and obviously extremely deserving. 
The MTV awards and Tony's haven't happened yet if you're still thirsty for more awards ceremonies and late May will also bring Eurovision back into our lives if you're hungry for something completely fresh and unique. 
However for now I still have a few things to catch up on watching from the winners lists and I am taking a couple of weeks off award shows because I feel like I have tortured my family enough this year.
I do have to admit that I am currently deeply obsessed with all things Montaigne after seeing her live earlier this year and I will definitely be watching the Eurovision awards because she is representing Australia this year in the competition. 
Here is the line up for the EUROVISION airing times in Australia if like me, you're interested and a little Montaigne obsessed as well. 
Semi-Final 1 – Friday 21 May, 8.30pm (AEST), SBS -FEATURING MONTAIGNE
Semi-Final 2 – Saturday 22 May, 8.30pm (AEST), SBS
Grand Final – Sunday 23 May, 7.30pm (AEST), SBS

And just in case you missed all of the Academy Award action, here is the full list of 2021 Oscar nominations and winners:
Best Actor in a Leading Role
Riz Ahmed (“Sound of Metal”)
Chadwick Boseman (“Ma Rainey’s Black Bottom”)
Anthony Hopkins (“The Father”) (WINNER)
Gary Oldman (“Mank”)
Steven Yeun (“Minari”)

​Best Actress in a Leading Role
Viola Davis (“Ma Rainey’s Black Bottom”)
Andra Day (“The United States v. Billie Holiday”)
Vanessa Kirby (“Pieces of a Woman”)
Frances McDormand (“Nomadland”) (WINNER)
Carey Mulligan (“Promising Young Woman”)

Best Picture
“The Father” (David Parfitt, Jean-Louis Livi and Philippe Carcassonne, producers)
“Judas and the Black Messiah” (Shaka King, Charles D. King and Ryan Coogler, producers)
“Mank” (Ceán Chaffin, Eric Roth and Douglas Urbanski, producers)
“Minari” (Christina Oh, producer)
“Nomadland” (Frances McDormand, Peter Spears, Mollye Asher, Dan Janvey and Chloé Zhao, producers) (WINNER) 
“Promising Young Woman” (Ben Browning, Ashley Fox, Emerald Fennell and Josey McNamara, producers)
“Sound of Metal” (Bert Hamelinck and Sacha Ben Harroche, producers)
“The Trial of the Chicago 7” (Marc Platt and Stuart Besser, producers)

Best Original Song
“Fight for You,” (“Judas and the Black Messiah”). Music by H.E.R. and Dernst Emile II; Lyric by H.E.R. and Tiara Thomas (WINNER)
“Hear My Voice,” (“The Trial of the Chicago 7”). Music by Daniel Pemberton; Lyric by Daniel Pemberton and Celeste Waite
“Húsavík,” (“Eurovision Song Contest”). Music and Lyric by Savan Kotecha, Fat Max Gsus and Rickard Göransson
“Io Si (Seen),” (“The Life Ahead”). Music by Diane Warren; Lyric by Diane Warren and Laura Pausini
“Speak Now,” (“One Night in Miami”). Music and Lyric by Leslie Odom, Jr. and Sam Ashworth

Best Original Score
“Da 5 Bloods,” Terence Blanchard
“Mank,” Trent Reznor, Atticus Ross
“Minari,” Emile Mosseri
“News of the World,” James Newton Howard
“Soul,” Trent Reznor, Atticus Ross, Jon Batiste (WINNER)
Best Film Editing“The Father,” Yorgos Lamprinos
“Nomadland,” Chloé Zhao
“Promising Young Woman,” Frédéric Thoraval
“Sound of Metal,” Mikkel E.G. Nielsen (WINNER)
“The Trial of the Chicago 7,” Alan Baumgarten

Best Cinematography
“Judas and the Black Messiah,” Sean Bobbitt
“Mank,” Erik Messerschmidt (WINNER)
“News of the World,” Dariusz Wolski
“Nomadland,” Joshua James Richards
“The Trial of the Chicago 7,” Phedon Papamichael

Best Production Design
“The Father.” Production Design: Peter Francis; Set Decoration: Cathy Featherstone
“Ma Rainey’s Black Bottom.” Production Design: Mark Ricker; Set Decoration: Karen O’Hara and Diana Stoughton
“Mank.” Production Design: Donald Graham Burt; Set Decoration: Jan Pascale (WINNER)
“News of the World.” Production Design: David Crank; Set Decoration: Elizabeth Keenan
“Tenet.” Production Design: Nathan Crowley; Set Decoration: Kathy Lucas

Best Actress in a Supporting Role
Maria Bakalova (‘Borat Subsequent Moviefilm”)
Glenn Close (“Hillbilly Elegy”)
Olivia Colman (“The Father”)
Amanda Seyfried (“Mank”)
Yuh-Jung Youn (“Minari”) (WINNER)

Best Visual Effects
“Love and Monsters,” Matt Sloan, Genevieve Camilleri, Matt Everitt and Brian Cox
“The Midnight Sky,” Matthew Kasmir, Christopher Lawrence, Max Solomon and David Watkins
“Mulan,” Sean Faden, Anders Langlands, Seth Maury and Steve Ingram
“The One and Only Ivan,” Nick Davis, Greg Fisher, Ben Jones and Santiago Colomo Martinez
“Tenet,” Andrew Jackson, David Lee, Andrew Lockley and Scott Fisher (WINNER)

Best Documentary Feature
“Collective,” Alexander Nanau and Bianca Oana
“Crip Camp,” Nicole Newnham, Jim LeBrecht and Sara Bolder
“The Mole Agent,” Maite Alberdi and Marcela Santibáñez
“My Octopus Teacher,” Pippa Ehrlich, James Reed and Craig Foster (WINNER)
“Time,” Garrett Bradley, Lauren Domino and Kellen Quinn

Best Documentary Short Subject
“Colette,” Anthony Giacchino and Alice Doyard (WINNER)
“A Concerto Is a Conversation,” Ben Proudfoot and Kris Bowers
“Do Not Split,” Anders Hammer and Charlotte Cook
“Hunger Ward,” Skye Fitzgerald and Michael Scheuerman
“A Love Song for Latasha,” Sophia Nahli Allison and Janice Duncan

Best Animated Feature Film
“Onward” (Pixar)
“Over the Moon” (Netflix)
“A Shaun the Sheep Movie: Farmageddon” (Netflix)
“Soul” (Pixar) (WINNER)
“Wolfwalkers” (Apple TV Plus/GKIDS)

Best Animated Short Film
“Burrow” (Disney Plus/Pixar)
“Genius Loci” (Kazak Productions)
“If Anything Happens I Love You” (Netflix) (WINNER)
“Opera” (Beasts and Natives Alike)
“Yes-People” (CAOZ hf. Hólamói)

Best Live-Action Short Film
“Feeling Through”
“The Letter Room”
“The Present”
“Two Distant Strangers” (WINNER)
“White Eye”

Best Sound
“Greyhound,” Warren Shaw, Michael Minkler, Beau Borders and David Wyman
“Mank,” Ren Klyce, Jeremy Molod, David Parker, Nathan Nance and Drew Kunin
“News of the World,” Oliver Tarney, Mike Prestwood Smith, William Miller and John Pritchett
“Soul,” Ren Klyce, Coya Elliott and David Parker
“Sound of Metal,” Nicolas Becker, Jaime Baksht, Michelle Couttolenc, Carlos Cortés and Phillip Bladh (WINNER)

Best Director
Thomas Vinterberg (“Another Round”)
David Fincher (“Mank”)
Lee Isaac Chung (“Minari”)
Chloé Zhao (“Nomadland”) (WINNER)
Emerald Fennell (“Promising Young Woman”)

Best Costume Design
“Emma,” Alexandra Byrne
“Mank,” Trish Summerville
“Ma Rainey’s Black Bottom,” Ann Roth (WINNER)
“Mulan,” Bina Daigeler
“Pinocchio,” Massimo Cantini Parrini

Best Makeup and Hairstyling
“Emma,” Marese Langan, Laura Allen, Claudia Stolze
“Hillbilly Elegy,” Eryn Krueger Mekash, Patricia Dehaney, Matthew Mungle
“Ma Rainey’s Black Bottom,” Sergio Lopez-Rivera, Mia Neal, Jamika Wilson (WINNER)
“Mank,” Kimberley Spiteri, Gigi Williams, Colleen LaBaff
“Pinocchio,” Mark Coulier, Dalia Colli, Francesco Pegoretti

Best Actor in a Supporting Role
Sacha Baron Cohen (“The Trial of the Chicago 7”)
Daniel Kaluuya (“Judas and the Black Messiah”) (WINNER)
Leslie Odom Jr. (“One Night in Miami”)
Paul Raci (“Sound of Metal”)
Lakeith Stanfield (“Judas and the Black Messiah”)

Best International Feature Film
“Another Round” (Denmark) (WINNER)
“Better Days” (Hong Kong)
“Collective” (Romania)
“The Man Who Sold His Skin” (Tunisia)
“Quo Vadis, Aida?” (Bosnia and Herzegovina)

Best Adapted Screenplay
“Borat Subsequent Moviefilm.” Screenplay by Sacha Baron Cohen, Anthony Hines, Dan Swimer, Peter Baynham, Erica Rivinoja, Dan Mazer, Jena Friedman, Lee Kern; Story by Sacha Baron Cohen, Anthony Hines, Dan Swimer, Nina Pedrad
“The Father,” Christopher Hampton and Florian Zeller (WINNER)
“Nomadland,” Chloé Zhao
“One Night in Miami,” Kemp Powers
“The White Tiger,” Ramin Bahrani

Best Original Screenplay
“Judas and the Black Messiah.” Screenplay by Will Berson, Shaka King; Story by Will Berson, Shaka King, Kenny Lucas, Keith Lucas
“Minari,” Lee Isaac Chung
“Promising Young Woman,” Emerald Fennell (WINNER)
“Sound of Metal.” Screenplay by Darius Marder, Abraham Marder; Story by Darius Marder, Derek Cianfrance
“The Trial of the Chicago 7,” Aaron Sorkin

HILLBILLY ELEGY
Release Date: 2020
Rating: M 
Running Time: 116 mins 
An American drama directed by Ron Howard and based on the 2016 memoir of the same name by J. D. Vance. Released on Netflix and met with mixed reviews, Hillbilly Elegy's short comings are greatly elevated by the award worthy performances of Glenn Close and Amy Adams. 
J. D. Vance, a young Yale law student, is pulled back in to the dramatics of his old life when he returns to his home town to deal with a family crisis. Upon returning J.D. reflects on the potential outcomes of his own life and the lives of the generations of his family before him. 
This is very much a tale about choosing your own destiny and escaping destructive family cycles. The performances are really strong which adds a lot of levity and merit to the tale overall and contrary to the very tepid reviews that it received, I genuinely enjoyed this film. I thought that this film actually delivered a plausible and compassionate depiction of a small town, low socio-economic family and the challenges that they faced together because of their station in life. Don't be put off by the reviews, Hillbilly Elegy is definitely worth a look. 
FINAL SAY: You got to decide, you want to be somebody or not?
3 Chilli Peppers ​

In order to be free and completely unburdened, we must be able to embrace our whole self. Easier said than done when you live a world that praises perfection over humility, accepts self mutilation as a form of beauty and makes people strive for basic rights like equality and acceptance on the daily. However, even in a tainted world like ours it is still possible to find an acceptance of the self and the ability to embrace the power and freedom that comes with that. But how? How can you truly embrace your whole self without glancing over your shoulder, questioning yourself or second guessing yourself? Well, the secret to that lies in finding the things about yourself that are worth celebrating and focusing on those.
When it comes to embracing the whole self, first and fore mostly you have to focus on how far you've already come in this life rather than how far you believe that you still have to go. Instead of comparing yourself to anyone else, compare yourself to your old self. By doing that you will start to gain a very clear picture about how much you have changed. Who were you ten years ago? Five year ago? Or even one year ago? Odds are that you have done some pretty significant evolving, you'll not be the same person that you were and you will have learned a lot along the way.
You may have grown physically stronger, collected more skills, gained better health or wellbeing, become a kinder and more patient person, the potential list is endless really. However, I guarantee that if you really start to look, you'll see that you have actually come quite a long way and you are definitely a better version of yourself now that you used to be. Breathe that in for a minute and think about what that is going to look like in another year from now, or in five years or ten years, assuming that you stay on the same trajectory.  Pretty good right? You're on your way, embrace that. Being able to focus on how far you've come is the beginning of embracing of the self. 
Next, and I know that I've said this before, but I'm saying it again, get rid of the word perfect and replace it with better. Striving to be better is plausible, admirable and healthy and will bring you closer to embracing yourself than any push for perfection. Perfection is bullshit, it does not exist. No matter how far you get, the bar will just continue to raise if you are seeking perfection. You will constantly feel inadequate and you will find yourself on a treadmill of comparison and disenchantment. If you are striving for perfection in your life right now, please stop immediately. Aim for self improvement instead. Go ahead and improve your station, work hard on you and you'll see that you will gain a lot more confidence and self worth if you aim for better over perfect. 
Once you've done that, then it is time to embrace your power, your individual power, the one that you were born with. You do have power, quite a lot of it actually. You have your own set of unique abilities, talents and skills. Why there is no-one else on the entire planet that is identical to you, you're an original, a one of a kind masterpiece and you have passion, purpose and ambition to ignite in this world. As Dr Seuss said, there is no-one  alive who is more youer that you. And that is so true and beautiful and 100% worth embracing.
When you embrace your individual power, you'll find that you will unlock your goals and visions for your own future. Finding what makes you feel alive will do that and if you're lucky you might even get to live your passion daily and even make money from doing it. However, it might be a hobby or talent that you do part time that ignites your power and that is just as good. When you are doing something that you feel passionate about in the world you will also be embracing your whole self, perhaps without realising that you are. And that is because you will be embodying your authentic self.
Your authentic self is at the core of who you are and it is actually made up of a whole lot of really cool things. Things that you probably forget that you have in your tool kit a lot of the time. Whether you realise it or not, your authentic self is pure hearted, kind, empathetic, interested and understanding. You authentic self doesn't compare or complain or compete, why would it? Your authentic self is confident, calm and clear minded because it feels embraced and accepted. So allow yourself to be your authentic self, embrace the whole truth of who you really are, embrace your individual power and embrace the amazing journey that you've already made thus far. If you can do that, then you will be living your best life every damn day. And you know that you deserve to, so dare to embrace your whole self and raise your vibration, take your whole self to the next level. 

SWALLOW
Release Date: 2020
Rating: R 18+
Running Time: 94 mins
An unforgettably affecting independent psychological film that was written and directed by Carlo Mirabella-Davis. Swallow seeks to explore a very real affliction called pica, a psychological disorder that compels sufferers to consume indigestible objects. 
Beautiful and passive Hunter has just married a wealthy CEO and her new life affords her the luxury of not having to work, lots of free time and extra money at her disposal. However, after swallowing a marble one day, Hunter feels exhilarated and begins to consume more and more inedible objects, eventually putting her life and that of her unborn child in danger.  
Be warned, this movie is really hard to watch at times. Between the main characters obsession with swallowing harmful objects and the appalling treatment and lack of emotional support that she receives from the people around her, this film just goes from bad to worse. 
Haley Bennett's performance of Hunter is Oscar nomination worthy and she projects the immaculately groomed 'Stepford wife' persona hiding a deep secret so well that it is downright eerie. Swallow certainly provides us with a glimpse into the strange and disturbing world of pica sufferers and will be a film that I won't ever forget seeing. 
FINAL SAY: Are you happy, or are you pretending to be happy? 
3 Chilli Peppers ​

Normally at this time of the year I would have been able to recount all of the wonderful things that I did and the people that I shared my time with throughout the year, and write a really amazing blog post reminiscing about those events; this year however - not so much! To say that 2020 was a difficult year would be a massive understatement, but for those of you that are out there reading this, well at least we survived it right?
Equally it was a strange year of cinema to say the least! I cannot deny that the viewing opportunities in 2020 grew wider and faster than anyone (even myself) could possibly have kept up with. However, this year I only watched 185 movies in total, which does sound like a lot but it was actually 30 less than I watched in 2019. This was mainly due to the quality of the films on offer, which in opinion were not nearly as consistently great as they were in 2019 and I found myself wading through a lot mediocre movies this year. 
However, television was a whole other ball game, and I watched 153 television series (some of which were more than one series of catch up as well) which was a lot more TV than I viewed in 2018 or 2019, so it all balances out to the same amount of couch smashing in the end and still translates to me being a serious media addict. 
You will notice that there are a lot of TV series listed below that got 4 chilli peppers or more, certainly more than movies did and that is simply because there were a lot more excellent TV experiences to be had this year. The influx of genuinely high level television in 2020 was literally never ending and because of COVID19 lockdowns across the globe we were given the best TV streaming opportunities that we have ever had before. My 'to see' list is pages long these days as I struggle to keep ahead of the game and the movie reviews that I still need to add to my blog, but alas it is a labour of love and I have enjoyed every moment of media escapism that I have indulged in this year. 
2020, just like 2019 managed to deliver greatness across all genres, for which I am very grateful. The international films, independent films and animated films were amazingly good this year and it was great to see so many excellent films and series from those genres. And so, without further ado....here is my selection for the best viewing experiences of 2020. 
BEST MOVIES (2020 release):
Soul - Kids  5 Chilli Peppers (Hall of Fame)
Borat Subsequent Moviefilm - Comedy 4 Chilli Peppers 
Sound of Metal - Drama 4 Chilli Peppers 
Onward - Kids  4 Chilli Peppers
Black is King - Musical  4 Chilli Peppers
The Vast of Night - Sci-Fi   3.5 Chilli Peppers
The Invisible Man - Horror 3.5 Chilli Peppers 
The Willoughbys - Kids  3.5 Chilli Peppers
His House - Horror 3.5 Chilli Peppers 
Colour Out of Space - Sci -Fi  3.5 Chilli Peppers
Da 5 Bloods - War 3.5 Chilli Peppers
Enola Holmes  - Crime 3.5 Chilli Peppers
Deadwood: The Movie - Crime 3.5 Chilli Peppers
Save Yourselves! - Sci-Fi/ Comedy   3.5 Chilli Peppers

2020 HONOURABLE MENTIONS:
The Platform - Gritty/ International  3 Chilli Peppers
Swallow - Gritty 3 Chilli Peppers
Palm Springs -  Romance/ Comedy 3 Chilli Peppers 
Vivarium - Sci-Fi 3 Chilli Peppers 
#Alive - Horror 3 Chilli Peppers
American Murder: The Family Next Door - Doco 3 Chilli Peppers 
Relic - Horror 3 Chilli Peppers 

Here are my top recommendations for pre-2020 releases that I didn't see until 2020:
1917 - War 5 Chilli Peppers (Hall of Fame) 
Parasite - International 4.5 Chilli Peppers 
Shadow - International 4.5 Chilli Peppers
The Nightingale - Gritty  4 Chilli Peppers
Uncut Gems - Crime 4 Chilli Peppers
The Lighthouse - Art House  4 Chilli Peppers
The Farewell - Drama 4 Chilli Peppers 
Burning - International 3.5 Chilli Peppers
Ford v Ferrari - Drama 3.5 Chilli Peppers 
Chasing Coral - Doco  3.5 Chilli Peppers
The Peanut Butter Falcon - Drama 3.5 Chilli Peppers 
Mid90s - Drama   3.5 Chilli Peppers
Zombieland 2: Double tap - Horror 3.5 Chilli Peppers
Dr Sleep - Horror 3.5 Chilli Peppers 
Rocketman - Musical  3.5 Chilli Peppers
The Gentlemen - Crime 3.5 Chilli Peppers
El Camino: A Breaking Bad Movie - Crime  3.5 Chilli Peppers
Hail Satan? - Doco  3.5 Chilli Peppers
3 Identical Strangers - Doco  3.5 Chilli Peppers
Mystify: Michael Hutchence - Doco  3.5 Chilli Peppers
The Lodge - Horror 3 Chilli Peppers
The Night Eats the World - Horror 3 Chilli Peppers

BEST TELEVISION SERIES 2020:
Succession S2 -  Drama 5 Chilli Peppers
Ozark S3 - Crime 5 Chilli Peppers
Lovecraft Country - Horror 5 Chilli Peppers
This Country S3 - Comedy 5 Chilli Peppers
Raised by Wolves - Sci- Fi 4.5 Chilli Peppers
The Queen's Gambit - Drama 4.5 Chilli Peppers
The Mandalorian - Sci-Fi 4.5 Chilli Peppers 
Better Call Saul S5 - Crime 4.5 Chilli Peppers 
Morning Wars - Drama 4.5 Chilli Peppers 
I May Destroy You - Drama 4.5 Chilli Peppers 
DEVS - Sci-Fi  4 Chilli Peppers 
The Magicians S5 - Sci-Fi 4 Chilli Peppers
The Great - Period Drama 4 Chilli Peppers 
What We Do in the Shadows S2 - Horror/Comedy 4 Chilli Peppers
Mythic Quest - Comedy/Drama 4 Chilli Peppers
Kidding S2 - Art House 4 Chilli Peppers
Awkwafina is Nora from Queens - Comedy 4 Chilli Peppers
The Boys S2 - Super 4 Chilli Peppers
Ramy S2 - Comedy/ Drama 4 Chilli Peppers
The Haunting of Bly Manor -  Horror 4 Chilli Peppers
The Undoing - Drama 4 Chilli Peppers
Wayne - Crime/ Comedy 4 Chilli Peppers
Unorthodox - Drama 4 Chilli Peppers
​It's Always Sunny in Philadelphia S14 - Comedy 4 Chilli Peppers
High Fidelity - Drama 4 Chilli Peppers

2020 TV HONOURABLE MENTIONS: ​
Ratched - Thriller  3.5 Chilli Peppers 
SEE - Sci- Fi  3.5 Chilli Peppers 
Avenue 5 - Sci-Fi/ Comedy  3 Chilli Peppers 
Dave - Comedy  3 Chilli Peppers
The Servant - Thriller  3 Chilli Peppers
 The Umbrella Academy S2- Fantasy 3 Chilli Peppers
The Third Day - Thriller  3 Chilli Peppers 
After Life S2 - Comedy  3 Chilli Peppers 
Killing Eve S3 - Crime  3 Chilli Peppers 
Breeders - Comedy  3.5 Chilli Peppers 

Amidst the confusion and calamity of COVID-19, America manages to throw itself even further into turmoil with thousands of people taking to the streets in protest of the brutal murder of George Floyd, a 46 year old black man who died in police custody in May. Poor Floyd can clearly be seen in a viral Youtube video being suffocated to death by a police officer who has his knee forced into Floyd's throat as he gasps and pleads 'I can't breathe' - but they do not show any mercy, and he dies because of a cruel and corrupt American authority system that feels entitled to use inhumane force and reckless violence against its citizens. 
As the world watched in horror, the American public completely broke over this latest demonstration of societal inequality and they rose up in anger. Some chose to peacefully demonstrate, others used more force and in some cases stores were looted and protesters were brutally attacked in scenes that felt more like they belonged in a post-apocalyptic movie rather than on the streets of a first world country. 
And although it would appear that this is all due to George Floyd death, in reality although clearly awful, Floyd's death was merely the straw the broke the very overburdened backs of the American people. George Floyd was a spark in a powder keg of disgruntled, beaten down and fed up citizens that had finally had enough of the oppression and sheer disregard of their welfare by the leaders and law enforcement of their country, the very people who are supposed to be serving and protecting them. Between the coronavirus, the record levels of unemployment and the years and years of African American deaths and criminal frame ups from the police, this mass protest was well overdue. 
So Trump has truly made his bed, his very ugly bed and now he must lie down in it. Do I feel sorry for him? Of course I don't, and even though I would never advocate anarchy in the streets I cannot help but feel like this latest outpouring of anger and demonstration from the people of America is more than warranted and seriously overdue. The dragging down, the corruption and the maldistribution of support and care in that country simply has to stop, and if that means taking it to the streets and getting loud about it, well so be it I say.
I just hope that they will take this fervent energy with them to the polling booths at the next election and start to show more care for who they elect to speak for them in the future because there is only way that any of this is going to change and that's by cutting the head off the beast itself. Donald Trump has proven himself to be nothing short of psychopathic since the whole COVID-19 pandemic began, and when he isn't advising his people to go out and drink bleach as a Coronavirus preventative, he is generally otherwise busy inciting fear, promoting corruption and generally acting like a bible swinging lunatic. If this doesn't get the Americans rallied together to vote him out, then nothing will now. 
This latest uprising around George Floyd, I believe is just the beginning. In 1967 Dr Martin Luther King, Jr. called for a 'revolution of values' because of the continuous cycle of social inequity and police brutality that the African Americans were enduring, and this form of civil rights movement is beginning to come into play again today. Fairness and justice are worth fighting for and now that the American people have gained some momentum and worldwide attention and support they will not be going quietly into the night with this, they are going to keep this momentum going and they are going to make changes.
A time of revolution is most definitely upon us, not just upon the Americans, but upon us all. What we are all witnessing right now is an extremely significant and important time in history, a time that you will talk about with your families for years to come, a time when all of the oppressors will be held accountable for their choices and democracy shall prevail. It's the start of something big and extremely overdue, so bring on the revolution I say, you have my full support. No-one in this world should have to fight for equitable treatment, it should just occur and I look forward to the abolition of all of these barbaric, archaic and unwanted behaviours, let's make the assholes accountable! Viva La Revolution! Power to the People! But most of all, watch this space because things are going to change and it will be wonderful to see the people win and the bad guys all finally get their comeuppances. 

Spicywatch.com celebrated its 6th birthday this weekend. However, unlike previous years when I gathered together some movie loving friends to share in the joy of cinema with me, due to COVID-19, this year I didn't actually do anything at all. There was no sharing of favourite movie clips, no eating, drinking and merry chatter about the latest fabulous movie or cinema experience that people have enjoyed; nope this year Spicywatch had to quietly sit back and turn 6 without any fanfare or celebration. 
This could be just as well for my friends who are not fans of horror, because a sixth birthday does seem like the most opportune moment to bust out favourite macabre movie clips in the name of a '666' themed movie celebration, but I guess that will have to wait until Spicywatch's 13th birthday now, so to all of my horror hating friends, you really dodged a bullet there! 
However, in spite of quietly going about her business, Spicywatch.com has actually grown quite substantially over the last 12 months and is now being enjoyed by over 6 million people around the globe... jokes! I'm not IMDb for God's sake, but Spicywatch has continued to gain a loyal and slowly growing audience of people that seem to respect my opinions about movies and there are now 821 reviews in total to be found on my genre lists. 
Turns out that I only added a mere 31 movies to my genre lists in the last year, which means that I must have watched a lot of crap because I know for sure that I actually watched 212 films in 2019. Unsurprisingly, only 31 of them were 3 Chilli Peppers or more and I think this is probably pretty accurate. After all, after a lifetime of movie watching I have only reviewed 821 films in total which, if we start the age count at say 14 (which is around the time that I seriously started to adore movies) then that means that I should have added around 25 films every year to my blog to get to where I am, so if you think statistically I have actually enjoyed a higher than average contingency of movies that I have watched this year overall. 
And it easy to see why, the last year was a really strong one as far as high quality films were concerned; with incredible film-making now becoming the norm. Every year the bar gets raised, and in all truth it has to because audiences are more discerning and demanding now. People are smart and woke and they want sharp viewing experiences as a direct consequence of that, which means that mediocre cinema experiences are just not cutting it anymore.
Generally I added around 5 films to most of my genre lists, but there was a definite burst happening on my drama, art house/foreign, gritty/documentary lists. This is not surprising to me, with unforgettably good movies like The Lighthouse, Little Women, Marriage Story, Parasite, Shadow, 1917, The Nightingale, They Shall Not Grow Old and Hail Satan? all leaving their marks and impressions upon me over the last 12 months. 
I have banked a huge list of movies and TV series to binge on over the next few weeks, and I must apologise if I might seem to slide off the radar for a little while as I am heading in to hospital on Friday for a procedure that will put me out of actions for around 4 to 6 weeks. And although you may not hear from me, I can assure you that I will be viewing movies, taking notes and reviewing again as soon as I am fit and able to do so. 
Many thanks and much love to my regular Spicywatch readers and supporters that have for 6 years now, offered me regular check ins and greatly appreciated comments of support, feedback and kindness.
​Until next time, stay well and take care. 

HAIL SATAN?
Release Date: 2019
Rating: MA 15+
Running Time: 95 mins 
An American documentary film about The Satanic Temple, outlining its origins and grassroots political activism.  Directed by Penny Lane, this documentary highlights the efforts of the Satanic movement in their attempts to preserve the separation of church and state against the privilege of the Christian right. 
Through a series of public demonstrations designed to advocate for religious freedom, The Satanic Temple push their mostly unwelcomed agenda and force many Americans to address the clearly corrupt authority of Christianity within their country. Lead my their enigmatic co-founder and spokesperson Lucien Greaves, this group of misunderstood outsiders band together and use their wit, charm and mischievous nature's to speak the truth, managing to ruffle more than a few feathers along the way. 
This is a great documentary that will challenge your preconceived ideas about both the Satanic movement and the Christian faith movement as well. And although you may not necessarily agree with all of the unorthodox demonstration methods of The Satanic Temple, you will not be able to deny their intelligent, witty and mostly entertaining advocacies for justice and equality. 
FINAL SAY:​ In the fight for justice, the devil's work is never done.
3.5 Chilli Peppers ​

When you're free choices are removed, you're forced to stay home and you can't indulge in all of your hedonistic pleasures because of self isolation and social distancing restrictions, you have to start getting resourceful and clever about how you find your joys.
Real pleasure can actually be derived from many things that may have previously appeared to be mundane or ordinary, but if you can get creative and actually surrender to the power of your senses, you'll find that there is a great magic to be found in the mundane and a deep sense of gratitude and splendour all around you that is not only free but also very easy to access. 
And yes, this will require a certain level of surrender from you in order for you to really access the full benefits of this practise and I understand that this will take some people longer than others to master completely because releasing control and just letting go are not usually things that we are encouraged to do. However, I cannot stress enough how empowering this level of release will be for you and how much you will gain out of every mundane minute if you can just allow yourself to try this very simple and pleasurable practise of finding joy in the exploration of your own senses.
As you employ each different sense, take note of which experiences drop your stress levels or shift your thoughts from your monkey brain scrambling thoughts to 'the now.' By allowing your senses to shift you to a 'now' consciousness you will become more focused and calm, and in turn be able to embrace the joy of what you are experiencing more completely. 
Using your senses is a work of experimentation and great joy, because you are literally going to discover what it is about you and your unique makeup that gives you real pleasure and release. Undertake these small experiments with a calm and open mind and soon you will be untapping new and rewarding ways to care for your own wellbeing, finding pleasure in the previously mundane and unfold new ways of experiencing the world around you. 
Please try not to look at these lists of activities as exhaustive. You may like to try one or two things each day as a little self experimentation/ self exploration time. This time of self isolation has presented us all with a unique opportunity to better explore aspects of ourselves as well as the world, so why not take advantage of that? Undertake each task with joy, and if anything that you try feels uncomfortable or unpleasant to you, then stop doing it immediately. This is an exploration of pleasure in the mundane, so aim for feelings of intense calm and joy and settle for nothing short of that. 
Let's begin with your sight, and remember to take note of all of the feelings that arise within you and take note of what brings you feelings of calm, pleasure and escape.

• Look at a photo of a cherished moment or memory of your life.
• Go outside and find five different flowers and five different leaves, spend time really observing them and taking them apart. 
• Find a plant or tree in your yard that you like the best. Sit near it and think about what it is that you like about it, this is your calm space now. 
• Think about your favourite colour, go and find five items around your home that are that colour, have them near you or on you all day. 
• Blow bubbles and watch them float away. 
• Observe the birds, wildlife, animals, creatures that live in your yard. How close can you get to them without disturbing them?
• Watch a sunset and/or a sunrise.
• Read a book. 
• Watch a youtube clip that contains 'oddly or most satisfying' video material.  
• Watch a moonrise and observe the stars when they come out. 
• Watch the rain fall against the window and the plants outside as it falls. 
• Go for a walk around your neighbourhood and mindfully look for 5 things of beauty.

Let's move onto smell:

• Light a candle or burn some incense.
• Make a fresh coffee or herbal tea and hold it in your hands and breathe in the aroma for 3 minutes before you allow yourself drink it. 
• Bake a batch of cookies just to smell them when they come out of oven.
• Experiment with essential oils.
• Put on your favourite lotion or hand cream. 
• Every time that you see a flower, if you can - try to stop and smell it. 
• Smell all of your food just before you eat it. 
• Go outside and smell at least 10 pleasant things that are growing in your yard. 
• Breathe in the fresh clean air around you when you're outdoors. 
• Wear your favourite perfume. 
• Smell the fresh clean linen that is full of sunshine as you take it off the line. 
• Smell the rain and the smell of a thunderstorm.
• Cut open a piece of citrus and sniff it deeply. 

Now touch:

• Wrap up in a warm blanket.
• Have a bubble bath.
• Stroke your cat or dog mindfully.
• Get or give a massage.
• Knead dough for a loaf of bread. 
• Put on your favourite jumper or clothing item. 
• Hold a comfort object.
• Squeeze a stress ball.
• Hug someone mindfully.
• Feel the textures on the various plants and trees in your yard. 
• Walk barefoot on the grass. 
• Take a hot shower. 
• Pop bubble wrap. 
• Brush your hair or brush someone else's hair. 
• Push your hands into rice or sand. 
• Stroke a feather on your body. 
• Run your fingertips over various household objects and observe the sensations. 

Onto taste:

• Chew a piece of gum.
• Eat your favourite food slowly and deliberately. 
• Smell some dark chocolate and then let it melt on your tongue.
• Drink a glass of good wine or alcohol and savour the taste. 
• Eat a piece of perfectly ripe fruit. 
• Put on your favourite chapstick and taste the subtle flavour on your lips.
• Eat a cookie straight from the oven. 
• Suck an ice block. 
• Mindfully eat something crunchy. 
• Sip a cup of good coffee or herbal tea. 
• Try a new food. 
• Taste small amounts of familiar foods in isolation  eg. honey, peanut butter, yoghurt. 
• Mindfully eat a bowl of popcorn. 

Let's talk about hearing:

• Listen to your favourite songs.
• Close your eyes and do a guided meditation.
• Go outside, close your eyes and listen to the sounds of nature.
• Talk on the phone to someone. 
• Sing a song. 
• Listen to a TED talk. 
• Listen to recorded sounds of nature eg, crashing waves, leaves in the trees, birds singing.
• Hang chimes on your porch to listen to.
• Listen to an opera or some classical music. 
• Listen to a podcast.
• Be read to or listen to an audio book.
• Read to someone. 
• Mindfully play an instrument.
• Have a stimulating and engaging conversation with someone you value. 
• Listen to a fountain or water running.
• Listen to rain or a thunderstorm with your eyes closed. 

And let's finish with a little mindful movement pleasure, just for good measure:

• Go for a stroll or run.
• Dance.
• Make love. 
• Do yoga.
• Exercise or workout.
• Stretch.
• Roll your head around and shrug your shoulders. 
• Roll or tumble in the grass.
• Throw a frisbee with a friend.
• Ride a bike. 
• Spin around with your hands outstretched until you feel dizzy.

MYSTIFY: MICHAEL HUTCHENCE 
​Release Date: 2019
Rating: M
Running Time: 108 mins 
If you were ever a fan of INXS and was shocked by the news of Michael Hutchence's death in 1997, then you really need to see this documentary. Written and directed by Richard Lowenstein, the film relies mainly on archive footage, outtakes and private home video and audio commentary to illustrate the life of musician, actor and lead singer of INXS, Michael Hutchence. 
This is both engrossing and interesting storytelling that outlines all of the major influences, relationships and achievements that Hutchence experienced during his brief and often troubled life. Clearly he was always a very charismatic and engaging individual, even in his early years, however beneath that Dionysian sexiness and confident exterior he was actually a very complex, fractured and sensitive individual. 
Mystify: Michael Hutchence is an emotional and beautiful ode to a man that left his mark on the music industry and the world at large and is an unmissable watch for INXS fans. 
FINAL SAY: Don't ask me, what you know is true. 
3.5 Chilli Peppers ​

When I was a teenager, the worst kinds of drugs that my peers were getting into were things like marijuana, hashish and maybe a few magic mushrooms (if you were lucky enough to know which ones were actually safe to ingest without dying). Now, I don't want anyone to think that I am condoning the taking of illicit drugs, because I don't, but from what I could glean from it all, the biggest consequence of taking any of the aforementioned drugs in your teens in my time was spending an entire weekend listening to back to back Pink Floyd albums and eating all of the packaged snack foods out of your parent's pantry.  
Occasionally you'd hear about older teens experimenting with speed or rohypnol, but in the circles that I ran in, things weren't really getting that heavy and we all just naively believed that it was only the 'kids that ran on the wrong side of the tracks' that were getting into the 'heavier' stuff anyway. 
I do still believe that most of the teenagers that were hanging out in my neighbourhood were actually just happy to experiment with alcohol and nicotine in the 80's and early 90's, although some of the really edgy kids that I knew were dropping acid tabs and going on psyc anthropic trips into other realms on the weekends, but no-one seemed to be experimenting with anything heavier than that.
When I was younger I was so uneducated about drugs that I actually thought that highly addictive drugs like heroin, cocaine or smack were reserved only for 'serious' drug addicts.  I thought that only people that were much older than me would even be able to afford or score drugs of that calibre and I suppose that kind of thinking allowed me to keep highly addictive drugs at a safe distance in some inaccessible realm that I would never need to enter. However in truth, those drugs were actually far closer than I realised at the time and the menu of drug choices was far more substantial than I had ever perceived it to be as well.
Today, teenagers are exposed to the risk of addiction from many more substances than I was ever exposed to, and even though alcohol and marijuana have been cited as the most commonly used drugs across the past four generations, what we are now seeing is a terrifying rise in young people using crystal meth (aka ice), synthetic drugs and (believe it or not) over the counter pain medications. However, what we also need to take into account is the fact that our teenagers are now far more educated and aware than they have ever been before and that kind of awareness is valuable and powerful, especially when we are talking about voluntary drug use. In fact, statistics show that it is not our young people that are at the biggest risk of having serious drug addictions anymore; the real truth about modern drug addiction is actually quite different than what you might have thought that would be. 
Due to the their wide range of health issues, social exclusion and isolation issues,  it is actually the elderly (64 to 86 years) who have the largest number of people that are abusing illicit substances these days. And perhaps just as equally shocking is the 11% of women over 50 years that are currently addicted to prescription medications. Which means that there are actually drug pushers sitting at our community clinics disguised as health care providers! We know this because the biggest rise in drug addiction in the last decade has occurred due to the drugs and medications that doctors are over-prescribing. Turns out that some of our friendly local GP's are now some of the most prolific drug peddlers in town, addicting more and more people to prescription drugs every year and doing it all legally as well!
After a little digging I found a list of the most commonly abused drugs and it's really no surprise that it looked like this: barbiturates, benzodiazepines, sleep medications, codeine, morphine, oxycontin, percocet, vicodin, amphetamines, methylphenidates (ritalin) and DMX. All of them prescription drugs.
However, the five most addictive drugs are: heroin, cocaine, nicotine, barbiturates and alcohol. And even though marijuana is the most abused drug worldwide with approximately 27.1 million users, it is not known as a highly addictive drug and is widely considered to be the safest recreational drug, however it is known as a gateway drug that can lead to other serious substance addictions, like Twisties, Cheezels and Doritos.
Sorry, I couldn't resist, but in reality drug abuse and drug addiction is certainly no laughing matter, and whether you've dabbled yourself, still partake or just have a curious mind about it all, always remember that all drugs, even something as innocuous as caffeine, come at a price to your overall health and wellbeing. So when it comes to the question 'to drug or not to drug?' I always try not to drug as much as possible, but I still can't resist a good whiskey on a Saturday night, and even though I don't ever want to seem flippant about alcohol abuse, I do believe that it hardly puts me into the Trainspotting stakes of addiction does it? 

I have in other posts mentioned how I hate it when a movie franchise capitalises on the success of earlier films and starts to roll out endless sequels that are just absolute shit and not a scrap on the original in any way, and look this does happen quite a lot. However, I don't want to tell you about all of the times that Hollywood wasted my time with shithouse sequels, why would I do that when I can tell you about all of the times when they actually got it completely right?
I would much prefer to talk about all of the times that a sequel or trilogy produced something that was just as good as the original - and dare I say it, sometimes even better! Yes, it is true, that some sequels and sometimes trilogies (and even beyond; which is rare but has happened) can be just as good, if not better than, their predecessor offerings. And I have to say that I get mighty excited when things like this happen.
Whenever I enter the cinema to watch a second coming I never, not ever, expect for it to be great. So you can imagine my surprise and delight when they get the formula right and deliver something fabulous all over again. Impossible you say? I think not, check out these incredible feats of cinematic trilogy and sequel genius -no seriously, you should really check them out, they're actually all very good movies!
TERRIFIC TRILOGIES:

• The Godfather: Arguably the best movie trilogy that has ever been made and certainly one of the best that I've ever seen.
• Toy Story: All four of them are great, all four of them! This is so rare that it is literally unheard of. If you've somehow missed these, see them immediately. 
• Lord Of The Rings (Trilogy): I've said it a thousand times, these three movies are epic. All Hale King Jackson! 
• The Hobbit(Trilogy): More Jackson gold, not as good as LOTR, but still epic.
• John Wick: There have been three of these so far, and they just keep getting better and better, and Keanu gets sexier and sexier as well - bonus!
• The Indiana Jones trilogy: Yeah I know that there were four of them, but the first three were the best and you know it too!
• Before Midnight: The final film in the trilogy, with the first two being Before Sunrise and Before Sunset. These are some of the best and most realistic romance films ever made, and each installment gets more involved. 
• Three Colours: Blue, Red and White: These fabulous french/polish language films are loosely based on the three political ideals in the motto of the French republic: liberty, equality, fraternity, and they're all excellent. 

STUNNING SEQUELS: 

• Terminator 2: Judgement Day: The first one was great, but the second one was bad ass, CGI effects heaven in 1991. 
• Aliens: Yep, loved the original Alien with all of my heart, but kick ass Ripley saving the day in Aliens was so damn good!
• Blade Runner 2049: So good, and in my opinion better than the original in storyline. 
• Paddington 2: Probably the best sequel of 2017, it was just so damn adorable!
• The Dark Knight: Heath Ledger's performance elevated the Batman movies to new and great heights- amazing!
• Thor: Ragnarok: Funnier, faster and way more enjoyable than any of the other Thor films. 
• Logan: The Wolverine franchise swan song was so, so good - it made my best of 2017 film list because it's really intelligent and deeply moving.
• Insidious 2: A perfect follow up to the very creepy first offering, some consistently excellent horror film making here. 
• Deadpool 2 - I love the Deadpool movies, they are so naughty and tongue in cheek, they're winners all round for me.
• Creep 2 - More Mark Duplass weirdness! Creep 2 is a really good and consistent follow on to the first Creep film. 
• Kill Bill Vol 2 - Every bit as good as Kill Bill vol 1, I actually liked the second instalment more than the first, but I know that many would argue this with me. 
• Hellboy 2 - The Golden Army: Even better than the first Hellboy, loads more fantastic creatures and heaps of action packed fun. 
• Manon Des Sources: The second installment of the French language movie Jean De Florette is unforgettable material that shouldn't be missed. 
• Avengers: Endgame: A perfect ending to an incredible franchise and the best super sequel that has ever been made. Hall of Fame material!
• Mad Max: Fury Road: This modern take on Mad Max was an unmissable fuel injected adrenaline rush and made my best of 2015 list. 
• T2 Trainspotting: A mature and contemplative revisit to the lads twenty years on, very interesting. 
• The Conjuring 2 - The Enfield Haunting: Totally freaked me out, that bloody nun is scary as all shit! Way more scares than the first Conjuring offering. 
• The Guardians of the Galaxy Vol 2: Just as good as Vol 1 in every way, just as funny, action packed and entertaining. 
• An Inconvenient Sequel: Truth to Power: If you're still in denial about global warming then watch Al Gore's second offering about the subject and get on board with feeling very uncomfortable and worried about the planet. 
• Zombieland: Double Tap: More hack and slash zombie killing with the old gang, what's not to like? 

The Academy Awards (or Oscars) are officially Hollywood's biggest awards 'night of nights.' They serve to award movie makers, directors and actors who have reached a pinnacle of excellence in their careers. To even receive an Oscar nomination is huge deal in Hollywood, and unlike the Golden Globes that celebrate television and film excellence, the Academy Awards are solely focused on recognising achievements of excellence in film.
The categories at the Oscars span much further than acting and directing, and also offer recognition for all of the creative and technical work that goes on behind the scenes when movies are made. From costuming, sound, cinematography, visual effects and cinema shorts, the Academy Awards are the most prestigious and coveted of all of the Hollywood award events, and even though I never miss the Golden Globes, the Screen Actors Guild Awards or the Critics Choice Awards, the Oscars are easily my favourite awards ceremony to watch every year. 
If you should wish to see the Academy Awards ceremony yourself this year, it will be broadcasting live on Channel Seven from 12pm on Monday 10th February, with an encore airing at 7.30pm for those of you who, like myself, will be at work during the day of the ceremony. 
And this year, the Academy Award nominees are as follows:
Best Picture:
“Ford v Ferrari”
“The Irishman”
“Jojo Rabbit”
“Joker”
“Little Women”
“Marriage Story”
“1917”
“Once Upon a Time in Hollywood”
“Parasite”
Lead Actor:
Antonio Banderas, “Pain and Glory”
Leonardo DiCaprio, “Once Upon a Time in Hollywood”
Adam Driver, “Marriage Story”
Joaquin Phoenix, “Joker”
Jonathan Pryce, “The Two Popes”
Lead Actress:
Cynthia Erivo, “Harriet”
Scarlett Johansson, “Marriage Story”
Saoirse Ronan, “Little Women”
Charlize Theron, “Bombshell”
Renee Zellweger, “Judy”
Supporting Actor:
Tom Hanks, “A Beautiful Day in the Neighborhood”
Anthony Hopkins, “The Two Popes”
Al Pacino, “The Irishman”
Joe Pesci, “The Irishman”
Brad Pitt, “Once Upon a Time in Hollywood”
Supporting Actress:
Kathy Bates, “Richard Jewell”
Laura Dern, “Marriage Story”
Scarlett Johansson, “Jojo Rabbit”
Florence Pugh, “Little Women”
Margot Robbie, “Bombshell”
Director:
Martin Scorsese, “The Irishman”
Todd Phillips, “Joker”
Sam Mendes, “1917”
Quentin Tarantino, “Once Upon a Time in Hollywood”
Bong Joon Ho, “Parasite”
Animated Feature:
“How to Train Your Dragon: The Hidden World,” Dean DeBlois
“I Lost My Body,” Jeremy Clapin
“Klaus,” Sergio Pablos
“Missing Link,” Chris Butler
“Toy Story 4,”  Josh Cooley
Animated Short:
“Dcera,” Daria Kashcheeva
“Hair Love,” Matthew A. Cherry
“Kitbull,” Rosana Sullivan
“Memorable,” Bruno Collet
“Sister,” Siqi Song
Adapted Screenplay:
“The Irishman,” Steven Zaillian
“Jojo Rabbit,” Taika Waititi
“Joker,” Todd Phillips, Scott Silver
“Little Women,” Greta Gerwig
“The Two Popes,” Anthony McCarten
Original Screenplay:
“Knives Out,” Rian Johnson
“Marriage Story,” Noah Baumbach
“1917,” Sam Mendes and Krysty Wilson-Cairns
“Once Upon a Time in Hollywood,” Quentin Tarantino
“Parasite,” Bong Joon-ho, Jin Won Han
Cinematography:
“The Irishman,” Rodrigo Prieto
“Joker,” Lawrence Sher
“The Lighthouse,” Jarin Blaschke
“1917,” Roger Deakins
“Once Upon a Time in Hollywood,” Robert Richardson
Best Documentary Feature:
“American Factory,” Julia Rieichert, Steven Bognar
“The Cave,” Feras Fayyad
“The Edge of Democracy,” Petra Costa
“For Sama,” Waad Al-Kateab, Edward Watts
“Honeyland,” Tamara Kotevska, Ljubo Stefanov
Best Documentary Short Subject:
“In the Absence,” Yi Seung-Jun and Gary Byung-Seok Kam
“Learning to Skateboard in a Warzone,” Carol Dysinger
“Life Overtakes Me,” Kristine Samuelson and John Haptas
“St. Louis Superman,” Smriti Mundhra and Sami Khan
“Walk Run Cha-Cha,” Laura Nix
Best Live Action Short Film:
“Brotherhood,” Meryam Joobeur
“Nefta Football Club,” Yves Piat
“The Neighbors’ Window,” Marshall Curry
“Saria,” Bryan Buckley
“A Sister,” Delphine Girard
Best International Feature Film:
“Corpus Christi,” Jan Komasa
“Honeyland,” Tamara Kotevska, Ljubo Stefanov
“Les Miserables,” Ladj Ly
“Pain and Glory,” Pedro Almodovar
“Parasite,” Bong Joon Ho
Film Editing:
“Ford v Ferrari,” Michael McCusker, Andrew Buckland
“The Irishman,” Thelma Schoonmaker
“Jojo Rabbit,” Tom Eagles
“Joker,” Jeff Groth
“Parasite,” Jinmo Yang
Sound Editing:
“Ford v Ferrari,” Don Sylvester
“Joker,” Alan Robert Murray
“1917,” Oliver Tarney, Rachel Tate
“Once Upon a Time in Hollywood,” Wylie Stateman
“Star Wars: The Rise of SkyWalker,” Matthew Wood, David Acord
Sound Mixing:
“Ad Astra”
“Ford v Ferrari”
“Joker”
“1917”
“Once Upon a Time in Hollywood”
Production Design:
“The Irishman,” Bob Shaw and Regina Graves
“Jojo Rabbit,” Ra Vincent and Nora Sopkova
“1917,” Dennis Gassner and Lee Sandales
“Once Upon a Time in Hollywood,” Barbara Ling and Nancy Haigh
“Parasite,” Lee Ha-Jun and Cho Won Woo, Han Ga Ram, and Cho Hee
Original Score:
“Joker,” Hildur Guðnadóttir
“Little Women,” Alexandre Desplat
“Marriage Story,” Randy Newman
“1917,” Thomas Newman
“Star Wars: The Rise of Skywalker,” John Williams
Original Song:
“I Can’t Let You Throw Yourself Away,” “Toy Story 4”
“I’m Gonna Love Me Again,” “Rocketman”
“I’m Standing With You,” “Breakthrough”
“Into the Unknown,” “Frozen 2”
“Stand Up,” “Harriet”
Makeup and Hair:
“Bombshell”
“Joker”
“Judy”
“Maleficent: Mistress of Evil”
“1917”
Costume Design:
”The Irishman,” Sandy Powell, Christopher Peterson
“Jojo Rabbit,” Mayes C. Rubeo
“Joker,” Mark Bridges
“Little Women,” Jacqueline Durran
“Once Upon a Time in Hollywood,” Arianne Phillips
Visual Effects:
“Avengers Endgame”
“The Irishman”
“1917”
“The Lion King”
“Star Wars: The Rise of Skywalker”

Here's a shout out to all of the directors that have given me a memorable viewing experience at some point in my lifetime. This list is designed to give credit to my favourite director's work and offer homage to their incredible efforts. I have also cited my favourite movie offering from each director as well, just in case you wanted to know where I thought that they had put down their best work thus far. 
What made me really happy when I was compiling this list was just how varied, vast and interesting the styles of direction are that I have been fortunate enough to experience, but what made me really sad was the lack of female directors that made this list. Clearly, the role of director is still a very male dominated field in Hollywood. I did happen to notice that all of the best movie nominations at the Golden Globes this year were all for male directors. And the saddest thing of all about this is, that it is not at all indicative of female directorial ability or talent in any way, shape or form, what it is indicative of is the lack of opportunities for upcoming female directors, and that is something that really needs to change.
Some of the best movies and television programs that I have seen over the last few years were both written and directed by women. Women have incredible and engaging stories to tell both in front of and behind the camera, and I for one would like to see more of them in the future. So, please make sure that you too are making an effort to see more movies that have been directed women in a show of support for all of the female directing pioneers that are out there telling their stories and sharing their visions in a very male dominated industry. 
So without any further ado, here are my favourite movie directors (in no particular order other than my recall ability) and my favourite movies that they have brought to life on screen. 
David Lynch - A true visionary in every sense, he's the man behind Twin Peaks, Blue Velvet, The Elephant Man and Eraserhead. Lynch is known for his surrealist cinema stylings and deeply original point of view.
BEST MOVIE: Mulholland Drive
Wes Anderson - The king of quirk with a distinct visual style and amusing narrative. He's delivered gems like The Royal Tenenbaums, Moonrise Kingdom and The Grand Budapest Hotel and has produced two incredible stop motion children's animations as well, one of which is on my Hall of Fame.
BEST MOVIE: Fantastic Mr Fox
Lars von Trier- A Danish director and scriptwriter that has had a long and controversial career. Basically he seems to enjoy destroying beautiful things in all of his films, which are gritty and damning. He's responsible for Nymphomaniac, Antichrist, Dancer in the Dark and Dogville, which all left a mark on me. 
BEST MOVIE: Melancholia
Jason Reitman - Reitman seems to 'get' women and understand difficult relationship dynamics, and his films certainly portray that knowledge. He brought us Juno, Up in the Air, Tully and Young Adult which were all exceptionally good. 
BEST MOVIE: Labor Day 
Taika Waititi - A clever New Zealand comedy filmmaker who always seems to get the right balance between poignancy and laughs in his films. He's the funny guy behind Moana (he wrote the first screenplay), What We Do in the Shadows, Eagle vs Shark, Boy and most recently Jojo Rabbit. 
BEST MOVIE: Hunt for the Wilderpeople
Peter Jackson - Jackson is responsible for all of the journeys that I took in darkened cinemas to Middle Earth, I bloody love ya Peter! Besides the all of the LOTR's and The Hobbits, he is also the man behind King Kong, The Lovely Bones and the incredible documentary They Shall Not Grow Old. 
BEST MOVIE: The Lord of the Rings Trilogy
John Hughes - Hughes pretty much dictated everything that I became obsessed with in my teens. From bad boys to '80's fashion Hughes could do no wrong. I have rewatched Ferris Bueller's Day Off, Sixteen Candles and Weird Science countless times, they're absolute classics. 
BEST MOVIE: The Breakfast Club
Stanley Kubrick  - Probably one of the most influential filmmakers of all time, Kubrick has crossed so many genres that his body of work is dizzying! He gave us giants like 2001: A Space Odyssey, The Shining, Full Metal Jacket, Spartacus and A Clockwork Orange. 
BEST MOVIE: Eyes Wide Shut
Alejandro González Iñárritu - With a flair for telling the most compelling international stories about the human condition, this highly acclaimed Mexican director gave us some unforgettable cinematic experiences like Birdman, Amores Perros, 21 Grams and The Revenant. 
BEST MOVIE: Babel
Oliver Stone - A controversial director that has been accused of being a conspiracy theorist. He actually wrote the script for Scarface (which was directed by Brian De Palma) and also gave us Platoon, The Doors, Born on the Fourth of July and Wall Street. 
BEST MOVIE: Natural Born Killers
Michel Gondry - A French director that uses strong visual themes and compositions (often called Mise-en-scene)  to tell a story. Because of this, Gondry's movies are visually striking and are often considered to be art house or avante-garde. He gave us The Science of Sleep, Be Kind Rewind and most recently the brilliant  television series Kidding. 
BEST MOVIE: Eternal Sunshine of the Spotless Mind
Guillermo del Toro - A visionary fantasy director from Mexico who creatively brings monsters and mythical creatures to life in his films. Generally science fiction, horror or fantasy based, del Toro gave us some amazing otherworldly journeys through The Shape of Water, Hellboy and Crimson Peak.
BEST MOVIE: Pan's Labyrinth
Danny Boyle - This British director delivers equal measures of intense action and sincere emotion into everything that he does.  He's tried his hand at many genres and kept us gripped with Trainspotting, 28 Days Later, Sunshine, The Beach and more recently, Yesterday.
BEST MOVIE: Slumdog Millionaire
Sam Mendes - The buzz around this director has been huge this year, given the success of 1917. However, let's not forget all of his other epic offerings like American Beauty, Skyfall and Revolutionary Road.
BEST MOVIE: 1917 
James Wan  - An Australian-Malaysian director who rose to prominence after he co-created the Saw film franchise. Since then he has been scaring the pants off people with memorable horror films like The Conjuring, Insidious and Annabelle films.
BEST MOVIE: The Conjuring 2: The Enfield Case
Greta Gerwig - Actress and filmmaker, Gerwig collaborated with her partner (who is also a director) Noah Baumbach on several films before she kicked off her solo directing career in 2017 with Lady Bird. Since then, Gerwig has become a respected and predominant modern Hollywood director. 
BEST MOVIE: Little Women
Ridley Scott - I feel like I grew up watching Ridley Scott action and science fiction films. He's been entertaining me for decades and he's had some mind blowingly great movies like Alien, Blade Runner, Gladiator, Black Hawk Down and American Gangster. 
BEST MOVIE: The Martian
Michael Moore - A controversial American documentary filmmaker that gets up in everyone's face; love him or hate him, Michael Moore is hard to ignore. He's hit some very high notes with Fahrenheit 9/11, Sicko and Where to Invade Next. 
BEST MOVIE: Bowling for Columbine
Guy Ritchie - Before he married Madonna, Ritchie was making heaps of kick arse British gangster movies that were really funny and very entertaining.  He has just recently gone back to doing that again with The Gentlemen, but let's not forget that he also did Lock, Stock and Two Smoking Barrels, RocknRolla and believe it or not, the 2019 live action version of Aladdin. 
BEST MOVIE: Snatch
Jim Jarmusch - The patron saint of independent cinema since the '80's, Jarmusch's films are really arty, really cool, very edgy and hypnotically contemplative. He gave us Paterson, Deadman and Ghost Dog: The Way of the Samurai. 
BEST MOVIE: Only Lovers Left Alive
Steven Soderbergh - When Soderbergh made Unsane in 2018 and filmed it all on his iphone he made us feel like we were wasting our lives! He's a pioneer of independent cinema and his body of work is incredibly impressive; he gave us Contagion, Erin Brockovich and the Ocean's franchise. 
BEST MOVIE: Logan Lucky 
Christopher Nolan - He probably got a bit pigeon-holed for a while due to his Batman trilogy efforts (which I also loved) but let's not forget that he also gave us other memorable epics like Inception, Dunkirk and Memento. 
BEST MOVIE: Interstellar
Sam Raimi - Raimi terrified audiences in the 80's with The Evil Dead and then enchanted them in the early 2000's with Spiderman so it would be fair to say that his work is varied and vast. He also gave us some very noteworthy cult horror movies like Army of Darkness, Drag Me to Hell and Don't Breathe.
BEST MOVIE: The Evil Dead
Clint Eastwood - He blew everyone away when he started directing and acting in a string of extremely good and Oscar worthy movies, which he is still doing to this day. The man's got some serious talent and gave us gems like  Gran Torino, Million Dollar Baby and Mystic River.
BEST MOVIE: Unforgiven
Tim Burton - No-one does eccentric gothic horror and fantasy films better than Burton, he is the master! He has a style that is all his own, and with a lot of help from wife Helena Bonham Carter and actor Johnny Depp he's given us fantastical romps into magical fantasy worlds that have included Charlie and the Chocolate factory, Beetlejuice, Big Fish, Edward Scissorhands and Alice in Wonderland. 
BEST MOVIE: Sweeney Todd
Ang Lee - A visionary and a genuinely beautiful storyteller. It's rare for me not to get choked up when I watch an Ang Lee movie, they are just so deeply affecting. He gave us the gorgeous Crouching Tiger, Hidden Dragon, Life of Pi and The Ice Storm. 
BEST MOVIE: Brokeback Mountain
Sofia Coppola - Daughter of Francis Ford Coppola, Sofia has proven her worth as a director in her own right by delivering thoughtful explorations of female relationships and genuine, modern impressions of the human experience. She was responsible for The Virgin Suicides, Marie Antoinette and The Beguiled. 
BEST MOVIE: Lost in Translation
Judd Apatow -An American comedy director that started out producing and developing the television show Freaks and Geeks in the late 90's. He went on to direct Trainwreck, The 40-year-old Virgin and Knocked Up and also write some of the funniest movies that I have ever seen. 
​BEST MOVIE: Superbad
Alfred Hitchcock - The most influential and extensively studied filmmaker in the history of cinema, how could I possibly leave Hitchcock off my list? He's been giving audiences thrills and chills for years, and he still is with his extensive repertoire of thriller classics like North by Northwest, The Birds, Rear Window and Vertigo.
BEST MOVIE: Psycho
David Fincher - Ever since I saw The Game in 1997 I became interested in seeing more of Fincher's work. He's delivered a strong, controversial and impactful body of work and was responsible for Seven, The Girl with the Dragon Tattoo, The Social Network and Gone Girl.
BEST MOVIE: Fight Club
Paolo Sorrentino - An Italian director with an eye for truly beautiful and meaningful cinema. His films are absolute masterpieces and offer viewers moments of contemplation and glimpses of magic - I am obsessed with his work. He's responsible for Youth and This Must Be the Place. 
BEST MOVIE: The Great Beauty.
Joel and Ethan Coen - Genius brothers who bring something fresh, quirky and unique to the screen every time.  Their repertoire is so vast and so excellent that I really struggled to pick my favourite because they delivered The Big Lebowski, Blood Simple, O Brother Where Art Thou?, Fargo, Raising Arizona, Burn After Reading and True Grit, all of which were exceptionally great.
BEST MOVIE: No Country For Old Men
Alfonso Cuaron - A critically acclaimed Mexican director with an impeccable body of high quality work that crosses just about every genre of cinema including thriller, fantasy, science fiction and drama. Thanks Cuaron for giving us truly unforgettable moments like Y Tu Mama Tambien, Gravity and Children of Men.
BEST MOVIE: Roma
Francis Ford Coppola - Widely considered to be one of the greatest filmmakers of all time, Coppola practically had an all out nervous breakdown whilst filming Apocalypse Now in 1979. His commitment to 'getting the film right' has led people to see him a visionary of cinema. He gave us such giants as The Godfather trilogy, Bram Stoker's Dracula and The Outsiders. 
BEST MOVIE: Apocalypse Now
Quentin Tarantino - Known for his uber violent, non-linear storylines that contain extended dialogue, huge ensemble casts and loads of Pop Culture references, Tarantino has a style that is all his own. Many of his films pay homage to all of his own cinematic loves, especially Japanese martial arts, kung fu movies, spaghetti westerns and Italian horror. He's the man behind the following cinematic  juggernauts - Reservoir Dogs, Pulp Fiction, Once Upon a Time in Hollywood, Django Unchained, Kill Bill Vol 1 and 2, Death Proof and The Hateful Eight.
BEST MOVIE: Inglourious Basterds
Martin McDonagh - Considered to be the most acclaimed living Irish- British playwright, McDonagh caught my attentions when he made In Bruge, and then delivered again with Seven Psychopaths in 2012. But we all know him best for his amazing 2017 offering that made my Hall of Fame.
BEST MOVIE: Three Billboards Outside Ebbing, Missouri
Kathryn Bigelow - Spreading herself across a wide range of genres, Bigelow is not afraid to grapple the big topics. She is forging the way for future female directors with her stellar repertoire which includes Zero Dark Thirty, Near Dark and Point Break.
BEST MOVIE: The Hurt Locker
Darren Aronofsky - A director with a flair for delivering surreal, melodramatic and often disturbing content in his movies. Audiences often seem divided on Aronofsky's material, but I think that he is one of the most talented filmmakers of his generation. He brought us Black Swan, Requiem for a Dream, Pi, The Fountain and Mother!
BEST MOVIE: The Wrestler
Steven Spielberg - Okay, I know that he can be cheesy as hell, but when he gets it right - he really gets it right. There's a reason that Spielberg is still filling cinemas, the man knows how to make a movie. Besides I was virtually raised on Spielberg's material. He gave us E.T., Saving Private Ryan, Jurassic Park, Ready Player One, Schindler's List, Raiders of the Lost Ark, War of the Worlds and Jaws. 
BEST MOVIE: A.I. 
Tarsem Singh - An Indian director that creates films that are a complete immersion and a true feast for the senses. Stunning and absolutely unforgettable, I love his vision and wish that he would make more movies. Singh gave us Immortals, The Cell and Mirror Mirror.
BEST MOVIE: The Fall
Paul Thomas Anderson - Contemplative and filled with flawed and desperate characters, Anderson's movies explore dysfunctional families, alienation and loneliness and they are deeply affecting. He delivered some of my favourite cinematic experiences like Magnolia, Boogie Nights and Punch Drunk Love.
BEST MOVIE: There Will Be Blood.
Martin Scorsese - An American director best known for his gangster and crime movies, he is widely considered to be one of the most influential directors of the New Hollywood era. He tends to cast the same actors in many of his movies, and he has a long professional relationship with Robert De Niro. Scorsese gave us Goodfellas, Taxi Driver, The Departed, Raging Bull and most recently The Irishman. 
BEST MOVIE: Casino
David Cronenberg - Sometimes called the 'Baron of Blood' due to his visceral body horror movies. Cronenberg has made films that people never forget that they have seen, because they are so grotesque! It's really no surprise that I love his work! He gave us The Fly, Videodrome and  Scanners.
BEST MOVIE: eXistenZ
Alexander Payne -  One of the best filmmakers of all time, Payne's movies are full of dark humour and satirical depictions of a dysfunctional modern America. He's the man behind Sideways, About Schmidt and Nebraska.
BEST MOVIE: The Descendants
Jennifer Kent - Kent made her directorial debut in 2014 with the haunting film The Babadook. She is an Australian director that is willing to handle sensitive and disturbing material. Her 2018 movie The Nightingale caused waves due to it's graphic content, but I thought that it was one of the best film of that year. 
BEST MOVIE: The Nightingale
Roman Polanski - I wish that someone that wasn't a pedophile had directed Rosemary's Baby because it's definitely one of my favourite movies of all time. But the love ends there Roman because you're just not a good guy. 
BEST MOVIE: Rosemary's Baby 
HONOURABLE MENTIONS: aka 'I still love ya'

• Terrence Malick - The Thin Red Line and The Tree of Life, total game changers.
• Brian de Palma - Carrie and Scarface, enough said. 
• Dario Argento - 1977 Suspiria, nothing has come close to matching it in crazy colour design and stylised macabre.
• Neill Blomkamp - District 9 was next level genius, can we get more of that please? 
• Baz Luhrmann - Absolutely loved the Red Curtain Trilogy, and let's not forget The Great Gatsby or Australia. 
• Duncan Jones - you had me at Moon.
• Kenneth Lonergan - Manchester by the Sea, one of the most affecting movies I've ever seen.
• Woody Allen - actually I really don't love ya - NOT at all, you're a weirdo and you're a creep! However, I cannot deny that Blue Jasmine, Annie Hall, Mighty Aphrodite and Vicky Cristina Barcelona were all worthy watches. 

So, the 2020 Golden Globe Nominations have been announced, which will pretty much dictate what I will be watching over my summer break. Yep, I am going to be hitting the couch and the cinema pretty hard over the next few weeks so that I can watch the actual Golden Globe Awards Ceremony live on Arena on January 6th and have some understanding of the content that has been nominated.
As an avid movie addict, I do feel very compelled to see at least 75% of everything nominated before an event of this calibre occurs in order for me to be discerning about whether a movie/program is worthy of the win or not. 
This year there is some really great news for those of you out there that don't like to go the cinema very often because quite a number of the nominated films and television programs are actually available through various streaming networks (which I have indicated below for your viewing ease) which means that you can watch a good swag of them from the comfort of your own couch in preparation for the big event. 
I cannot deny that there does appear to be a couple of incredibly great movies and television series that have been snubbed from the lists here, but this happens every year and I will get around to sharing my personal top pics of the year list very soon, so let's just go with what's been nominated here, and I will talk more about my personal choices for the best of 2019 in the very near future.
So, without further ado, here are the 2020 Golden Globe Nominations - happy viewing!
Best Motion Picture — Drama
1917
The Irishman - Netflix
Joker
Marriage Story - Netflix
The Two Popes - Netflix
Best Motion Picture — Musical or Comedy
Dolemite Is My Name -  Netflix
Jojo Rabbit
Knives Out
Once Upon a Time in Hollywood
Rocketman
Best Foreign-Language Motion Picture
The Farewell
Les Misérables 
Pain and Glory 
Parasite
Portrait of a Lady on Fire
Best Limited Series or TV Movie
Catch-22 - Stan
Chernobyl - HBO
Fosse/Verdon - HBO
The Loudest Voice - Showtime
Unbelievable - Netflix
Best Television Series — Drama
Big Little Lies - HBO
The Crown - Netflix
Killing Eve -  ABC iview or Stan
The Morning Show
Succession - HBO
Best Comedy Series
Fleabag - Amazon Prime
Barry - HBO
The Kominsky Method - Netflix
The Marvelous Mrs. Maisel - Amazon Prime
The Politician - Netflix
Best Motion Picture — Animated
Frozen II
How to Train Your Dragon: The Hidden World
Missing Link
Toy Story 4
The Lion King
Best Director — Motion Picture
Bong Joon-ho, Parasite
Sam Mendes, 1917
Todd Phillips, Joker
Martin Scorsese, The Irishman
Quentin Tarantino, Once Upon a Time in Hollywood
Best Performance by an Actor in a Limited Series or Movie
Christopher Abbott, Catch-22
Sacha Baron Cohen, The Spy
Russell Crowe, The Loudest Voice
Jared Harris, Chernobyl
Sam Rockwell, Fosse/Verdon
Best Performance by an Actress in a Limited Series or Movie
Kaitlyn Dever, Unbelievable
Joey King, The Act - Hulu 
Helen Mirren, Catherine the Great - Foxtel
Merritt Wever, Unbelievable
Michelle Williams, Fosse/Verdon
Best Performance by a Supporting Actor in a Series, Limited Series, or TV Movie
Alan Arkin, The Kominsky Method
Kieran Culkin, Succession
Andrew Scott, Fleabag
Stellan Skarsgård, Chernobyl
Henry Winkler, Barry
Best Performance by a Supporting Actress in a Series, Limited Series, or TV Movie
Patricia Arquette, The Act 
Helena Bonham Carter, The Crown
Toni Collette, Unbelievable
Meryl Streep, Big Little Lies
Emily Watson, Chernobyl
Best Score for a Motion Picture
Little Women
Joker
Marriage Story
1917
Motherless Brooklyn
Best Original Song
“Beautiful Ghosts,” Cats
“(I’m Gonna) Love Me Again,” Rocketman
“Into the Unknown,” Frozen II
“Spirit,” The Lion King
“Stand Up,” Harriet
Best Performance by an Actor in a Comedy Series
Michael Douglas, The Kominsky Method - Netflix
Bill Hader, Barry - HBO
Ben Platt, The Politician - Netflix
Paul Rudd, Living With Yourself - Netflix
Ramy Youssef, Ramy - Stan
Best Performance by an Actress in a Comedy Series
Christina Applegate, Dead to Me - Netflix
Kirsten Dunst, On Becoming a God in Central Florida -  SBS
Rachel Brosnahan, The Marvelous Mrs. Maisel - Amazon Prime
Natasha Lyonne, Russian Doll - Netflix
Phoebe Waller-Bridge, Fleabag - Amazon Prime
Best Performance by an Actor in a Drama Series
Brian Cox, Succession - HBO
Kit Harington, Game of Thrones - Foxtel
Rami Malek, Mr. Robot - HBO
Tobias Menzies, The Crown
Billy Porter, Pose -Foxtel
Best Performance by an Actress in a Drama Series
Jennifer Aniston, The Morning Show - Apple TV+
Jodie Comer, Killing Eve
Olivia Colman, The Crown
Nicole Kidman, Big Little Lies
Reese Witherspoon, The Morning Show
Best Performance by a Supporting Actor in a Motion Picture 
Tom Hanks, A Beautiful Day in the Neighborhood
Anthony Hopkins, The Two Popes
Al Pacino, The Irishman
Joe Pesci, The Irishman
Brad Pitt, Once Upon a Time in Hollywood
Best Screenplay
Marriage Story
Parasite
The Two Popes
Once Upon a Time in Hollywood
The Irishman
Best Performance by a Supporting Actress in a Motion Picture
Kathy Bates, Richard Jewell
Annette Bening, The Report
Laura Dern, Marriage Story
Jennifer Lopez, Hustlers
Margot Robbie, Bombshell
Best Performance by an Actor in a Motion Picture — Musical or Comedy
Daniel Craig, Knives Out
Taron Egerton, Rocketman
Roman Griffin Davis, Jojo Rabbit
Eddie Murphy, Dolemite Is My Name
Leonardo DiCaprio, Once Upon a Time in Hollywood
Best Performance by an Actor in a Motion Picture — Drama
Christian Bale, Ford v Ferrari
Antonio Banderas, Pain and Glory
Adam Driver, Marriage Story
Joaquin Phoenix, Joker
Jonathan Pryce, The Two Popes
Best Performance by an Actress in a Motion Picture — Musical or Comedy
Ana de Armas, Knives Out
Cate Blanchett, Where’d You Go, Bernadette
Beanie Feldstein, Booksmart
Emma Thompson, Late Night
Awkwafina, The Farewell
Best Performance by an Actress in a Motion Picture — Drama
Cynthia Erivo, Harriet
Scarlett Johansson, Marriage Story
Saoirse Ronan, Little Women
Charlize Theron, Bombshell
Renée Zellweger, Judy

The term 'gaslighting' was popularised after the 1944 film "Gaslight" with Charles Boyer and Ingrid Bergman. In the movie, the husband uses manipulative behaviours and manages to completely disrupt his wife's sense of reality. She begins to doubt her own sanity and he does all this to her so that he can steal her money....what an asshole!
Nowadays however, we use the term 'gaslighting' to describe people that use manipulative or specific patterns of behaviour to keep themselves on top or in control of other people. In short, a gaslighter doesn't want people doing anything without their say so or approval and they will use very sneaky and highly effective methods to keep themselves on top by making others doubt themselves or look incompetent. 
Gaslighters can turn up anywhere, you could even be married to one and not even realize it! They are usually in positions of power and they will most definitely want to keep things that way. Gaslighters can be men or women of any age, religion or nationality. They do often go undetected because their attempts at manipulation are slow, sly and exceptionally secretive. This can make them especially hard to identify in the workplace where they can happily push a lot of their own agenda or mask their cynicism by labelling it as necessary growth. 
Basically, gaslighters love the spotlight so they will happily claim other people's work or effort as their own, imply that other people's level of work is subpar or irrelevant and will openly push back any adverse behaviour that presents any kind of  jeopardy to their own perceived power status. Ever had a boss say something like "Oh,  I don't think that's true, maybe it's just how you choose to see it" when you try to present an issue to them? Well that soft manipulation technique is actually a form of gaslighting. So be aware, if your boss is always on the other side of all of your issues or giving you any reason to doubt yourself, your capabilities or your sense of reality, then odds are that you've been prey to a gaslighter. 
A gaslighter will micromanage others to the point of ridiculous in an attempt to stay in control. They will say things that make you doubt your own ability, they will make you feel like you aren't good enough and they will make it look like you are the one with the problem not them. Gaslighting is a form of narcissism, so you can bet that a gaslighter will vocally point out how successfully they once did the job that you are doing now - only better of course, and probably found it all a lot easier as well. They always lack the ability to put themselves into the shoes of another and therefore they lack empathy, which means that they will struggle to make deep connections with people, unless of course it will be of great benefit to them; then suddenly they will be hyper vigilant! 
Psychotherapist and owner of Mind Balance , Rose Lawrence has sighted the following traits to keep an eye out for when trying to spot a gaslighters: 

• Someone that uses their great humour and people skills to say things that sound innocent, but what they are really saying is underhanded and passive aggressive.
• Someone that listens long enough to collect information from you, but is not fully engaged in the listening process to show signs that they authentically care about what you are saying. 
• Lie and make you feel like it was your fault that they had to lie; gaslighters have zero accountability. 
• Take information and twist it around to their advantage or use it against others.
• Gossip to gain more ammunition.
• Appear confident but if you observe them closely they are actually deeply insecure.
• Leave you feeling like you are not enough. 

I hope that none of you ever have to deal with gaslighters in your life, but it is always good to be on the lookout for their ridiculous methods of manipulation, because as I said earlier, they are often very hard to detect.
If you do suspect that you are being gaslighted, make sure that you document any interactions as evidence. Setting up clear boundaries around what you will not tolerate will help you to document and identify when someone is gaslighting you. You will need very good evidence if you are going to try and out a gaslighter. Remember, gaslighters are sly, manipulative and methodical so you will need to be ahead of them at every step if you want to gain the upper hand or expose them. 
Also, don't forget to reaffirm your own self worth and what it is that you are good at. Doing this will help to combat any lingering doubts about your skills or sanity that a gaslighter might have tried to instill in you, and please seek support if you cannot manage this on your own. Remember, gaslighting is real and effective, that's why manipulative people use this method, so don't downplay the severity or the implications around it. Call it out, talk about it and stamp it out, gaslighting is nothing more than adult bullying and no-one should have to put up with it!

I know that I have blogged in the past about people not wanting to hear the truth and I still completely stand by the belief that people do not want to hear about the things that they aren't ready to deal with or address about themselves. Hell, I know that I don't like receiving negative feedback or being given the facts straight up about my own shortcomings or inadequacies, but whether you like it or not, transparency is fast becoming a word that is creeping into business and social vocabulary and the expectations around your ability to give and receive it are on the increase. 
So, is transparency actually a good thing? Well, like all new concepts it requires change and honesty, two things that most people do not like at all, so it is probably fair to say that complete transparency is not going to appeal to a lot of people. It also depends greatly upon who is delivering the 'transparent' point of view as well, because this buzz for transparency can also give a lot of nit-picking assholes a super platform to be checking everyone all of the time in the name of 'transparency' and this kind of power in the wrong hands is a recipe for disaster and a sure fire way to build resentment, potential conflict and general unrest. 
Clearly there is a need for moderation and mastery when it comes to total transparency, but that doesn't mean that we should put it into the 'too hard basket' or avoid it altogether just because it has the potential to trigger us or make us feel self conscious. Already the world has become a better place because we have advocated for transparency. Due to our ability to be more honest about others and ourselves there is a lot less underhanded oppression, abuse and manipulation in the world today. Hundreds of  everyday villains have since been outed and held accountable for their behaviours and this type of liberation through transparency can only ever be seen as positive growth for humankind. 
People are more empowered than ever to speak their truth, be their authentic selves and share their stories now that we have an open forum for honest self expression. We are now better than ever at talking through our troubles, doubts, illnesses and hang ups and this proves that when transparency works, it really works well. However, we cannot forget that when transparency is wielded by the hands of  haters or oppressors that it is actually a destructive force of evil and at it's essence deeply disempowering and manipulative. 
Basically, you cannot just assume that everyone is going to be able manage an advocacy for transparency, especially in the workplace. Truth be told, not many people are going to be comfortable with the very real conversations that will come with complete transparency and without adequate training, most people will struggle to implement it well. That is why the real meaning of transparency needs clear and accurate definition to begin with before there can be any expectation of success around it. 
Simply put, transparency can never be used in an accusatory or manipulative manner. What it advocates is honesty, but that honesty has to be delivered without blame, shame or judgement. Not an easy concept to wield because as soon as people start getting in touch with their personal truth, they become emotionally invested and that is where transparency starts to tilt. Rather than it being about building relationships and getting everyone on the same page, it becomes muddied by individual advocacy and agenda. And that is why no-one can assume that transparency will be the magical 'fix all' mode that will solve all workplace and social problems. 
Without decorum, compassion and exceptionally high interpersonal skills, transparency as a 'go to tool' is in danger of starting more fires than it can extinguish, which means that delivering it well will require a  high functioning environment with a group of highly developed individuals to ensure complete success. And the bottom line to that? Well, if your workplace is going to advocate for transparency then they have an obligation to train their staff and also recruit that right types of people to make that happen.
The great news is that you can actually start to build your own personal abilities around transparency immediately, which will give you an edge in the workplace and make the transition to a transparent environment a little easier for you in the long run. Here are my top ten do's when it comes to promoting and delivering transparency in the workplace:
1. Don't keep things secret, especially when it comes to job responsibility or function. 
2. Be proactive, not reactive. If something isn't working suggest a meeting of minds to really explore other options. 
3. Share results, good and bad, around your workplace. This will save people making similar mistakes or having to 'reinvent' the wheel. 
4. Know where to draw the line. Transparency isn't about knowing everyone's business, it's about making sure that everyone has the same level of information to do their job well. 
5. Be willing to have some difficult conversations. Sometimes the only way to fix a problem is to address it head on. Don't avoid uncomfortable conversations, but really consider the best ways to fix the problem before you even engage, and try not to take negative feedback personally but view it as a chance to see yourself from another perspective. 
6. Be genuine, people will trust you more if you are not being fake.
7. Be tolerant. Remember that everyone is more than likely doing the best with the skill set that they have and some people will require more support and training to get to where they need to be - and that's okay.
8. Don't do things unless there is an ultimate goal being met. If you can't state the purpose behind your actions clearly, then you don't need to do it at all. 
9. Trust others. Loads of people make their own work harder my micromanaging, controlling the flow of information or not trusting their team to deliver. Remember that you are only as strong as your weakest link and having one person with all of the knowledge is not being transparent.
10. Be personable. Chat to your co-workers and get to know the staff that you work with on a level beyond professional. You don't need all the details to get an understanding of how a colleague is feeling in their role, their passions and their personal ideals and knowing these things will help you to resolve an issues that may arise in the future. 
So, there you go, a quick start guide to getting your head around transparency and how to make it work for you. Consider your ability to be 'gently transparent' a work in progress, it's something that really does take a long time to develop and years of practise to master. I am a true novice on the topic myself, so in a way we are beginning this journey of improved transparency together.
I wish you well in your pursuit of improved professional and personal relationships. And like all new journeys, make sure you are prepared to make mistakes and also own them along the way!

GAGA: FIVE FOOT TWO
Release Date: 2017
Rating: M 
Running Time: 100 mins 
A cinema verite, Netflix Original documentary, outlining a year in the life of singer/songwriter Lady Gaga. By documenting the main events of her life whilst in production of her fifth album Joanne, we get an intimate peek into who Lady Gaga is as a person and a performer through her relationships both on and off the stage. 
There is no doubt that Lady Gaga has managed to push the envelope at every turn of her career, and this is certainly no exception. At times she appears vulnerable and sheds many tears during the course of the film over her physical pains, insecurities and her family's history. And then at other times she comes across like a hurricane of energy, calling all the shots and behaving like a control freak and an ego-maniac.
She is clearly capable of holding her own and wrangling many tasks at one time, but she constantly appears to be moving around with an entourage of people by her side and she is literally never alone in front of the camera during the movie. I think that made it  hard to tell, even from this expose of her life, who she really is when the cameras are not rolling and the audience has been removed. 
Love her or hate her, this is definitely an interesting viewing. Although I still don't feel any closer to knowing who 'the real' Lady Gaga really is, I cannot deny that she is a talented powerhouse who will no doubt continue to be influential in both the music and fashion industry for many years to come. 
FINAL SAY: A Perfect Illusion
3 Chilli Peppers ​

As if on cue, the 71st Primetime Emmy Awards happened on Monday at 10am. This was extremely fortuitous for me on so many levels. First and foremostly, I am currently on spring break which meant that I could be glued to the TV and watch it all unfold in real time, huge bloody bonus! And on top of that, my car was in for major repairs which meant that I was truly and genuinely housebound anyway, so winner, winner - the TV Gods spoke and I got to camp on the couch for three uninterrrupted hours straight without any guilty feelings whatsoever.
For a TV and movie addict, this was a very pleasant way to kick off my spring break and I must say that I was in total agreeance with the chosen winners in each category and highly recommend all of the TV series that won awards this year. Television just continues to go from strength to strength, and never before has TV ever been this consistently good. The Emmy award line up this year was staggeringly great and I don't think that the competition has ever been this fiercely competitive. All of the series nominated were really high quality which just galvanises the fact that television is better than it has ever been before. 
For anyone that missed all of the glitz, glamour and excitement, I have of course got you covered! Here is a list of the very deserving nominees and winners (in bold) for each category:
Outstanding Drama Series
Better Call Saul
Bodyguard
Game of Thrones
Killing Eve
Ozark
Pose
Succession
This Is Us

Outstanding Comedy Series
Barry
Fleabag
Russian Doll
Schitt’s Creek
The Good Place
The Marvelous Mrs. Maisel
Veep

Outstanding Lead Actor in a Drama Series
Bob Odenkirk (Better Call Saul)
Kit Harington (Game of Thrones)
Jason Bateman (Ozark)
Sterling K. Brown (This Is Us)
Milo Ventimiglia (This Is Us)
Billy Porter (Pose)

Outstanding Lead Actress in a Drama Series
Emilia Clarke (Game of Thrones)
Robin Wright (House of Cards)
Viola Davis (How To Get Away With Murder)
Sandra Oh (Killing Eve)
Jodie Comer (Killing Eve)
Mandy Moore (This Is Us)
Laura Linney (Ozark)

Outstanding Supporting Actor in a Comedy Series
Henry Winkler (Barry)
Anthony Carrigan (Barry)
Stephen Root (Barry)
Tony Hale (Veep)
Tony Shalhoub (The Marvelous Mrs. Maisel)
Alan Arkin (The Kominsky Method)

Outstanding Supporting Actress in a Comedy Series
Sarah Goldberg (Barry)
Sian Clifford (Fleabag)
Olivia Colman (Fleabag)
Betty Gilpin (GLOW)
Marin Hinkle (The Marvelous Mrs. Maisel)
Kate McKinnon (Saturday Night Live)
Alex Borstein (The Marvelous Mrs. Maisel)
Anna Chlumsky (Veep)

Outstanding Writing for a Comedy Series
Barry “ronny/lily”
Fleabag “Episode 1”
PEN15 “Anna Ishii-Peters”
Russian Doll “Nothing In This World Is Easy”
Russian Doll “A Warm Body”
The Good Place “Janet(s)”
Veep “Veep”

Outstanding Directing for a Comedy Series
Barry “The Audition”
Barry “ronny/lily”
Fleabag “Episode 1”
The Big Bang Theory “Stockholm Syndrome”
The Marvelous Mrs. Maisel “All Alone”
The Marvelous Mrs. Maisel “We’re Going To The Catskills!”

Outstanding Comedy Actor
Bill Hader (Barry)
Don Cheadle (Black Monday)
Anthony Anderson (Black-ish)
Eugene Levy (Schitt’s Creek)
Ted Danson (The Good Place)
Michael Douglas (The Kominsky Method)

Outstanding Comedy Actress
Christina Applegate (Dead to Me)
Phoebe Waller-Bridge (Fleabag)
Catherine O’Hara (Schitt’s Creek)
Natasha Lyonne (Russian Doll)
Rachel Brosnahan (The Marvelous Mrs. Maisel)
Julia Louis-Dreyfus (Veep)

Outstanding Competition Series
American Ninja Warrior
RuPaul’s Drag Race
Nailed It!
The Amazing Race
The Voice
Top Chef

Outstanding Supporting Actress in a Limited Series
Emily Watson (Chernobyl)
Patricia Clarkson (Sharp Objects)
Marsha Stephanie Blake (When They See Us)
Vera Farmiga (When They See Us)
Patricia Arquette (The Act)
Margaret Qualley (Fosse/Verdon)

Outstanding Directing for a Limited Series, Movie, or Dramatic Special
A Very English Scandal
Chernobyl
Escape At Dannemora
Fosse/Verdon “Glory”
Fosse/Verdon “Who’s Got The Pain”
When They See Us

Outstanding Supporting Actor in a Limited Series
Ben Whishaw (A Very English Scandal)
Stellan Skarsgard (Chernobyl)
Paul Dano (Escape at Dannemora)
John Leguizamo (When They See Us)
Michael K. Williams (When They See Us)
Asante Blackk (When They See Us)

Outstanding Writing for a Limited Series, Movie, or Dramatic Special
A Very English Scandal
Chernobyl
Escape At Dannemora “Episode 6”
Escape At Dannemora “Episode 7”
Fosse/Verdon “Providence”
When They See Us “Part Four”

Outstanding Lead Actor in a Limited Series
Mahershala Ali (True Detective)
Hugh Grant (A Very English Scandal)
Benicio del Toro (Escape At Dannemora)
Sam Rockwell (Fosse/Verdon)
Jared Harris (Chernobyl)
Jharrel Jerome (When They See Us)

Outstanding Television Movie
Bandersnatch (Black Mirror)
Deadwood
Brexit
King Lear
My Dinner With Hervé

Outstanding Lead Actress in a Limited Series
Amy Adams (Sharp Objects)
Patricia Arquette (Escape at Dannemora)
Michelle Williams (Fosse/Verdon)
Joey King (The Act)
Aunjanue Ellis (When They See Us)
Niecy Nash (When They See Us)

Outstanding Limited Series
Chernobyl
Escape at Dannemora
Fosse/Verdon
Sharp Objects
When They See Us

Outstanding Writing for a Variety Series
Documentary Now!
Full Frontal With Samantha Bee
Last Week Tonight With John Oliver
Late Night With Seth Meyers
Saturday Night Live
The Late Show With Stephen Colbert

Outstanding Variety Sketch Series
Documentary Now!
Drunk History
I Love You, America With Sarah Silverman
Saturday Night Live
Who Is America?
At Home With Amy Sedaris

Outstanding Directing for a Variety Series
Documentary Now! “Waiting For The Artist”
Drunk History “Are You Afraid Of The Drunk?”
Last Week Tonight With John Oliver “Psychics”
Saturday Night Live “Host: Adam Sandler”
The Late Show With Stephen Colbert “Live Midterm Election Show”
Who Is America? “Episode 102”

Outstanding Variety Talk Series
Full Frontal With Samantha Bee
Jimmy Kimmel Live!
Last Week Tonight With John Oliver
The Daily Show With Trevor Noah
The Late Late Show With James Corden
The Late Show With Stephen Colbert

Outstanding Supporting Actor in a Drama Series
Jonathan Banks (Better Call Saul)
Giancarlo Esposito (Better Call Saul)
Alfie Allen (Game of Thrones)
Nikolaj Coster-Waldau (Game of Thrones)
Peter Dinklage (Game of Thrones)
Michael Kelly (House of Cards)
Chris Sullivan (This Is Us)

Outstanding Writing for a Drama Series
Better Call Saul “Winner”
Bodyguard “Episode 1”
Game of Thrones “The Iron Throne”
Killing Eve “Nice And Neat”
Succession “Nobody Is Ever Missing”
The Handmaid’s Tale “Holly”

Outstanding Supporting Actress in a Drama Series
Lena Headey (Game of Thrones)
Gwendoline Christie (Game of Thrones)
Sophie Turner (Game of Thrones)
Maisie Williams (Game of Thrones)
Fiona Shaw (Killing Eve)
Julia Garner (Ozark)

Outstanding Directing for a Drama Series
Game of Thrones “The Last Of The Starks”
Game of Thrones “The Long Night”
Game of Thrones “The Iron Throne”
Killing Eve “Desperate Times”
Ozark “Reparations”
Succession “Celebration”
The Handmaid’s Tale “Holly"

Being a movie blog, it was hard for me to find a film to attach to this post, but after some consideration I decided to go with Paris is Burning in tribute to this year's Outstanding Competition Television series winner - RuPaul's Drag Race, which was clearly influenced by this outstanding and informative must-see documentary.

PARIS IS BURNING
Release Date: 1990
Rating: M
Running Time: 71 mins
Ever wondered where Madonna got her idea for Vogue? And where RuPaul got his 'fierce' drag competition ideas? Well look no further, because Paris is Burning will answer all those questions and more.  
An American documentary, directed by Jennie Livingston, that chronicles the drag ball culture of the mid to late 80's in New York City and the African-American, Latino, gay and transgender communities involved. This invaluable documentary shines a spotlight on the Golden Age of New York City drag balls and offers a thoughtful exploration of race, class, gender and sexuality in America during the 80's. 
​Elaborately structured drag ball competitions offer contestants the opportunity to 'walk' and be judged on their 'realness' by prominent members of the scene who have established 'houses' that serve as intentional families, social groups and performance teams.
Through a series of ball footage reels and interviews with prominent members, we gain an intimate and insightful understanding of the struggles, strengths, pride and humour that exists within this colourful subculture. 
This is an intelligent, at times troubling, but also desperately hopeful piece that everyone should see at least once in their lifetime.
FINAL SAY: It is so obvious that if you have captured the great white way of living, or looking, or dressing, or speaking - you is a marvel.
3.5 Chilli Peppers ​

This holiday period has not come without it's own unique set of challenges. I am never really sure if it is a good thing for the wheels to drop off during a down period so that I have the time to properly deal with things, or if it only serves to rob me of some much needed down time. However, regardless of how I choose to perceive these inconveniences makes them no less real or prevalent in my life, so I choose to just face them head on and continue to search for the hidden silver linings in these hiccups of the human condition. 
What it has meant is that I have had less free time and also less money to splurge on the frivolous and fun things, but c'est la vie....like all things in life these moments of challenge are impermanent and constantly moving and won't last forever. You have to stay firmly rooted in the 'milk and honey' aspects of your life when you find yourself wrangling with darker days like these. Luckily,  I still have a lot of milk and honey in my life, so it is easy for me to be distracted by love, good company and humour. And it is in these moments of realisation about my blessings and good fortunes that I ponder how people that do not have these things still manage to find their milk and honey during the difficult times. 
It is easy not to drown when you have a life vest, a flotation buoy and a rescue boat coming to get you, but what do you do if you don't have those things in your life? Not everyone is as fortunate in life as I am, so where do they go when the world grows dims and the days feel darker? Clearly for people without good support units around them, things can get rather grim when life seems insurmountably difficult; but all hope is never totally lost because there is always help available if you know where to look for it. 
Aside from trying to expand your support networks, which can be ridiculous difficult for some people and sharpening your own coping skills, which again is easier said than done, there is always a voice of reason that can be reached out to when things get too big and the world gets too loud.
You don't need to have a life full of milk and honey to find a shoulder to lean on, a friendly voice or a helping hand that will pull you up when you feel like you can't lift yourself up, and the great news is that Australia has one of the best help lines in the world for this kind of thing. Lifeline (PH: 131114) is available 24 hours a day 7 days a week with experienced counsellors and it's free and completely confidential.  And no, lifeline is not just for people that want to commit suicide, it's for anyone in crisis that feels like they need someone to talk to or confide  in. 
Many people without adequate support don't reach out for help because they think that their problems may not be significant enough, but anyone in need without adequate support is significant enough. The counsellors at lifeline, regardless of a callers age, gender, ethnicity, religion or sexual orientation are there to listen, provide immediate support, offer strategies and options and provide  referrals that can assist with moving forward.
We all need someone to lean on from time to time, there is no shame in crawling sometimes or admitting that you are finding things hard. Bottom line is that life sometimes is hard, really bloody hard and if you don't have a support network around you, just remember that you are not alone and you do not have to do anything on your own. There is always help out there and your problems are more than important enough to tap into them, so please don't struggle on alone; reach out, open up, share the load and please, please.... get some help. 

PIN CUSHION
Release Date: 2017
Rating: MA 15+
Running Time: 82 mins 
When odd Iona and her hunchback mother Lyn relocate to a new town, they are both optimistic for a  fresh start and hoping to integrate into their new community and make new friends. Unfortunately, their naivety about just how vicious, exclusive and unpleasant bored suburban housewives and attention seeking teenagers can be, causes them to crumble. 
Written and directed by Deborah Haywood, Pin Cushion completely assaults your senses with it's onslaught of awkward coming of age interludes, cruel and manipulative behaviours and it's agonisingly emotional struggle for acceptance. Joanna Scanlan is amazing as the well meaning social pariah Lyn, and Lily Newmark is perfectly awkward as the 'desperate to be liked' teenager Iona. 
This is truly heartbreaking stuff and at times it is quite hard to watch. Pin Cushion openly explores the many facets of a mother-daughter relationship within a single parent dynamic and explores issues of loneliness, isolation, bullying and co-dependence in ways that cannot be ignored. 
FINAL SAY: It's not just children that can bully in relentlessly cruel ways. 
3.5 Chilli Peppers ​

One of the things that I do enjoy most about a mid-winter break is the ability to catch up on some late night viewing and couch potato antics without any guilty feelings whatsoever. Not having to get up and go to work in the morning allows me to indulge in the pleasure of watching entire seasons of television programs and back to back movies, and honestly it is just heaven. With a good strong coffee in hand, a couple of fluffed up pillows and a cosy blanket, I have managed to wonderfully while away many of my holiday evenings in front of the idiot box and I am more than happy to share my joyful at home viewing highlights with you, should you also wish to indulge in some quality lounge room viewing. 

As far as television goes, there has been no shortage of high quality, engaging programming to get completely lost in this year. I have watched a tonne of television this year, more than I ever have before and a lot of it has been of a really high standard as well. The best that I have seen and would highly recommend so far this year are: (in no particular order) 
Escape at Dannemora (Stan) - dramatisation
Sally 4Ever (HBO - Foxtel) - comedy
After Life (Netflix) - comedy drama
Les Miserables (BBC - Foxtel) - period drama
Game of Thrones - S8 (HBO - Foxtel) - fantasy drama
American Gods S2 (Amazon Prime) - fantasy drama
What We Do in the Shadows (FX - Foxtel) - horror comedy 
This Country (Stan) - comedy mockumentary 
Forever (Amazon Prime) - fantasy drama
Killing Eve s2 (ABC iview) - crime drama
The Last O.G. S2 (Stan) - comedy 
The Let Down S2 (ABC iview) - comedy 
Bad Omens (Amazon Prime) - fantasy drama
Detectorists S3 (ABC iview)  - comedy 
Gentleman Jack (HBO - Foxtel) - period drama
Bridget & Eamon (Amazon Prime) - comedy 
Euphoria (HBO - Foxtel) - drama
Chernobyl (HBO - Foxtel) - dramatisation 
The Act: Dee Dee and Gypsy Rose (Hulu - Foxtel) - dramatisation 
Perpetual Grace (Stan) - art house 
Big Little Lies S2 (HBO - Foxtel) - drama
Stranger Things S3 (Netflix)  - science fiction

To be honest, quality movies to view at home have been a little thinner on the ground, but it is often quite hard for me to find things that I haven't already seen on streaming channels because I go to the movies so often. Seth and I have been trawling through a lot of classic horror, which SBS on demand has an excellent selection of, should you need to sate a yearning for retro horror like The Texas Chainsaw Massacre, Halloween, Hellraiser or Scanners. Aside from that Amazon Prime has the largest B grade horror library that I have ever encountered, admittedly it is mostly shit, but you can find the odd retro gem in there as well like Night of the Living Dead, Carrie,  Zombieland and the Friday the 13th Series. 
However, without further ado, here is a list of the best movies that I have watched on the couch (not at the cinema) this year so far: (again listed in no particular order)
Film Stars Don't Die in Liverpool - Netflix (Romance) 
It's Actually a Funny Story - Netflix (Drama)
Suspiria - Amazon Prime (Horror) 
Hush - Netflix (Horror) 
Tully - Netflix (Drama)
The Poughkeepsie Tapes - Stan (Gritty) 
Observance - Amazon Prime (Horror)
American Animals - Foxtel (Crime) 
I am Mother - Netflix (Sci-Fi) 
Pin Cushion - SBS on demand (Gritty) 
Mandy - Foxtel (Horror) 
Full reviews of all of these films can be found on the corresponding genre lists in the drop down menu above if you're looking for more information.
Happy viewing my friends! 

Spicywatch.com has just turned 5, hip hip hooray Spicywatch! Apart from my family and friends, I don't think that I have poured this much of my spare time and energy consistently into anything before, and for as long as I can remember, I don't feel like I have loved or enjoyed pouring my spare time into anything as much as I have loved sharing Spicywatch with all of you wonderful readers. 
Watching and reviewing movies is not just a hobby for me anymore, it is an important part of my life now. For five years I have shared my thoughts, my opinions and my passion for cinema with you all, and so far I have managed to review 790 movies that I honestly believe are worthy of your time and effort to view. I look forward to one day having 1,000 movies on my Spicywatch genre lists that are worthy of your time, but it will take me quite a few more years to get that far. 
Last nights celebrations were focused on the Best Music Moments in Cinema, which is a broad topic, but extremely fun one to investigate. Musicals were most welcome, but not mandatory, and as it turned out, there are actually a huge number of movies that have very significant and memorable music scenes in them that are actually completely non-musical movies. 
My wonderful and supportive friends and family gathered in Enfield to share a drink and their cinematic loves with me; and we laughed, sang and got our groove on to some of the most unexpected (but mostly excellent) musical moments that we could find.
And here is the extensive list of best music moments in cinema (from every genre) as chosen by my nearest and dearest, that made it to the Spicywatch 5th Birthday celebration screening in my living room last night:
Baby Driver (Bellbottoms) 
Pulp Fiction (You Never Can Tell) 
Beetlejuice (Banana Boat Song) 
The Skeleton Twins (Nothings Gonna Stop Us Now) 
Ferris Bueller's Day Off (Twist and Shout) 
Coraline (Garden Scene composed by Peter Corrigan) 
Pretty in Pink (If You Leave) 
The Perks of Being  a Wallflower (Heroes) 
Napoleon Dynamite (Canned Heat) 
Little Miss Sunshine (Super Freak)
Straight Outta Compton (Boyz N Da Hood) 
The Blues Brothers (Shake Your Tail Feather) 
Two Hands (These Days) 
American Psycho (Hip to be Square) 
The Lion King (Circle of Life) 
The Secret Life of Walter Mitty (Space Oddity) 
The Hunt for the Wilderpeople (Ricky's Birthday Song) 
Guardians of the Galaxy (Mr Blue Sky) 
Moulin Rouge (Come What May) 
Mean Girls (Jingle Bell Rock) 
Trainspotting (Lust for Life) 
Sound of Music (Edelweiss) 
Reservoir Dogs (Stuck in the Middle) 
O Brother Where Art Thou? (I Am a Man of Constant Sorrow)
Risky Business (Old Time Rock and Roll) 
Easy A (A Pocketful of Sunshine) 
The Mask (Cuban Pete)
Nacho Libre (Encarnacion) 
Hedwig and the Angry Inch (Origins of Love) 
The Big Lebowski (Just Dropped In) 
Pitch Perfect (Riff off) 
Purple Rain (Title Track) 
Love Actually (Jump) 
Bridesmaids (Hold on) 
Little Fish (Flame Trees) 
Slumdog Millionaire (Jai Ho)
Indiana Jones and the Temple of Doom (Anything Goes) 
Singing in the Rain (Title track)
And one of my all time favourites: Mulholland Drive (Llorando/ Crying) 

When you have a couple of crappy things happen to you in row, it can be really easy to get totally gung-ho with the 'poor me' routine and lose sight of what is really going on. Over the last week it has been one of those weeks in our household, one of those opposite to a Midas touch kind of weeks, where everything that you do, even if you set out to do it with really grand and noble intentions, it turns out to be shit show.
We all know what it feels like, we have all been there and people even say that these things come in threes to try and limit the amount of crap that can arrive in their lives at one time. However, things do not come in threes, they come any damn way that they want to, because the universe is totally random and unpredictable, which means that sometimes they come in tens and or even twenties. However, sometimes these things that we perceive to be obstacles or setbacks or problems are actually just signposts of change or opportunities to grow, but it's so bloody hard to see it that way when you're in the thick of it all.  
The first thing that you need to do in these situations is to define what really constitutes as a disaster. To some people a flat tyre is a disaster, to others it is merely an inconvenience and then to  others is it a chance to take a walk and smell the flowers. For me a flat tyre is somewhere in the middle, hardly a disaster, but not exactly a delight either. Unfortunately, most people fall into the disaster zone pretty quickly, and it is something that I am attempting to try and engage in less and less often. 
For example, my car needs repairs and I need to go to hospital to have something corrected that is making me uncomfortable.  Neither of these is a disaster, firstly I can pay for the repairs and medical bills and secondly I have a car and can get the medical treatment that I require immediately. That's a lot more than millions of other people in the world have, so first world squabbling about something manageable is pointless and stupid. Is it inconvenient? Sure, but so what? There's no point whining about it, let's just get it done and move on. 
And pretty much all of my stuff has been inconvenient, but that's all, just inconvenient. Some of it has been my own fault actually, like the speeding ticket that I got last Friday night. I got that ticket because I was speeding, no-one told me to speed or made me speed and I didn't even need to rush to where I was going to, so that was clearly a signpost for me to slow the fuck down! I know that I am lead foot at times, and there is nothing more humbling than a hefty bill to make you ease off the accelerator. And I was going way too fast, I could have caused an accident or pranged my car, and then I would've had a disaster to contend with!
So I think that when these things do happen you need to step back and have a really good look at what is actually occuring. Ask yourself, how much of this has been created by your own choices? How much is just necessary maintenance on an abundant lifestyle? And will you even care about this in 6 weeks time? Once you've answered those questions then you can analyse your real depth of disaster or lack thereof, because most of the time everything is really pretty amazing and we do need to be grateful for those moments and not let the small inconveniences distract us from that fact. 

That time has rolled around again, the time for me to collate all of my viewing efforts and put forward my recommendations for the best viewing choices of 2018. As I have mentioned before, quality television really dominated my time this year and I gave more 5 Chilli Pepper ratings to TV series than I gave to movies this year. To be honest, overall I do feel that the quality of movies this year was not as strong as it was in 2017, and I feel like I watched a lot more mediocre movies than I did last year as well, but sometimes that happens. 
In total I viewed 253 movies in 2018 and 133 TV series (some of which had several seasons). I have watched programs across every genre, and I can honestly say that there were excellent offerings in all of those genres in both movies and television. This year I am not going to list my least favorite viewings for 2018 because I have made myself a new years resolution to be more positive and to not focus on the negative things, so to list the worst things I saw in 2018 would be counterproductive to that resolution. Besides, as I have said before, even if I didn't love it, doesn't mean that someone else won't or that it is rubbish. At the end of the day, even the movies that we don't really enjoy have required a lot of time, money and effort to be produced; to shit on someone else's dream or vision is a pretty lousy thing to do, so I am choosing not to go there. 
I hope that you find something on these lists that you have not seen yet and can hopefully now explore. For full reviews of all of the recommended movies below, just go to the appropriate genre tab at the top of the page.
So without any further ado, here are my TOP MOVIE CHOICES (2018 release):  

• ROMA - Foreign 4.5 Chilli Peppers
• Hereditary - Horror 4.5 Chilli Peppers 
• Beautiful Boy - Drama 4.5 Chilli Peppers 
• Isle of Dogs - Kid Friendly 4.5 Chilli Peppers
• BlacKkKlannsman  - Drama 4 Chilli Peppers 
• A Star in Born - Romance 4 Chilli Peppers 
• The Tale - Gritty 4 Chilli Peppers 
• Paddington 2 - Kid Friendly 4 Chilli Peppers 
• Avengers: Infinity War -  Super 4 Chilli Peppers 
• The Ballad of Buster Scruggs - Art House 4 Chilli Peppers 
• Upgrade - Science Fiction/ Action 4 Chilli Peppers  
• John Leguizamo: Latin History for Morons - Documentary 4 Chilli Peppers 

HONORABLE MENTIONS:

• A Quiet Place - Sci-Fi/ Horror 3.5 Chilli Peppers
• Annihilation - Sci-Fi 3.5 Chilli Peppers
• Black Panther - Super 3.5 Chilli Peppers
• Ready Player One - Fantasy 3.5 Chilli Peppers
• The Breaker Upperers - Comedy 3.5 Chilli Peppers
• Searching - Crime 3.5 Chilli Peppers
• Game Night - Comedy 3.5 Chilli Peppers
• Love, Simon - Romance 3.5 Chilli Peppers
• Bohemian Rhapsody - Drama 3.5 Chilli Peppers
• Blockers - Comedy 3.5 Chilli Peppers

Here are my top recommendations for pre- 2018 releases that I didn't see until 2018: 

• Three Billboards Outside Ebbing, Missouri - Drama 5 Chilli Peppers (Hall of Fame)
• Bright Star - Romance 4.5 Chilli Peppers
• Wind River - Drama 4 Chilli Peppers
• Good Time - Drama 4 Chilli Peppers 
• The Shape of Water - Fantasy 4 Chilli Peppers 
• Coco - Kid Friendly 4 Chilli Peppers 
• Mudbound - Drama 4 Chilli Peppers
• Call Me by Your Name  - Romance 4 Chilli Peppers 
• Ingrid Goes West - Drama 4 Chilli Peppers 
• Beasts of No Nation - Gritty 4 Chilli Peppers 
• The Tunnel - Foreign 4 Chilli Peppers 

BEST TELEVISION SERIES of 2018: 

• Master of None S2 - Comedy/ Drama 5 Chilli Peppers 
• One Strange Rock - Documentary 5 Chilli Peppers
• Atlanta S2 - Drama 5 Chilli Peppers
• Sharp Objects - Crime 5 Chilli Peppers
• Patrick Melrose - Drama 5 Chilli Peppers
• Kidding - Drama 4.5 Chilli Peppers
• Who is America? - Comedy/ Documentary 4.5 Chilli Peppers
• Here and Now - Drama 4.5 Chilli Peppers
• Maniac - Sci-Fi 4.5 Chilli Peppers
• Lemony Snicket's a Series of Unfortunate Events S2 - Fantasy/ Kid Friendly 4.5 Chilli Peppers 
• Mosaic - Crime 4 Chilli Peppers
• The End of the Fucking World S1 - Crime 4 Chilli Peppers
• Dirk Gently S2 - Fantasy 4 Chilli Peppers
• Barry S1 - Crime/ Drama 4 Chilli Peppers
• AHS - Apocalypse - Horror 4 Chilli Peppers
• Mr Inbetween - Crime 4 Chilli Peppers
• Salt, Fat, Acid, Heat - Documentary 4 Chilli Peppers
• Just Another Immigrant - Comedy  4 Chilli Peppers
• Mr Mercedes S1 - Crime  4 Chilli Peppers
• Wanderlust - Drama  4 Chilli Peppers
• The Miracle - Foreign  4 Chilli Peppers
• Anne with an E S2 - Drama 4 Chilli Peppers

HONORABLE MENTIONS:

• Britannia S1 - Fantasy 3.5 Chilli Peppers 
• Ash vs Evil Dead S3 - Horror/ Comedy 3.5 Chilli Peppers 
• Swedish Dicks S2 - Comedy/ Crime 3.5 Chilli Peppers 
• Future Man - Sci-Fi/Comedy 3.5 Chilli Peppers 
• GLOW S2 - Drama 3.5 Chilli Peppers 
• The Detectorists S2 - Comedy/ Drama 3.5 Chilli Peppers 
• Sabrina the Teenage Witch - Horror 3.5 Chilli Peppers 
• Wellington Paranormal - Horror/Comedy 3.5 Chilli Peppers 
• The Kominsky Method - Drama/ Comedy 3.5 Chilli Peppers 

Genocide is the deliberate and systematic destruction, in whole or in part, of an ethnic, racial, religious or national group. When we think about racial genocide we generally think about all of the indigenous communities that were horrifically and systematically murdered, removed or bred out of existence because of greed and intolerance.
Native people with advanced civilisations like the Mayans, the Aztecs, the Incas, the native Mexican tribes, the Apache, the Navajo, the Cherokee, the Yuki, the Indigenous Australian and African tribes, the New Zealand Maori and Inuit tribes were all severely diminished or even completely wiped out when the Spanish, Portuguese, French, Dutch, British, Belgian and Russian explorers began to invade their lands.
These white invaders from across the seas came to rape, plunder and claim the land, at any cost. If they couldn't just overpower or kill the natives outright with brute force, which was often the case, then they crept in, in the most insidious of ways, spreading their diseases, destroying their crops and livelihood and abducting and enslaving their people, eventually destroying entire native cultures from the inside out.
And that, is genocide. And that is the stuff of history is it not? White man comes, white man takes and white man wonders why he is not trusted anymore. And we all like to tell ourselves that this is all just bad water under the bridge, that this type of thing does not happen anymore, that people have learnt from their mistakes and that genocide is not a modern construct but an ancient one. Well I hate to be the one to break it to you, but people haven't learned jack shit from their sordid and generally horrific past exploits because genocide has also feature heavily in the 20th century history as well, and in a lot of those cases, people have actually turned on each other, their very own people and it is just so disturbing. 
There were the atrocities of the Ottoman Empire/ Turkey when the Christian minorities of Armenia, Assyria and Greece were persecuted. There was the starvation of the Ukrainian people during the Soviet Famine of 1932. Then the mass deportation of Lithuanians, Latvians and Estonians and the systematic slaying of Poles and ethnic cleansing of the Crimean Tatars by Stalin in 1937-38.  There was the mass killings of the Chinese people by the Japanese in the Nanking massacre followed by The Holocaust - when the German Nazis murdered approximately 3.8 million Jewish people and performed an ethnic cleansing of the Slavic countries. Then there was a genocide that was carried out on the Cambodians by the Khmer Rouge regime led by Pol Pot in between 1974 and 1979, and the list just goes on and on.....Tibet, the Congo, Somalia, Chechnya, Myanmar, ISIL... I haven't even touched the sides here, there are literally billions of lives and cultures throughout history that have been destroyed through means of genocide. And genocide is still going on today, it is happening right now and the end is nowhere in sight. 
So what have we learned through all of this killing? What is the take away from all of this bloodshed and civil unrest? For some, they have learned nothing and maybe never will, but for many of us around the globe we have learned that no-one is safe from persecution and that only through a united global mindset will we ever be free from another genocide.
The positive is that most countries have now signed to a peace treaty and will not tolerate the inhumane treatment of any ethnic, religious or racial party; and that is a very good start. We now also place more emphasis on learning from the past and understanding our torn history as humans and supporting the liberation of depleted and destroyed cultures.
It is not okay to not own our history, it is ours, we must own it and learn from it if we are to get better, and I do believe that we can, but it's going to take time and patience and empathy and ownership of what has transpired. And quite frankly, not everyone is prepared to own the atrocities of their own heritage which is going to slow us all down quite a bit, but that doesn't mean that we can give up, it means that we have to push even harder to drive home the message that no-one's culture, religion, ethnicity or race makes them inferior to anyone else and that no-one ever has the right to take that very human right away from anyone else. We have seen enough genocide in our past, wouldn't it be nice to see a lot more liberation and fraternity in our future? 

JOHN LEGUIZAMO'S LATIN HISTORY FOR MORONS
Release Date: 2018
Rating: MA 15+
Running Time: 90 mins
Colombian-American actor John Leguizamo brings his one man Broadway show to Netflix in this unmissable documentary about Latino history. Latin History for Morons earned a 2018 Tony Award nomination for Best Play on Broadway and is easily the most interesting chalk and talk history lesson that you will ever sit through.
When John's son falls victim to a white bully at a Manhattan private school for being Latino, John delves into his own history to try and identify the reasons for America's whitewashed historical recount and the hidden heros that have been sadly overlooked. 
The excruciatingly violent past of the indigenous people of America and South America is delivered here in an informative and effervescent way by Leguizamo who manages to illustrate all of the ugliness with a good speckle of humour and an engaging flair. However underneath it all, this is a harrowing tale about all of the native people that were slain and driven from their homes over the past 3000 years and the impact that is still being felt today as a consequence of that.
Everyone needs to see this, it is a powerful and thought provoking watch that offers a great overview into Hispanic culture for people (or morons like me) that don't know a lot about the topic. 
FINAL SAY: Violence is the lowest form of communication.
4 Chilli Peppers ​

Men's health is an extremely neglected issue, especially in countries like Australia where the term 'Man Up' or 'Don't be a Pussy' are the staple when it comes to male wellbeing. However, the truth is that the stoic, strong and silent male stereotype that Aussie males have happily hung their hats upon for decades has actually been incredibly damning for men.
Australia now has an alarmingly high suicide rate, and 75% of those suicides are men between the ages 15-44, which means that more men die of suicide every year than from road accidents. Suicide has now become the 10th highest cause of death among men, which means that it is an issue that we can no longer afford to ignore. Just today, 6 Australia men will take their own lives, and we desperately need to get to the bottom of what is going on and why this is happening. 
The men that are taking their own lives come from all walks of life, they live in rural areas and cities, they are young and old and they have diverse employment, socio-economic statuses and cultural backgrounds, but they do have one thing in common, and that is the inability to reach out and share their troubles with others. Turns out that the strong male stereotype is so well ingrained that most men say that they are concerned or even afraid to show their true feelings, their worries, their anxieties and their burdens with others, even their closest family members and friends. This inability to share tends to push vulnerable men into drug and alcohol abuse, gambling addictions or other unhealthy outlets to try and cope with their emotions. 
Essentially we have as a culture, disempowered our men to talk about themselves and their problems. Men are struggling to allow themselves to be vulnerable for fear of being singled out as weak; the pull to be an 'Aussie bloke' who can shoulder any responsibility has overridden men's ability to adopt introspection and let their guard down, and the results of this are just catastrophic.
So what can we do about it? First and foremostly, we have to acknowledge that what we are doing isn't working and that we need to make some serious changes to the way that we deal with men and their health and wellbeing issues. Organisation like Gotcha4Life and Movember are supporting programs directed specifically at men and agree that the approach needs to be different. Empowering and encouraging men to have deeper conversations about what is going on with them when they experience a crisis in their lives is the best place to start. We must make room for men to be in touch with the human parts of themselves, which means that they need the space to share, cry, mourn and feel weak from time to time without the fear of negative judgement.
We need to stop telling blokes to harden up or man up and we need to be better listeners and show support and understanding. We need to educate ourselves about men and their unique set of challenges and the heavy unspoken expectations that are placed upon them from an early age. These traditions of expectation have become so ingrained in Australian culture that it is going to take time to loosen the shackles of those constraints for men, but we have to start somewhere because male suicide is on the rise not the decline in Australia. 
So start right away, tell the men in your life how much they mean to you and take more time to just sit and talk with them when you can. Allow time for them to bond with other men recreationally, and encourage them to spend time alone with other men so that they can learn to open up and share their thoughts and feelings in 'safe mate' circle of friends. Support and normalise emotional releases and remember that it is all of our responsibilities to make men feel valued, heard and supported so that they can face the challenges of their lives with dignity. Help men to understand that it is not only okay to feel weak, it is absolutely necessary sometimes, and that being an emotionless robot isn't of service to anyone.
It is time for us all to wave goodbye to the stoic Aussie male stereotype that we have all been conditioned to accept and expect for generations, because we know that we can all do a shitload better than that for our men. And I implore all men to reach out and share, because we are all here and ready to hear you and support you, and never forget that it's all gonna be okay, help is never too far away and it's totally okay to seek it out if you should need it.